Motherhood Misconceived: Representing the Maternal in U.S. Films

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9781438428116: Motherhood Misconceived: Representing the Maternal in U.S. Films

As celebrities sporting "baby bumps," politicians, Olympic athletes, and talk show guests, mothers are ubiquitous throughout U.S. media and popular culture. Like lightning rods, these high-profile mothers attract accolades and judgments associated with ideals of female sexuality, gender roles, and constructions of contemporary families. Motherhood Misconceived explores this widespread cultural fascination with motherhood through analyses of mothers in contemporary U.S. film, including both mainstream and independent cinematic representations. The contributors draw on a variety of critical approaches to consider the spectacle of pregnancy; mother-daughter relationships; mothers as predators, narcissists, and absent victims; and the ways in which cultural anxieties are displaced and projected onto marginalized mothers in films such as Fargo; Transamerica; Gas, Food, Lodging; Ordinary People; and Scream. Ideal for women's studies or film studies classes, Motherhood Misconceived will help students contextualize current debates about motherhood as they play out in popular and independent film.

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About the Author:

Heather Addison is Associate Professor of Film Studies at Western Michigan University and author of Hollywood and the Rise of Physical Culture.

Mary Kate Goodwin-Kelly is an independent scholar living in Kalamazoo, Michigan.

Elaine Roth is Associate Professor of Film Studies at Indiana University South Bend.

Review:

This collection has an engaging, lively introduction co-authored by the three editors that manages to address both film studies specialists and non-specialists in its analysis of why representations of the maternal in U.S. films should concern us and precisely what the collection tells us about those representations. Femspec
This intriguing book collects sharp essays, by key scholars in film studies, questioning the maternal image in American cinema from the early 1900s to the present Illustrated with more than 20 well-chosen images, this book belongs in every serious collection of feminist film criticism. CHOICE
This collection focuses on Hollywood s portrayal of motherhood in a clear, coherent fashion and addresses a variety of subtopics, including the mother-to-be, the single mother, the aging mother, the transsexual mother, and the mother in various genres. Lucy Fischer, author of Designing Women: Cinema, Art Deco, and the Female Form"

"This collection has an engaging, lively introduction co-authored by the three editors that manages to address both film studies specialists and non-specialists in its analysis of why representations of the maternal in U.S. films should concern us and precisely what the collection tells us about those representations." -- Femspec

"This intriguing book collects sharp essays, by key scholars in film studies, questioning the 'maternal' image in American cinema from the early 1900s to the present ... Illustrated with more than 20 well-chosen images, this book belongs in every serious collection of feminist film criticism." -- CHOICE

"This collection focuses on Hollywood's portrayal of motherhood in a clear, coherent fashion and addresses a variety of subtopics, including the mother-to-be, the single mother, the aging mother, the transsexual mother, and the mother in various genres." -- Lucy Fischer, author of Designing Women: Cinema, Art Deco, and the Female Form

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Editorial: State University of New York Pre (2009)
ISBN 10: 1438428111 ISBN 13: 9781438428116
Usado Tapa dura Cantidad: 4
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Descripción State University of New York Pre, 2009. Hardcover. Estado de conservación: Fine. Still Sealed in Plastic. Never used!. Nº de ref. de la librería mon0001275991

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