Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 44. Chapters: Tetsuji Takechi, Tohjiro, Ky?ko Aizome, Kan Mukai, Noboru Tanaka, Tadashi Yoyogi, Tatsumi Kumashiro, Dragon Nishikawa, Giichi Nishihara, Masaru Konuma, Katsuyuki Hirano, Noboru Iguchi, Yumi Yoshiyuki, Satoru Kobayashi, Toshiki Sat?, Yutaka Ikejima, Takahisa Zeze, Toru Muranishi, Rumi Tama, Takao Nakano, K?ji Seki, Uzumaki Sasaki, K?y? Ohara, Goro Tameike, K?ji Wakamatsu, Kazuhiro Sano, Kaoru Adachi, Naoyuki Tomomatsu, Mamoru Watanabe, Shinji Imaoka, Sachi Hamano, Kaoru Toyoda, Tar? Araki, Mitsuru Meike, Company Matsuo, Hideto Aki, Tetsuya Takehora, Y?ji Tajiri, K*West, Tatsuya Egawa, Kazuhiko Matsumoto, Alala Kurosawa, Kingdom, Zack Arai, Shuji Kataoka, Yoshikazu Kat?, (Jo)Style, Minoru Kunizawa, Randa Mai, Toshiya Ueno. Excerpt: Tetsuji Takechi Takechi Tetsuji, December 10, 1912 - July 26, 1988) was a Japanese theatrical and film director, critic and author. First coming to prominence for his theatrical criticism, in the 1940s and 1950s he produced influential and popular experimental kabuki plays. Beginning in the mid-1950s, he continued his innovative theatrical work in noh, ky?gen and modern theater. In late 1956 and early 1957 he hosted a popular TV program, The Tetsuji Takechi Hour, which featured his reinterpretations of Japanese stage classics. In the 1960s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His 1964 film Daydream was the first big-budget, mainstream pink film released in Japan. After the release of his 1965 film Black Snow, the government arrested him on indecency charges. The trial became a public battle over censorship between Japan's intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore pink films which dominated Japan's domestic cinema during the 1960s and 1970s. In the later 1960s, Takechi produced three mor...
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