Reseña del editor:
Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1922. Excerpt: ... PREFACE Tff Tff "ttf Iff TIf Tff Tff Ttf Tff Tff Ttf Ttf Tlf Ttf Tff Tff Tff Tff Tff Tff IN a recent newspaper controversy about the conventional silliness and sameness of all the human generations previous to our own, somebody said that in the world of Jane Austen a lady was expected to faint when she received a proposal. To those who happen to have read any of the works of Jane Austen, the connection of ideas will appear slightly comic. Elizabeth Bennett, for instance, received two proposals from two very confident and even masterful admirers; and she certainly did not faint. It would be nearer the truth to say that they did. But in any case it may be amusing to those who are thus amused, and perhaps even instructive to those who thus need to be instructed, to know that the earliest work of Jane Austen, here published for the first time, might be called a satire on the fable of the fainting lady. "Beware of fainting i" fits . . . though at times they may be refreshing and agreable yet believe me they will in the end, if too often repeated and at improper seasons, prove destructive to your Constitution." Such were the words of the expiring Sophia to the afflicted Laura; and there are modern critics capable of adducing them as a proof that all society was in a swoon in the first decade of the nineteenth century. But in truth it is the whole point of this little skit that the swoon of sensibility is not satirised because it was a fact, even in the sense of a fashion, but satirised solely because it was fiction. Laura and Sophia are made ludi- k' crously unlike life by being made to faint as real ladies do not faint. Those ingenious moderns, who say that the real ladies did faint, are actually being taken in by Laura and Sophia, and believing them against Jane Austen. They are believi...
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