Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 101. Chapters: Henry Ford, Joseph Goebbels, Ezra Pound, Jacques-Louis David, William Joyce, John Reed, Edward Bernays, Iva Toguri D'Aquino, Muhammad Saeed al-Sahhaf, Tokyo Rose, Seoul City Sue, Walter Duranty, William L. Laurence, Li Lisan, Mildred Gillars, Willi Münzenberg, John Amery, Giuseppe Tucci, Elizabeth Dilling, Georges Ruggiu, Movladi Udugov, R. H. Bruce Lockhart, Achille Starace, Agrippa d'Aubigné, George Creel, Gerald Burton Winrod, Robert Edward Edmondson, Hanoi Hannah, Rita Zucca, Ivica Mlivončić, Henry Hotze, George Sylvester Viereck, Elmer Davis, Damir Kaletović, Karl-Eduard von Schnitzler, Juba, Giuseppe Caspar Mezzofanti, Richard Washburn Child, Nobutaka Shiōden, Hassan Ngeze, Peter Ritchie Calder, Vladimir Dedijer, Fernando Mezzasoma, William Warder Norton, Herbert Böhme, Philippe Henriot, Joe Adamov, Compliance professional, Am Rong, Antanas Venclova, Jean Hérold-Paquis, Li Huasheng, George E. Deatherage, Wangjaesan Light Music Band, Pyongyang Sally. Excerpt: Ezra Weston Loomis Pound (30 October 1885 - 1 November 1972) was an American expatriate poet and critic and a major figure in the early modernist movement in poetry. He became known for his role in developing Imagism, which, in reaction to the Victorian and Georgian poets, favored tight language, unadorned imagery, and a strong correspondence between the verbal and musical qualities of the verse and the mood it expressed. His best-known works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his unfinished 120-section epic, The Cantos, which consumed his middle and late career, and was published between 1917 and 1969. Working in London in the early 20th century as foreign editor of several American literary magazines, Pound helped to discover and shape the work of contemporaries such as T. S. Eliot, James Joyce, Robert Frost, and Ernest Hemingway...
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