""A Handbook To The Practice Of Pottery Painting"" is a comprehensive guide to the art of painting on pottery, written by John Charles Lewis Sparkes and first published in 1879. The book covers a wide range of topics related to pottery painting, including the materials and tools needed for the craft, the different types of pottery and glazes available, and the various techniques used to create different effects and designs.The book is divided into several sections, each of which focuses on a different aspect of pottery painting. The first section provides an overview of the history of pottery painting, tracing its roots back to ancient civilizations and exploring the various styles and techniques that have developed over the centuries. The second section discusses the materials and tools needed for pottery painting, including brushes, paints, and other supplies.The third section of the book covers the different types of pottery and glazes available, including earthenware, stoneware, and porcelain. The fourth section explores the various techniques used to create different effects and designs on pottery, including painting, stenciling, and sgraffito.Throughout the book, Sparkes provides detailed instructions and step-by-step guides for each technique, making it easy for readers to follow along and learn the craft of pottery painting. The book also includes numerous illustrations and photographs to help readers visualize the different techniques and designs.Overall, ""A Handbook To The Practice Of Pottery Painting"" is an invaluable resource for anyone interested in the art of pottery painting, from beginners just starting out to experienced artists looking to expand their skills and knowledge.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world’s literature in affordable, high quality, modern editions, that are true to their original work.
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The singular interest that has been excited in late years in the subject of Pottery is at this time bearing remarkable fruit in the shape of a widespread effort to produce forms, and surface decoration on forms, that shall rival those done in such old times as are regarded as being peculiarly rich in artistic light and insight. The rivals to the ancient works are seen daily in increasing numbers and in varying beauty, and of most diverse colours and characters. Scarcely a month now passes but some addition is made to the number of wares decorated by new methods, which take the impress of the individual minds that have invented them. We thus have had revivals in Majolica, Faience, Lustered ware, c. c., and with all we may say truly, that as examples of pottery that is, more especially in the mechanical and material construction of the new wares they greatly exceed the old ones in perfect finish, durability, and chemical combination of their parts, both in body and glaae. But this is not everything; and it is well known and seen that the ancient works, and those of the Renaissance, excel our own in their taste, artistic freedom, and wealth of ideas; and in these particulars we have still much to -do to equal, still more to do to excel, these old-world productions of the potters art. But the spirit is abroad, and in allE uropean countries the same active interest in pottery is perceived.
(Typographical errors above are due to OCR software and don't occur in the book.)
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