Grunwald Center For The Graphic Arts [Published date: 1988} Published in conjunction with an exhibition co-organized by the University of California, Los Angeles, and the Bibliotheque nationale de France, as part of 1789-1989, the French Revolution: a UCLA bicentennial program. Soft cover, 280 pp. Includes 14 color plates and black and white illustrations throughout. Contents include: Forewords; Acknowledgments; Introduction by James Cuno, Essays as follows: Caricature and the Revolution: The Situation in France in 1789 by Michel Melot, The Political Psychology of Revolutionary Caricaturesby Lynn Hunt, Counterrevolutionary Iconography by Claude Langlois, The Severed Head: The Impact of French Revolutionary Caricatures on England by Ronald Paulson, Jacques-Louis David, Scatological Discourse in the French Revolution, and the Art of Caricature by Albert Boime, Visual Codes in the Graphic Art of the French Revolution by Klaus Herding,14 Color plates; a Chronological Outline of the Revolution; Catalogue of the Exhibition; Selected Bibliography.
"Sinopsis" puede pertenecer a otra edición de este libro.
James Cuno is the president and CEO of the J. Paul Getty Trust. He served as president and director of the Art Institute of Chicago from 2004 until 2011. He is the author of Who Owns Antiquity? Museums and the Battle over Our Ancient Heritage, coauthor of The Modern Wing: Renzo Piano and the Art Institute of Chicago, and coauthor and editor of Whose Culture? The Promise of Museums and the Debate over Antiquities and Whose Muse? Art Museums and the Public Trust.
"Sobre este título" puede pertenecer a otra edición de este libro.
Descripción Grunwald Center For The Graphi, 1989. Paperback. Estado de conservación: New. Nº de ref. de la librería P110943739055
Descripción Grunwald Center for the, 1989. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0943739055