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"[Chasing Sound] does more than traverse the technology of sound recordings: it provides a history on the evolution of sound recording, quality, and even popular music movements, and is a 'must' for any music history or music technology library."(Midwest Book Review)
"Chasing Sound is a welcome addition to a growing literature illuminating the history of sound recording.... What makes the book unique are the author's interviews with dozens of engineers and producers. The voices of those who worked in the studios day in and day out enliven the rest of the book's narrative with a perspective born of practical experience."(Journal of American History)
"This 292-page hardbound book goes back to Edison’s invention, moves through the electrical recording era and brings us to the end of the analog recording studio."(Steve Ramm Anything Phonographic)
"Schmidt Horning's excellent dissertation... provides us with valuable and well-founded information of the recording music business from its early beginnings until the rock music era. This book can be recommended to all not only interested in the technological development of sound recording, but also in the sociological change of the recording profession from the 1890s to the late 1960s."(Peter Tschmuck Music Business Research)
"Chasing Sound represents an indispensable and critical approach for historians of sound, one that is unafraid of reconfiguring the central players in a narrative as big as the history of recorded music."(Enongo Lumumba-Kasongo Sounding Out!)
"Schmidt Horning provides an insightful look into the conception and maturation of the recording industry and ways the continuing quest for improved sonic fidelity impacts popular music and Western culture."
"Susan Schmidt Horning's recent book, however, is a compelling exploration of a world largely hidden from view that has been shaped by scientists and recording engineers whom she calls tinkerers. More importantly, Chasing Sound is a vital contribution to sound studies that traces the shift from the aesthetic of live performance to the recorded object that has dominated the popular imagination for nearly a century... Moreover, Schmidt Horning attends to intricate detail but includes so much archival research that recordists, scientists, musicians, and others are humanized players in an important tale of American culture. Schmidt Horning cleverly unfolds this unique history while underscoring the significant accomplishments that they wrought."(Kathryn Metz ARSC Journal (Association for Recorded Sound Collections))
"An engaging and colorful narrative about the evolution of a profession."(Andre Millard American Historical Review)
"This book is rich in detail and analysis, resulting from years devoted to researching into archives and collecting interviews (as well as Schmidt Horning's knowledge of the trade as a musician herself)."(Simone Turchetti British Journal for the History of Science)
"Meticulously researched..."(Steve Savage Journal on the Art of Record Production) Reseña del editor:
In Chasing Sound, Susan Schmidt Horning traces the cultural and technological evolution of recording studios in the United States from the first practical devices to the modern multi-track studios of the analog era. Charting the technical development of studio equipment, the professionalization of recording engineers, and the growing collaboration between artists and technicians, she shows how the earliest efforts to capture the sound of live performances eventually resulted in a trend toward studio creations that extended beyond live shows, ultimately reversing the historic relationship between live and recorded sound.
Schmidt Horning draws from a wealth of original oral interviews with major labels and independent recording engineers, producers, arrangers, and musicians, as well as memoirs, technical journals, popular accounts, and sound recordings. Recording engineers and producers, she finds, influenced technological and musical change as they sought to improve the sound of records. By investigating the complex relationship between sound engineering and popular music, she reveals the increasing reliance on technological intervention in the creation as well as in the reception of music. The recording studio, she argues, is at the center of musical culture in the twentieth century.
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Descripción John Hopkins University Press. Condición: New. Brand New. Nº de ref. del artículo: 1421410222
Descripción Johns Hopkins University Press, 2013. Hardcover. Condición: New. Never used!. Nº de ref. del artículo: P111421410222