Jazz Guitar Technique: Breaking the Skill Barrier

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9780970057617: Jazz Guitar Technique: Breaking the Skill Barrier

When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you can't play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldn't matter, since you couldn't play them anyway. This book presents serious chops-building technical studies for single note lines and chords. Plus, the examples feature a lot of harmonic content. The material is written in standard notation.

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About the Author:

A professional guitarist since age 15, author and publisher Andrew Green has performed in a wide variety of jazz settings. Currently active in the New York jazz scene, Andrew is also an educator at "Jazz In July" at the University of Massachusetts and the "Mile High Jazz Camp" at the university of Colorado.

Excerpt. © Reprinted by permission. All rights reserved.:

When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you can’t play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldn’t matter, since you couldn’t play them anyway.

There are many melodic structures that are physically challenging to play on the guitar. For example, anything that necessitates playing consecutive notes on adjacent strings presents logistical problems for both hands. This includes various arpeggios, triad-based lines, consecutive fourths, and large interval leaps. Since these melodic devices present such a challenge, the range of ideas in a typical guitar solo doesn’t include them.

To expand the palette of musical ideas available to you as an improviser, you must expand your technique. The way to do this is to practice things that feature physically challenging motion. By playing lines that incorporate new and different types of melodic movement, you gain the technical ability necessary to improvise with these structures, and the sound of these melodies will gradually enter your musical consciousness.

The exercises in this book will improve your technique, increase the range of your ideas, and open up new avenues of improvisation to you. You, in turn will have the opportunity to add to the vocabulary of what is possible to play on the guitar.

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Andrew Green
Editorial: Andrew Green (2004)
ISBN 10: 097005761X ISBN 13: 9780970057617
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Descripción Andrew Green, 2004. Paperback. Estado de conservación: New. Language: English . Brand New Book. When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you cant play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldnt matter, since you couldnt play them anyway. Serious chops building technical studies for single note lines and chords. Plus, the examples feature a lot of harmonic content. This book is about much more than technique.I believe this would be a great addition to any jazz guitarist s library. In standard notation only. Nº de ref. de la librería AAC9780970057617

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Descripción Andrew Green, 2004. Paperback. Estado de conservación: New. Language: English . Brand New Book. When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you cant play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldnt matter, since you couldnt play them anyway. Serious chops building technical studies for single note lines and chords. Plus, the examples feature a lot of harmonic content. This book is about much more than technique.I believe this would be a great addition to any jazz guitarist s library. In standard notation only. Nº de ref. de la librería AAC9780970057617

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Descripción Paperback. Estado de conservación: New. Paperback. When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 111 pages. 0.281. Nº de ref. de la librería 9780970057617

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Descripción Andrew Green. Paperback. Estado de conservación: New. Paperback. 111 pages. Dimensions: 10.8in. x 8.3in. x 0.3in.When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you cant play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldnt matter, since you couldnt play them anyway. Serious chops building technical studies for single note lines and chords. Plus, the examples feature a lot of harmonic content. This book is about much more than technique. . . I believe this would be a great addition to any jazz guitarists library. In standard notation only. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780970057617

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