The Ashgate Research Companion to Minimalist and Postminimalist Music

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9781409435495: The Ashgate Research Companion to Minimalist and Postminimalist Music
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'This is an extremely welcome addition to the growing literature on minimalist, etc. and post-minimalist music. Its diversity of approaches, variety of topics and perspectives, and varied array of authors successfully quashes any reservations that might be made about a book with such a title. The Introduction provides a splendid summary of the historical and contemporary situation whilst demonstrating awareness of (and successfully tackling) the many complications, complexities and ambiguities of the term "minimalism". It serves as an excellent introduction to the book but is also an intelligent and engaging exploration of the core and tangential repertoire. The book adds up to a fascinating study and will be much valued by non-academic and academic readers both within and outside of the academy alike.'Philip Thomas, University of Huddersfield, UK

Reseña del editor:

In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo Pärt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism’s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject.

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Keith Potter (editor), Kyle Gann (editor), Pwyll ap Si?n (editor)
Publicado por Ashgate 2013-11-13, Farnham, Surrey, UK, England |Burlington, VT, USA (2013)
ISBN 10: 1409435490 ISBN 13: 9781409435495
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Descripción Ashgate 2013-11-13, Farnham, Surrey, UK, England |Burlington, VT, USA, 2013. hardback. Condición: New. Nº de ref. del artículo: 9781409435495

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Keith Potter, Kyle Gann
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Descripción Taylor Francis Ltd, United Kingdom, 2014. Hardback. Condición: New. New ed.. Language: English . Brand New Book. In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo PArt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject. Nº de ref. del artículo: AA69781409435495

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Keith Potter, Kyle Gann
Publicado por Taylor Francis Ltd, United Kingdom (2014)
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Descripción Taylor Francis Ltd, United Kingdom, 2014. Hardback. Condición: New. New ed.. Language: English . Brand New Book. In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo PArt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject. Nº de ref. del artículo: AA69781409435495

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Keith Potter; Kyle Gann
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Descripción Condición: New. Depending on your location, this item may ship from the US or UK. Nº de ref. del artículo: 97814094354950000000

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Potter, Keith
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Potter, Keith
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Descripción Ashgate Pub Co, 2014. HRD. Condición: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. del artículo: VT-9781409435495

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Sion Pwyll Ap Gann Kyle Potter Keith
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Descripción Ashgate Publishing Company. Condición: New. pp. 458 9 Illus. Nº de ref. del artículo: 58081042

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POTTER, KEITH; GANN, KYLE
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Descripción Routledge, 2013. Hardback. Condición: NEW. 9781409435495 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. Nº de ref. del artículo: HTANDREE01014536

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Keith Potter; Kyle Gann
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Descripción Routledge, 2013. Hardcover. Condición: New. book. Nº de ref. del artículo: M1409435490

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Keith Potter, Kyle Gann
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Descripción Taylor Francis Ltd, United Kingdom, 2014. Hardback. Condición: New. New ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo PArt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject. Nº de ref. del artículo: BTE9781409435495

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