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This is an illustraded version and it contains both a text analysis and author's biography. Carmilla is a Gothic novella by Joseph Sheridan Le Fanu. First published in 1872, it tells the story of a young woman’s susceptibility to the attentions of a female vampire named Carmilla. Also this story predates Bram Stoker’s Dracula by 25 years, and has been adapted many times for cinema. It was first published in the magazine The Dark Blue in late 1871 and early 1872 and then in the author’s collection of short stories In a Glass Darkly in the latter year. There were two illustrators for the story, the work of which appeared in the magazine but does not appear in modern printings of the book. The two illustrators, David Henry Friston and Michael Fitzgerald, show some inconsistencies in their depiction of the characters, and as a result some confusion has arisen in relating the pictures to the story’s continuous plot. The story is presented by Le Fanu as part of the casebook of Dr. Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature. The story is narrated by Laura, one of the two main protagonists of the tale. Laura begins her tale by relating her childhood in a “picturesque and solitary” castle in the midst of an extensive forest in Styria, where she lives with her father, a wealthy English widower, retired from the Austrian Service. When she was six years old, Laura had a vision of a beautiful visitor in her bedchamber. She later claims to have been bitten on the chest, although no wounds are found on her. 12 years later, Laura and her father are admiring the sunset in front of the castle when her father tells her of a letter he received earlier from his friend, General Spielsdorf. The General was supposed to bring his niece, Bertha Rheinfeldt, to visit the two, but the niece suddenly died under mysterious circumstances. The General ambiguously concludes that he will discuss the circumstances in detail when they meet later. Laura is saddened by the loss of a potential friend, and longs for a companion. A carriage accident outside Laura’s home unexpectedly brings a girl of Laura’s age into the family’s care. Her name is Carmilla. Both girls instantly recognise the other from the “dream” they both had when they were young. Carmilla and Laura grow to be very close friends, but occasionally Carmilla’s mood abruptly changes. She sometimes makes unsettling romantic advances towards Laura. Carmilla refuses to tell anything about herself or her background, despite questioning from Laura. Her secrecy isn't the only mysterious thing about her. Carmilla sleeps much of the day, and seems to sleepwalk at night. When a funeral procession passes by the two girls and Laura begins singing a hymn, Carmilla bursts out in rage and scolds Laura for singing a Christian song. When a shipment of family heirloom restored portraits arrives at the castle, Laura finds one of her ancestors, “Mircalla, Countess Karnstein”, dated 1698. The portrait resembles Carmilla exactly, down to the mole on her neck. During Carmilla’s stay, Laura has nightmares of a fiendish cat-like beast entering her room at night and biting her on the chest. The beast then takes the form of a female figure and disappears through the door without opening it. Laura’s health declines and her father has a doctor examine her. He speaks privately with her father and only asks that Laura never be left unattended.Biografía del autor:
Joseph Thomas Sheridan Le Fanu (28 August 1814 – 7 February 1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. Three of his best known works are Uncle Silas, “Carmilla” and The House by the Churchyard. Although Thomas Le Fanu tried to live as though he were well-off, the family was in constant financial difficulty. Thomas took the rectorships in the south of Ireland for the money, as they provided a decent living through tithes. However, from 1830, as the result of agitation against the tithes, this income began to fall and it ceased entirely two years later. In 1838 the government instituted a scheme of paying rectors a fixed sum, but in the interim the Dean had little besides rent on some small properties he had inherited. In 1833 Thomas had to borrow £100 from his cousin Captain Dobbins (who himself ended up in the debtors’ prison a few years later) to visit his dying sister in Bath, who was also deeply in debt over her medical bills. At his death Thomas had almost nothing to leave to his sons and the family had to sell his library to pay off some of his debts. His widow went to stay with the younger son William. Sheridan Le Fanu studied law at Trinity College in Dublin, where he was elected Auditor of the College Historical Society. Under a system peculiar to Ireland he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university when necessary. He was called to the bar in 1839, but he never practiced and soon abandoned law for journalism. In 1838 he began contributing stories to the Dublin University Magazine, including his first ghost story, entitled “The Ghost and the Bone-Setter” (1838). He became owner of several newspapers from 1840, including the Dublin Evening Mail and the Warder. Le Fanu died in his native Dublin on 7 February 1873, at the age of 58. Today there is a road and a park in Ballyfermot, near his childhood home in south-west Dublin, named after him.
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Descripción CreateSpace Independent Publishing Platform, 2014. Paperback. Condición: Brand New. 140 pages. 9.00x6.00x0.32 inches. This item is printed on demand. Nº de ref. del artículo: zk1496078276
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