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Sinopsis
Excerpt from Practical Hints on Painting, Composition, Landscape, and Etching
Painting consists in the juxtaposition of certain tones to one another; thus, paint a round dab of yellow and it would not be an orange, but direct the attention to the effect of light and shade on the Object, and means will be found of giving the appearance of an orange.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Practical Hints on Painting, Composition, Landscape, and Etching
Painting consists in the juxtaposition of certain tones to one another; thus, paint a round dab of yellow and it would not be an orange, but direct the attention to the effect of light and shade on the Object, and means will be found of giving the appearance of an orange.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Practical Hints on Painting, Composition, Landscape, and Etching
Ghilberti cast the gates of the Baptistery, and such great men in art as Leonardo da Vinci, Raphael Sanzio, and Michael Angelo Buonarotti created their immortal works, and were followed by Titian, Tintoretto, and Paolo Veronese and others, themselves the outcome of a long-existing school. This period led to the artistic development of which the modern school of figure-designers have inherited the ideas and principles. Without tracing the eventual transition to later periods at all closely, it will suffice to say, Art eventually became conventionalised, and died out in Italy.
In France, without going farther back than Poussin, we see a school based on classical tradition; and this may still be said to exist. His influence followed later by that of Watteau, and then again by the classical talent of Ingres (to name only a few masters), was followed by J. F. Millet and Corot, showing genius under different manifestations. What has happened since?
Men acknowledging no school, such as Manet and Monet, appear, the former with unerring knowledge painting his picture 'direct from life,' and the latter his original "Impressions" of Nature; and another, Degas, building his 'new' view of the figure on classical lines. We also find in Flanders, Germany, Spain, and the Netherlands, schools of painting in which one man, achieving perfection, passes away and gives place to another; but in England, except for the efforts of Sir Joshua Reynolds (1723) and Hogarth, no one before their time ever tried to make or found one. It is true that a certain decided although superficial art movement was at times created; but it was by no means the result of native-born talent.
From the fifteenth century onwards a long succession of painters came at the invitation of various kings and nobles, and lived and worked here, but till the end of the eighteenth century no artists, except those mentioned, stood forth independent of foreign influence.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Practical Hints on Painting, Composition, Landscape, and Etching
Impresión bajo demandaLibrería: Forgotten Books, London, Reino Unido
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Paperback. Condición: New. Print on Demand. This book delves into the captivating realm of painting, guiding aspiring artists through a comprehensive exploration of techniques, principles, and historical context. It emphasizes the foundational importance of drawing, highlighting its role in understanding form, light, and shadow. The author's insights extend beyond technical instruction, offering a rich understanding of color theory and its application in capturing the essence of a subject. Readers are invited on a journey through the evolution of artistic expression, tracing the lineage of influential schools and masters from the Renaissance to the present day. The book delves into the distinctive characteristics of various artistic movements, shedding light on the classical traditions of Italy and France, as well as the unique approaches of English and Dutch painters. The author's analysis of renowned artists such as Leonardo da Vinci, Rembrandt, and Velasquez provides valuable insights into their methods and the enduring impact of their work. This book is not merely a technical manual but a philosophical exploration of the artistic process. It challenges readers to develop their own unique style while drawing inspiration from the masters of the past. By understanding the interplay of drawing, color, and light, aspiring artists can unlock the secrets of creating paintings that evoke emotion, capture the beauty of the world, and leave a lasting impression on viewers. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Nº de ref. del artículo: 9781330607268_0
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Practical Hints on Painting, Composition, Landscape, and Etching (Classic Reprint)
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781330607268
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Practical Hints on Painting, Composition, Landscape, and Etching (Classic Reprint)
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781330607268
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