Art And The Formation Of Taste: Six Lectures is a book written by Lucy Crane that was first published in 1885. The book contains a series of six lectures that explore the relationship between art and taste. The lectures are designed to provide readers with a better understanding of how art is perceived and appreciated, and how taste is formed. Crane begins the book by discussing the nature of art and how it is created. She then goes on to explore the different ways in which art can be appreciated, and how taste is developed over time. She also discusses the role that education and culture play in shaping our perceptions of art and beauty. Throughout the book, Crane uses examples from different art forms, including painting, sculpture, and literature, to illustrate her points. She also draws on the works of famous artists and writers, such as Shakespeare and Michelangelo, to provide readers with a deeper understanding of their contributions to the world of art. Overall, Art And The Formation Of Taste: Six Lectures is a thought-provoking book that explores the complex relationship between art and taste. It is a must-read for anyone interested in the history and philosophy of art, as well as those who are looking to deepen their understanding of how art is perceived and appreciated.With Illustrations Drawn By Thomas And Walter Crane.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
There is a certain vogue of Art in these days, that in some respects is different from any that has been known in other ages of the world. In Greece the love of beauty, and the skill in dealing with beauty in the forms of all the arts, was so general that we may accept it as scarcely an exaggeration, that the fishers who dried their nets on the shores at the Piraeus were as good critics of a statue or a poem as our besteducated people are now; and in fact, in aesthetics they were most thoroughly educated. In the great renascence of Italy andF rance, the spring of it was wealth; and its influences and benefits were for moneyed men, for princes and bishops and the rest.
(Typographical errors above are due to OCR software and don't occur in the book.)
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