Noise Matters: Towards an Ontology of Noise

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9781441111487: Noise Matters: Towards an Ontology of Noise

Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen).

Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.

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About the Author:

Greg Hainge is Reader in French and Head of the School of Languages and Comparative Cultural Studies at the University of Queensland. He is the author of Capitalism and Schizophrenia in the Later Novels of Louis-Ferdinand Céline and has published widely on cinema, music, critical theory and French literature.

Review:

"Across eight chapters, Hainge runs through an irregular but illuminating sequence of cultural situations and texts in which noise proves determining [ ]Hainge's study responds to the institutional unmooring of cultural studies with recourse to 'ontology'. What makes his book a more interesting study than many of the other 'ontologies' currently on offer is that, rather than promulgating a return to (low-grade phantasy) objects, Hainge focuses on the anti-object par excellence, the nothing that is noise. Now that's a noise we can all feel, if not in the way Slade intended." - Justin Clemens, "Cultural Studies Review"

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Descripción Continuum Publishing Corporation, United States, 2013. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****. Everyone knows what noise is. Or do they? Can we in fact say that one man s noise is another teenager s music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen). Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre s novel Nausea and David Lynch s iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century s most infamous noisemongers to suggest that they re not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture. Nº de ref. de la librería AAV9781441111487

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Descripción Continuum Publishing Corporation, United States, 2013. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****.Everyone knows what noise is. Or do they? Can we in fact say that one man s noise is another teenager s music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen). Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre s novel Nausea and David Lynch s iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century s most infamous noisemongers to suggest that they re not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture. Nº de ref. de la librería AAV9781441111487

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Descripción Continuum Publishing Corporation, United States, 2013. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Everyone knows what noise is. Or do they? Can we in fact say that one man s noise is another teenager s music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen). Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre s novel Nausea and David Lynch s iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century s most infamous noisemongers to suggest that they re not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture. Nº de ref. de la librería BTE9781441111487

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