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Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1904. Excerpt: ... so delicately and perfectly touched as in this little disturber: one sees so well that the house never can be quiet for her, except when she is asleep; and holds no other joy so dear as that disquiet. 200. The Maid Of Derwent. (H. H. Emmerson.) A promising average example of the kind of study from Nature which fills the rooms, and of which it is impossible to mark the other instances specially. This is better balanced in effect than most, and looks as if good work would come of it. 204. The Missing Boat: Pas De Calais. (Frank Stone, A.) Very good in much of its expression, and thoroughly careful, but too much elaborated in the studio, and not quite enough on the beach. It is got up too primly, as the principal figure is in her fishwife's dress. Sorrow, and salt water, after six hours' stand on the shingle, don't leave a woman's dress quite so tidy. 218. The Derby Day.1 (W. P. Frith, R.A.) I am not sure how much power is involved in the production of such a picture as this; great ability there is assuredly--long and careful study--considerable humour-- untiring industry, -- all of them qualities entitled to high praise, which I doubt not they will receive from the delighted public. It is also quite proper and desirable that this English carnival should be painted; and of the entirely popular manner of painting, which, however, we must remember, is necessarily, because popular, stooping and restricted, I have never seen an abler example. The drawing of the distant figures seems to me especially dexterous and admirable; but it is very difficult to characterize the picture in accurate general terms. It is a kind of cross between John Leech and Wilkie, with a dash of daguerreotype here and there, and some pretty seasoning with Dickens's sentiment. 1 [Now in the Tate Gallery, No. 615. For...
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