The Ashgate Research Companion to Minimalist and Postminimalist Music

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9781409435495: The Ashgate Research Companion to Minimalist and Postminimalist Music

In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo Pärt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism’s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject.

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About the Author:

Keith Potter is Reader in Music at Goldsmiths, University of London, where he is currently Director of Postgraduate Research in Music. His many publications covering various areas of contemporary music have particularly emphasized British and American work. The author of Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass (2000), he was the co-founder and, for seventeen years, the Chief Editor of Contact: a journal of contemporary music, and also for ten years a regular music critic on The Independent daily newspaper. From 2007 he has been a founding committee member of the Society for Minimalist Music and is presently its Chair. Kyle Gann is a composer and was new-music critic for the Village Voice from 1986 to 2005. Since 1997 he has taught at Bard College. He is the author of The Music of Conlon Nancarrow; American Music in the 20th Century; Music Downtown: Writings from the Village Voice; No Such Thing as Silence: John Cage's 4'33"; Robert Ashley (University of Illinois Press, 2012), and the introduction to the 50th anniversary edition of Cage's Silence (Wesleyan University Press, 2011). Gann studied composition with Ben Johnston, Morton Feldman, and Peter Gena. His research into postminimalist music has been generously supported by the National Endowment for the Humanities. Pwyll ap Siôn is senior lecturer at Bangor University, Wales. His monograph on The Music of Michael Nyman was published by Ashgate Publishing in 2007. He has recently edited Michael Nyman’s collected writings for publication. As composer, he has written for bass-baritone Bryn Terfel, soprano Elin Manahan Thomas, the European Union Chamber Orchestra and the BBC National Orchestra of Wales. He writes regularly for Gramophone magazine.

Review:

'This is an extremely welcome addition to the growing literature on minimalist, etc. and post-minimalist music. Its diversity of approaches, variety of topics and perspectives, and varied array of authors successfully quashes any reservations that might be made about a book with such a title. The Introduction provides a splendid summary of the historical and contemporary situation whilst demonstrating awareness of (and successfully tackling) the many complications, complexities and ambiguities of the term "minimalism". It serves as an excellent introduction to the book but is also an intelligent and engaging exploration of the core and tangential repertoire. The book adds up to a fascinating study and will be much valued by non-academic and academic readers both within and outside of the academy alike.'Philip Thomas, University of Huddersfield, UK

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Keith Potter (editor), Kyle Gann (editor), Pwyll ap Si?n (editor)
Editorial: Ashgate 2013-11-13, Farnham, Surrey, UK, England |Burlington, VT, USA (2013)
ISBN 10: 1409435490 ISBN 13: 9781409435495
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Descripción Ashgate 2013-11-13, Farnham, Surrey, UK, England |Burlington, VT, USA, 2013. hardback. Estado de conservación: New. Nº de ref. de la librería 9781409435495

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Keith Potter, Kyle Gann
Editorial: Taylor Francis Ltd, United Kingdom (2014)
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Descripción Taylor Francis Ltd, United Kingdom, 2014. Hardback. Estado de conservación: New. New ed.. Language: English . Brand New Book. In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo PArt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections.Minimalism s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject. Nº de ref. de la librería AA69781409435495

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Keith Potter, Kyle Gann
Editorial: Taylor Francis Ltd, United Kingdom (2014)
ISBN 10: 1409435490 ISBN 13: 9781409435495
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The Book Depository US
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Descripción Taylor Francis Ltd, United Kingdom, 2014. Hardback. Estado de conservación: New. New ed.. Language: English . Brand New Book. In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo PArt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject. Nº de ref. de la librería AA69781409435495

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Potter, Keith
Editorial: Ashgate Pub Co (2014)
ISBN 10: 1409435490 ISBN 13: 9781409435495
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Descripción Ashgate Pub Co, 2014. HRD. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VT-9781409435495

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Sion Pwyll Ap Gann Kyle Potter Keith
Editorial: Ashgate Publishing Company
ISBN 10: 1409435490 ISBN 13: 9781409435495
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Descripción Ashgate Publishing Company. Estado de conservación: New. pp. 458 9 Illus. Nº de ref. de la librería 58081042

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POTTER, KEITH; GANN, KYLE
Editorial: Routledge (2013)
ISBN 10: 1409435490 ISBN 13: 9781409435495
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Descripción Routledge, 2013. Hardback. Estado de conservación: NEW. 9781409435495 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01014536

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Potter, Keith (Editor)/ Gann, Kyle (Editor)/ Ap Siôn, Pwyll (Editor)
Editorial: Ashgate Pub Co (2013)
ISBN 10: 1409435490 ISBN 13: 9781409435495
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Descripción Ashgate Pub Co, 2013. Hardcover. Estado de conservación: Brand New. new edition edition. 458 pages. 10.00x6.77x1.38 inches. In Stock. Nº de ref. de la librería __1409435490

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Keith Potter, Kyle Gann
Editorial: Taylor Francis Ltd, United Kingdom (2014)
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Descripción Taylor Francis Ltd, United Kingdom, 2014. Hardback. Estado de conservación: New. New ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo PArt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject. Nº de ref. de la librería BTE9781409435495

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Keith Potter; Kyle Gann
Editorial: Routledge (2013)
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Descripción Routledge, 2013. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M1409435490

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Potter, Keith, Gann, Kyle
Editorial: Routledge (2013)
ISBN 10: 1409435490 ISBN 13: 9781409435495
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Descripción Routledge, 2013. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería P111409435490

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