Beyond Salsa Percussion-The Cuban Timba Revolution: An Introduction to Latin Rhythms for Beginning Drums and Timbales

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9781456343965: Beyond Salsa Percussion-The Cuban Timba Revolution: An Introduction to Latin Rhythms for Beginning Drums and Timbales

This book presents an encyclopedic selection of all the basic rhythm parts used on timbales and drums in Latin music (salsa, timba, Afro-Cuban folkloric rhythms, rumba, danzón, chachachá et al). The central premise is for the student to master each rhythm by singing and tapping before attempting to play it on an instrument, so as to avoid bad habits of technique during the critical period when the rhythm is being memorized and internalized. To accommodate as many learning styles as possible, each rhythm is presented in eight ways: two types of standard notation, two types of graphic or “box” notation, full speed audio, slow motion audio, and two speeds using a special “task-by-task” learning method where the rhythm is learned one stroke at a time against a steady rhythmic accompaniment. Each rhythm is first presented as a single part in its historical context and then in the combinations of two and three parts at once that a percussionist would be expected to play in various group situations. One group of audio files (107 tracks) is available as a free online download, with the link provided in the book. The remainder (the more advanced files) are available as a separate downloadable product. The book will also be useful for those who can already play drums and timbales but need to quickly learn the necessary rhythms for salsa and timba, but for true beginners, our strategy is to learn to sing and tap all of the basic rhythms before taking your first lesson and there’s a very important reason for doing it this way: As with golf or tennis lessons, learning to play a musical instrument is about physical movements, dexterity, timing, coordination and body language – the types of things that are easier to demonstrate than to explain and are easier to master when your brain stays calmly out of the way as your body goes through the learning process. If your brain is struggling to learn what to play, it interferes with your body’s natural ability to learn how to play. To put it another way, if you’re concentrating on mastering the pattern of a new rhythm, you won’t be able to give 100% of your effort to tone production, posture, hand position, and feeling the groove, and you’re likely to develop “bad habits” that are hard to unlearn later. But if you’ve already learned to sing, clap and tap the rhythms before you take your first lesson on drums or timbales, you’ll be much more likely to succeed, and – just as important – you’ll be much more likely to enjoy the process.

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About the Author:

Kevin Moore has written 21 books on Cuban music and is the co-founder and music editor of the world's largest Cuban music website, timba.com. His writings include The Tomás Cruz Conga Method and the Beyond Salsa series, which includes books on piano, bass, clave, percussion and ensemble playing.

"Sobre este título" puede pertenecer a otra edición de este libro.

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Descripción 2012. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IP-9781456343965

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Descripción Createspace, United States, 2012. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****.This book presents an encyclopedic selection of all the basic rhythm parts used on timbales and drums in Latin music (salsa, timba, Afro-Cuban folkloric rhythms, rumba, danzon, chachacha et al). The central premise is for the student to master each rhythm by singing and tapping before attempting to play it on an instrument, so as to avoid bad habits of technique during the critical period when the rhythm is being memorized and internalized. To accommodate as many learning styles as possible, each rhythm is presented in eight ways: two types of standard notation, two types of graphic or box notation, full speed audio, slow motion audio, and two speeds using a special task-by-task learning method where the rhythm is learned one stroke at a time against a steady rhythmic accompaniment. Each rhythm is first presented as a single part in its historical context and then in the combinations of two and three parts at once that a percussionist would be expected to play in various group situations. One group of audio files (107 tracks) is available as a free online download, with the link provided in the book. The remainder (the more advanced files) are available as a separate downloadable product. The book will also be useful for those who can already play drums and timbales but need to quickly learn the necessary rhythms for salsa and timba, but for true beginners, our strategy is to learn to sing and tap all of the basic rhythms before taking your first lesson and there s a very important reason for doing it this way: As with golf or tennis lessons, learning to play a musical instrument is about physical movements, dexterity, timing, coordination and body language - the types of things that are easier to demonstrate than to explain and are easier to master when your brain stays calmly out of the way as your body goes through the learning process. If your brain is struggling to learn what to play, it interferes with your body s natural ability to learn how to play. To put it another way, if you re concentrating on mastering the pattern of a new rhythm, you won t be able to give 100 of your effort to tone production, posture, hand position, and feeling the groove, and you re likely to develop bad habits that are hard to unlearn later. But if you ve already learned to sing, clap and tap the rhythms before you take your first lesson on drums or timbales, you ll be much more likely to succeed, and - just as important - you ll be much more likely to enjoy the process. Nº de ref. de la librería APC9781456343965

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Kevin Moore
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Descripción Createspace, United States, 2012. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****. This book presents an encyclopedic selection of all the basic rhythm parts used on timbales and drums in Latin music (salsa, timba, Afro-Cuban folkloric rhythms, rumba, danzon, chachacha et al). The central premise is for the student to master each rhythm by singing and tapping before attempting to play it on an instrument, so as to avoid bad habits of technique during the critical period when the rhythm is being memorized and internalized. To accommodate as many learning styles as possible, each rhythm is presented in eight ways: two types of standard notation, two types of graphic or box notation, full speed audio, slow motion audio, and two speeds using a special task-by-task learning method where the rhythm is learned one stroke at a time against a steady rhythmic accompaniment. Each rhythm is first presented as a single part in its historical context and then in the combinations of two and three parts at once that a percussionist would be expected to play in various group situations. One group of audio files (107 tracks) is available as a free online download, with the link provided in the book. The remainder (the more advanced files) are available as a separate downloadable product. The book will also be useful for those who can already play drums and timbales but need to quickly learn the necessary rhythms for salsa and timba, but for true beginners, our strategy is to learn to sing and tap all of the basic rhythms before taking your first lesson and there s a very important reason for doing it this way: As with golf or tennis lessons, learning to play a musical instrument is about physical movements, dexterity, timing, coordination and body language - the types of things that are easier to demonstrate than to explain and are easier to master when your brain stays calmly out of the way as your body goes through the learning process. If your brain is struggling to learn what to play, it interferes with your body s natural ability to learn how to play. To put it another way, if you re concentrating on mastering the pattern of a new rhythm, you won t be able to give 100 of your effort to tone production, posture, hand position, and feeling the groove, and you re likely to develop bad habits that are hard to unlearn later. But if you ve already learned to sing, clap and tap the rhythms before you take your first lesson on drums or timbales, you ll be much more likely to succeed, and - just as important - you ll be much more likely to enjoy the process. Nº de ref. de la librería APC9781456343965

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Descripción Createspace, 2012. PAP. Estado de conservación: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Nº de ref. de la librería IP-9781456343965

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Descripción CreateSpace Independent Publishing Platform. Paperback. Estado de conservación: New. This item is printed on demand. 184 pages. Dimensions: 9.9in. x 8.0in. x 0.5in.This book presents an encyclopedic selection of all the basic rhythm parts used on timbales and drums in Latin music (salsa, timba, Afro-Cuban folkloric rhythms, rumba, danzn, chachach et al). The central premise is for the student to master each rhythm by singing and tapping before attempting to play it on an instrument, so as to avoid bad habits of technique during the critical period when the rhythm is being memorized and internalized. To accommodate as many learning styles as possible, each rhythm is presented in eight ways: two types of standard notation, two types of graphic or box notation, full speed audio, slow motion audio, and two speeds using a special task-by-task learning method where the rhythm is learned one stroke at a time against a steady rhythmic accompaniment. Each rhythm is first presented as a single part in its historical context and then in the combinations of two and three parts at once that a percussionist would be expected to play in various group situations. One group of audio files (107 tracks) is available as a free online download, with the link provided in the book. The remainder (the more advanced files) are available as a separate downloadable product. The book will also be useful for those who can already play drums and timbales but need to quickly learn the necessary rhythms for salsa and timba, but for true beginners, our strategy is to learn to sing and tap all of the basic rhythms before taking your first lesson and theres a very important reason for doing it this way: As with golf or tennis lessons, learning to play a musical instrument is about physical movements, dexterity, timing, coordination and body language the types of things that are easier to demonstrate than to explain and are easier to master when your brain stays calmly out of the way as your body goes through the learning process. If your brain is struggling to learn what to play, it interferes with your bodys natural ability to learn how to play. To put it another way, if youre concentrating on mastering the pattern of a new rhythm, you wont be able to give 100 of your effort to tone production, posture, hand position, and feeling the groove, and youre likely to develop bad habits that are hard to unlearn later. But if youve already learned to sing, clap and tap the rhythms before you take your first lesson on drums or timbales, youll be much more likely to succeed, and just as important youll be much more likely to enjoy the process. This item ships from La Vergne,TN. Paperback. Nº de ref. de la librería 9781456343965

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Descripción CreateSpace Independent Publis, 2017. Paperback. Estado de conservación: New. Never used! This item is printed on demand. Nº de ref. de la librería P111456343963

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