The Accidental Life. An Editor'S Notes

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9781101946718: The Accidental Life. An Editor'S Notes
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Intelligent, entertaining, and chivalrous . . . McDonell, founding editor of Outside magazine in 1977, has had tenures at or near the top of Rolling Stone, Newsweek, Esquire and Sports Illustrated. Slashing costs and watching serious writers take buyouts felt [to him] like a great library was burning down. But The Accidental Life is a fond book. It s a fan s notes from a man who, before the apocalypse, edited and often befriended many of his literary heroes . . . He played touch football and ate oysters with James Salter; golfed while on LSD with Hunter S. Thompson and George Plimpton; canoed and drank with Peter Matthiessen; and helped explode an uptight dinner party alongside Edward Abbey . . . McDonell s insistence on keeping the focus on his writers rather than himself has a humble appeal this memoir is far from self-congratulatory. He writes winningly about his regrets [and] evokes the magazine-world heyday of lavish offices, drinks carts in the evening and expense-account hedonism. Some of the details will make freelance writers scream (I screamed, and I rarely write freelance any longer.) The Accidental Life is a savvy fax from a dean of the old school. Dwight Garner, The New York Times
In his long career as an editor, McDonell has worked with eminent, colorful writers. His new memoir is full of fond anecdotes about literary friends, and more. He also provides a kind of primer for aspiring editors. John Williams, The New York Times Book Review

Informative, inspiring, often surprising; rich in anecdotes . . . McDonell made the masthead at major publications, shaping his own stories and those of other writers from the 1970s through the early years of this century . . . By the lesson of his own style his tight, flowing sentences he shows how to put words on paper. It s with author profiles that McDonell s book acquires value: an essay on Elaine s may amuse would-be diners who couldn t get a table when Frank Sinatra could. Other profiles are more contemporary, including insightful takes on novelists Richard Price and Richard Ford and a painful recollection of troubled media guru David Carr. Observations on money, writer s block and letters to the editor: editing success is all in the mix, and the mix McDonell achieves is just so. He holds off until the end of his book to explain its title. Redemption in work, he reflects, kept life steady against the accidental when friends faded. Life failed. McDonell s best pieces capture the accidental when they take unexpected turns that lend his writing insight and humanity. Gerald Bartell, San Francisco Chronicle

An insider s view of the magazine industry, from its apex in the 70s to the rise of the Internet and online content and decline of print journalism by a man who was present to witness these titanic shifts. McDonell offers stories of luminaries of various stripes, including George Plimpton, Hunter S. Thompson, Steve Jobs, a cigar-smoking and mostly silent Arnold Schwarznegger, and Margot Kidder . . . As with many editors, McDonell effaces a large part of himself in [the book]; his invisibility allows these writers, subjects, friends, and bosses to shine more brightly. He offers nuance and depth. Erin Gianni, PopMatters

In a series of sharp vignettes, McDonell takes readers behind the scenes of the publishing world to reveal the humorous and at times difficult relationships between writers and their editors. Poets & Writers

* As a former top-of-the-masthead editor at Outside, Rolling Stone, Esquire, and Sports Illustrated, McDonell has been there and done that over four decades of dramatic change in the magazine business. Along the way, he s edited and drunk with a who s who of American writers. Naturally, he has stories to tell, and he tells plenty of them in this unfailingly fascinating look at that point where publishing, literature, and celebrity meet . . . This is the perfect example of blending showstoppers with perceptive appreciations of the work of McDonell s favorite writers, and fascinating snippets on the craft of editing. Expect this book to find a home on the desks of just about everyone who has anything to do with magazine publishing (or who likes to read about hanging out at Elaine s with famous writers). Bill Ott, Booklist (starred review)
Writers can take on a mythic quality: solitary figures who conjure imaginary worlds and see more than the rest of us. Inthis memoir, some of the most colorful literary titans to ever walk this earth indeed live up to their legends. But the gold in McDonell s book is the lessons he took from these writers, beyond the bravado and antics that often characterized their work, about how to perceive the world. Nate Hopper, TIME
Fascinating. . . Equal parts memoir and manual, McDonell embeds advice and insight within the absorbing anecdotes that have punctuated his career. His recollections broken into succinct, themed essays provide a window into the lives of the writers he has edited. Best of all for us writers reading along, these looks behind the scenes are sewn together with reflections on topics as wide-ranging as his formula for a foolproof feature pitch and his experience building the first tablet magazine at Sports Illustrated. Tyler Moss, Writer s Digest
Terrific . . . McDonell s new book conveys the ups, downs, glamour, fun, excitement, and miseries of a magazine journalism career that saw him collaborate with some of the most prominent names in modern American fiction and nonfiction. Alex Heard, Outside
McDonell documents the long, strange trip through the golden age of journalism that has been his career, [which] began when the publishing industry was booming creatively and financially, and flourished during the sex, drugs, and rock n roll of the seventies through mid-nineties. Funny and unsettling by turns, The Accidental Lifeoffers sharp insight into that time. Alex Belth, Esquire.com
[A] must-read. With a cast of characters including Hunter S. Thompson, David Carr, Steve Jobs and formerBAZAAReditor in chief Liz Tilberis, McDonell's memoir is an inside look into the inner workings of a career devoted to some of the most beloved glossy mags. Sarah Bracy Penn, Harpersbazaar.com, 13 Books for Your Back-to-School Reading List
Ranging from drug-enhanced adventures with Hunter S. Thompson and George Plimpton at the Aspen Golf Club to observations that click-bait is nothing more than the old game of newsstand pandering refashioned for the digital age, the best of the essays have the mic-drop profundity of a Renata Adler sequence, or bristle with the glamour gazing of a gossip column. But for the writers reading it, the stories are also freighted with the reassurance that struggles financial, critical, personal that cut so close to the individual are universal. To be perched atop America s top magazines over the last half-century was to be simultaneously immersed in many of the nation s most important cultural movements. Bryce Bauer, Signature

Compulsively readable. Jeff Simon, The Buffalo News, Editor s Choice
McDonell s career in American magazines involved friendships and collaborations with some of the foremost cultural figures of postwar America, from novelist Richard Ford to actress Margot Kidder. The number of magazines at which he served in the past four decades is astonishing, and [in The Accidental Life], he runs his fingers along the fine grains of the editing life. McDonell [did] pretty much everything one could have hoped to in the magazine world of late 20th-century America. He edited and befriended the alpha males of a muscular brand of journalism that flowed from the American West to midtown Manhattan. He was also chummy with Helen Gurley Brown, the legendary editor ofCosmopolitan, who took the bus down Central Park West to her office, in order to stay in touch with her readers. He hung out with the crime novelist Richard Price, rafted down the Salmon River in Idaho withRolling Stonefounder Jann Wenner, and frequented the literary clubhouse that was Elaine s restaurant on the Upper East Side. Seemingly every writer floats through these pages: Jim Harrison, Thomas McGuane, Susan Orlean and, most surprisingly of all, Jimmy Buffett, who wrote for McDonell atOutsideandSports Illustrated, composing a songfor the latter s swimsuit issue . . . McDonell acknowledges mistakes, as well as the shortcomings of the magazine industry: he also points out that few women are the top editors; people of color remain all too rare on the mastheads. [But] McDonell displays an optimism rare for his industry. Editors, he writes, have to be optimistic, ever hopeful that the next issue will come together not quite as badly as the last one. Alexander Nazaryan, Newsweek
Eloquent. . . direct and crisp, with a touch of tartness. McDonell [is]as fine a magazine editor as I have known. By his count, he has worked at 13 magazines, most of them as top editor, and he shrewdly organizes his book as a collection of vignettes, each one with its word count noted at the top, since when he edited stories he liked to know how long his pencil had to travel. Extraordinary moments [are] laid out nimbly in his memoir. At magazines like Outside, Rolling Stone and Esquire, he could persuade novelists to commit journalism, usually at length, and sometimes with the journey and not the destination as the point . . . He has all the stories, and tells them with a subtle tension, never succumbing to the easy laugh. McDonell can be sentimental, especially about friends now dead, but he is never mawkish. There is not a bloated or sappy passage in the book. Jim Kelly, The Wall Street Journal
A great magazine editor is a Diaghilev commanding an executive desk, a miniature aircraft carrier from which ideas launch into the wild yonder . . . Long-haulers are often the founders of publications that they infused with their personalities, ambitions, and pioneer spirit . . . A book devoted to the craft, rigor, career highs, and sudden pressure drops of being big chief, Terry McDonell s memoir is instructive, entertaining, and briskly told . . . He has had a peripatetic journey, with stays atRolling Stone, Us Weekly, Esquire, Men s Journal, Sports Afield, andSports Illustrated, adapting to each new vessel while letting the distinctive voices of his writers venture across the page . . . As befits the former editor ofEsquire, Men s Journal, and similar sensitive-dude salons, McDonell dwells in a musky, masculine sphere, and devotes many of the chapters to friendships and interludes with guys guys such as Tom McGuane, Jim Harrison, Richard Ford, Richard Price, James Salter, and Hunter S. Thompson: portraits that are generous, perceptive about the fluctuations of fame and fortitude, occasionally eulogistic. The twilight melancholy that creeps through is due not only to the ghosts of those now gone Salter, George Plimpton, as well as Liz Tilberis, the gallant editor ofHarper s Bazaar, and Elaine Kaufman, whose Elaine s was the watering hole of choice for accomplished menfolk playing hooky from spouses and deadlines but also to the waning of an entire way of life, the shrinking power, prestige, glamour, and advertising clout of glossy print in the Digital Age beneath Silicon Valley hegemony and the loss of journalistic comradeship. Everything McDonell writes rings true, but the marvel is (as I m sure he d agree) that so much superb, adventurous work is still being done in magazines in the encroaching void of such adversity. If you re going to go down with the ship, might as well go down swinging. James Wolcott, Vanity Fair
Engaging, captivating thoroughly entertaining. Editors work without applause, writes McDonell. For some 40 years, he worked at a slew of America s top magazines, where he shepherded the work of many of our finest writers. The job required much more than a talent for shaping a good lede (which McDonell clearly has). It demanded equal parts diplomacy, ego-stroking, discretion and good-natured patience. But the reward was lasting friendships with some of the most talented, if idiosyncratic, people who ever fashioned words into unforgettable stories. The list of friends is a virtual who s who of the crowning era of magazine journalism . . . The Accidental Life comprises short chapters that recall his working friendships through colorful anecdotes of time spent together, be it drinking in New York, pitching Hollywood studios, or fishing in Montana. These stories are laced with insights. McDonell s enthusiasm for his life s work percolates on nearly every page. [This is] one of those surprising books that at first glance seem specialized, but soon prove to be all-embracing. Where else can you have close encounters with Steve Jobs, Jimmy Buffett, and Kurt Vonnegut? McDonell s life has been a series of such encounters, and he shares them with the inquisitiveness and magnanimity that clearly served him so well as an editor. Robert Weibezahl, Bookpage
Legendary editor McDonell has lately found himself in the digital realm, having cofounded LitHub, but he s served as editor at over a dozen magazines. His memoir is advertised on the strength of its wild side, but it is most attractive for its hard-earned wisdom on the art of storytelling. Michael LaPointe, Times Literary Supplement
Terry McDonell has long been one of the pre-eminent editors in the world of popular magazines, but here he is the ring-master for a world of literary masters, irresistible eccentrics, big ego owners andgotchanewsstand covers. Step right up and into a world we seldom see from the inside out. Tom Brokaw
McDonell has led the beau ideal of the editor s life. And he s got it down on paper. In both cases, he has done it better than anyone anywhere. Graydon Carter, Editor, Vanity Fair
Legendary editor Terry McDonell writes beautifully on the subject of what he s learned about writing, and life, from some of the best, most colorful and most difficult writers of his generation. Those of us who worked with him would tend to agree he taught us a thing or two; although he s still wrong about semicolons. Jay McInerney
In his many far-roaming years as an editor, Terry McDonell has worked with some of America s most gifted and gonzo writers. From George Plimpton to Ed Abbey to Hunter S. Thompson, they all make raucous appearances in this terrific, free-wheeling memoir. It s a must-read for anybody who is curious about the wild and talented characters who shaped the literature of our times. Carl Hiaasen
Great editors are the rarest of literaryand journalistic jewels: if a writer or reporter is lucky enough to find one, a magical collaboration and inviolate friendship take form.Terry McDonellhasconjured as much magic as any magazine editor of his time, at great magazines and with great writers, from Peter Matthiessen to Hunter Thompson. This editor s notes are both a wonderful primer and tell a remarkable tale. Carl Bernstein
Every time I run into Terry McDonell, I think how great it would be to have dinner with him. Hear abou...

Reseña del editor:

From the legendary editor, journalist, and publishing entrepreneur: a memoir about writers, writing, editing--and the fast-paced, high-stakes life in the publishing business.

Over the last four decades, Terry McDonell has been at the helm of some of the most influential beacons of American journalism: from his early days atOutside through tenures at Rolling Stone, Newsweek, Esquire, Sports Illustrated,and, most recently, as cofounder of LitHub. Now he tells us what really happens between editors and writers--behind the scenes and between the lines--with deadlines ticking. Here are intimate portraits of the most important (and most eccentric) journalists, novelists, and media personalities: from Hunter S. Thompson and George Plimpton to Richard Ford and James Salter; from David Carr and Steve Jobs to Jimmy Buffett and one remarkableSports Illustrated swimsuit model. And here is an insider's unimpeachable advice on how to get, and keep, the best writers; what makes a great lede and headline; how to style a cover that flies off newsstands (whether or not there's a celebrity on it); how to build the online traffic that translates into dollars; and how--in whatever format--a good editor really works. From the storied past to today's tumultuous media landscape, this is an incisive, galvanizing account of the pressures, joys, and obsessions of a writing and editing life.

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