This book proceeds from basic theory to design studies of concert and multiple purpose halls. Readers can follow the concept of temporal and spatial values which may be associated with the left and right cerebral hemispheres, respectively, in listening to music and speech in a room. Special attention has been made to stimulate the left and the right hemispheres of the brain. The audience includes both undergraduate and graduate students in the fields of acoustics, architechture, psychology, physiology, and music, as well as acoustical consultants, audio engineers, and "sound coordinators" of concert halls and theaters, in addition to researchers who are interested in fusing
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Proceeding from basic theory to design studies of concert and multiple purpose halls, the author introduces a remarkable seat selection system for the analysis of new and existing halls, and proposes a diagnostic system for testing the physical properties and calculating the psychological attributes at any seat after a hall is built. The book also presents a theory of subjective preferences, based on a model of the auditory cognitive system in the brain. Readers can thus follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respectively, in a room. From the results of calculating subjective preference at each seat, for example, architects, musicians, and acoustical engineers concerned with the design and use of concert and multi-use halls may determine the best location to perform a certain type of music on the stage, as well as the best seats from which to listen.
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Destinos, gastos y plazos de envíoLibrería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Proceeding from basic theory to design studies of concert and multiple purpose halls, the author introduces a remarkable seat selection system for the analysis of new and existing halls, and proposes a diagnostic system for testing the physical properties and calculating the psychological attributes at any seat after a hall is built. The book also presents a theory of subjective preferences, based on a model of the auditory cognitive system in the brain. Readers can thus follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respectively, in a room. From the results of calculating subjective preference at each seat, for example, architects, musicians, and acoustical engineers concerned with the design and use of concert and multi-use halls may determine the best location to perform a certain type of music on the stage, as well as the best seats from which to listen. 272 pp. Englisch. Nº de ref. del artículo: 9781461268383
Cantidad disponible: 2 disponibles
Librería: Ria Christie Collections, Uxbridge, Reino Unido
Condición: New. In. Nº de ref. del artículo: ria9781461268383_new
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Librería: moluna, Greven, Alemania
Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book proceeds from basic theory to design studies of concert and multiple purpose halls. Readers can follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respective. Nº de ref. del artículo: 4189477
Cantidad disponible: Más de 20 disponibles
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book proceeds from basic theory to design studies of concert and multiple purpose halls. The author introduces a remarkable seat selection system for analysis of new and existing halls and proposes a diagnostic system for testing physical properties and calculating psychological attributes at any seat after a hall is built. The book also presents a theory of subjective preferences, vbased on a model of the auitory cognitive system in the brain. Readers can thus follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respectively, in a room. From results of calculating subjective preference at each seat, for example, architects, musicians, and acousticical engineers concerned with the design and use of concert and multi-use halls may determine the best location to perform a certain type of music on the stage, as well as the best seats from which to listen. These results will also allow designers tooptimize the height of the canopy above the stage, and the positions of other reflectors to fuse performer and hall sound. At the end of the book such a design theory is described, incorporating temporal and spatial values that may be generalized in physical environmental design. In writing this book, the author has paid special attention to stimulating the left and the right hemispheres of the brain with both text and illustrations. Written at the level of advanced undergraduate students, this book should be of interest not only to acoustical engineers and architects, but also to musicians, acoustical consultants, audio engineers, and sound coordinators of concert halls and theaters, as well as researchers who are interested in fusing science and art. Nº de ref. del artículo: 9781461268383
Cantidad disponible: 1 disponibles
Librería: Rarewaves.com UK, London, Reino Unido
Paperback. Condición: New. This book proceeds from basic theory to design studies of concert and multiple purpose halls. The author introduces a remarkable seat selection system for analysis of new and existing halls and proposes a diagnostic system for testing physical properties and calculating psychological attributes at any seat after a hall is built. The book also presents a theory of subjective preferences, vbased on a model of the auitory cognitive system in the brain. Readers can thus follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respectively, in a room. From results of calculating subjective preference at each seat, for example, architects, musicians, and acousticical engineers concerned with the design and use of concert and multi-use halls may determine the best location to perform a certain type of music on the stage, as well as the best seats from which to listen. These results will also allow designers tooptimize the height of the canopy above the stage, and the positions of other reflectors to fuse performer and hall sound. At the end of the book such a design theory is described, incorporating temporal and spatial values that may be generalized in physical environmental design. In writing this book, the author has paid special attention to stimulating the left and the right hemispheres of the brain with both text and illustrations. Written at the level of advanced undergraduate students, this book should be of interest not only to acoustical engineers and architects, but also to musicians, acoustical consultants, audio engineers, and sound coordinators of concert halls and theaters, as well as researchers who are interested in fusing science and art. Softcover reprint of the original 1st ed. 1998. Nº de ref. del artículo: LU-9781461268383
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Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 416. Nº de ref. del artículo: C9781461268383
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Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Paperback. Condición: New. This book proceeds from basic theory to design studies of concert and multiple purpose halls. The author introduces a remarkable seat selection system for analysis of new and existing halls and proposes a diagnostic system for testing physical properties and calculating psychological attributes at any seat after a hall is built. The book also presents a theory of subjective preferences, vbased on a model of the auitory cognitive system in the brain. Readers can thus follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respectively, in a room. From results of calculating subjective preference at each seat, for example, architects, musicians, and acousticical engineers concerned with the design and use of concert and multi-use halls may determine the best location to perform a certain type of music on the stage, as well as the best seats from which to listen. These results will also allow designers tooptimize the height of the canopy above the stage, and the positions of other reflectors to fuse performer and hall sound. At the end of the book such a design theory is described, incorporating temporal and spatial values that may be generalized in physical environmental design. In writing this book, the author has paid special attention to stimulating the left and the right hemispheres of the brain with both text and illustrations. Written at the level of advanced undergraduate students, this book should be of interest not only to acoustical engineers and architects, but also to musicians, acoustical consultants, audio engineers, and sound coordinators of concert halls and theaters, as well as researchers who are interested in fusing science and art. Softcover reprint of the original 1st ed. 1998. Nº de ref. del artículo: LU-9781461268383
Cantidad disponible: Más de 20 disponibles
Librería: Books Puddle, New York, NY, Estados Unidos de America
Condición: New. pp. 272. Nº de ref. del artículo: 2648031481
Cantidad disponible: 4 disponibles
Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemania
Taschenbuch. Condición: Neu. Neuware -This book proceeds from basic theory to design studies of concert and multiple purpose halls. The author introduces a remarkable seat selection system for analysis of new and existing halls and proposes a diagnostic system for testing physical properties and calculating psychological attributes at any seat after a hall is built. The book also presents a theory of subjective preferences, vbased on a model of the auitory cognitive system in the brain. Readers can thus follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respectively, in a room. From results of calculating subjective preference at each seat, for example, architects, musicians, and acousticical engineers concerned with the design and use of concert and multi-use halls may determine the best location to perform a certain type of music on the stage, as well as the best seats from which to listen. These results will also allow designers tooptimize the height of the canopy above the stage, and the positions of other reflectors to fuse performer and hall sound. At the end of the book such a design theory is described, incorporating temporal and spatial values that may be generalized in physical environmental design. In writing this book, the author has paid special attention to stimulating the left and the right hemispheres of the brain with both text and illustrations. Written at the level of advanced undergraduate students, this book should be of interest not only to acoustical engineers and architects, but also to musicians, acoustical consultants, audio engineers, and sound coordinators of concert halls and theaters, as well as researchers who are interested in fusing science and art.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 272 pp. Englisch. Nº de ref. del artículo: 9781461268383
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Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. reprint edition. 287 pages. 9.25x6.10x0.71 inches. In Stock. Nº de ref. del artículo: x-1461268389
Cantidad disponible: 2 disponibles