The Cambridge History of Twentieth-Century English Literature Paperback (The New Cambridge History of English Literature) - Tapa blanda

'The Cambridge History of Twentieth-Century English Literature is an event to be celebrated by modernist and other twentieth-century scholars ...individual contributions are, without exception, written with both intelligence and an engaging energy, and many, even most, manage both to present economically what 'everyone knows or else should know' ... 'The Cambridge History of Twentieth-Century English Literature is then an altogether fitting monument to the literature of the past century, and a rich artifact of modernist and twentieth-century studies ...' Kevin J .H. Dettmar, Modernism/Modernity

'It is one of the great achievements of this volume that the editors have managed to synthesise the period into a coherent history while also giving space to the varied perspectives of their contributors and to the multiple voices of their subjects. As a reference work, it is an essential tool for the undergraduate and taught postgraduate market.' Jessica Gardner, Emerald: Reference Reviews

'The range is enormous and the contributions from scholars in Britain, Australia, and the U. S. bring their individual insights to bear on the century's literary output and trends. It fully maintains the high standard already set by this series.' Contemporary Review

'The editors of this volume, the first published literary history of the whole of the twentieth-century, have laid down an authoritative marker against which future histories of the period should be judged. As a reference work, it is an essential tool for the undergraduate and taught postgraduate market.' Emerald

Laura Marcus is Goldsmiths' Professor of English Literature and a Fellow of New College at the University of Oxford. She has published widely on nineteenth- and twentieth-century literature and culture. Her publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994/1998), Virginia Woolf: Writers and their Work (1997, new edition 2004), and The Tenth Muse: Writing about Cinema in the Modernist Period (2007). She has edited or co-edited a number of volumes, including The Actuality of Walter Benjamin (1993/1998), 'Close Up' 1927–1933: Cinema and Modernism (1998), Sigmund Freud's 'The Interpretation of Dreams': New Interdisciplinary Essays (1999), and Mass-Observation as Poetics and Science (2001).