Fiction. Poetry. Laura Mullen's clever postmodern gothic is a tour de force. Here enter the stock elements of the generic horror tale: the haunted house, the doctor, the down-to-earth gardener, the chatty housemaid, the sunny morning and dark portentous night. At the center, a beautiful woman is dead. But is she? The tale is disassembled to offer alternate reading -- as a story, as a flipbook, and as a text scored for old and familiar voices. The ancient house the abandoned house the house that has been like that forever ... Dark shape in its bed of rank weeds its entrance gaping but not I was wrong like that/ Forever a shred of white lace at a broken window insisted on history.
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Laura Mullen (b. 1958 - ) in Los Angeles, is a contemporary American poet working in hybrid genres and traditions. As with the poetry of (among many others) Cole Swensen, her work is considered Postmodern and post-Language school, but it also takes a lot from her interests in Henry James, Edgar Allan Poe and numerous authors and visual artists who fall outside of the poetic cannon. This explains that, among her five published books, one finds the post-modern gothic, The Tales of Horror (Kelsey St. Press), traditional formed poems such as the "sestina in which my grandmother is going deaf" in The Surface, and a prose-poetry-crime novel-postmodern language text: Murmur (Futurepoem Books, 2007). In fact, Mullen's work holds the mirror up to language, attempting to find out (and find ways out of ) the limits of the wor(l)ds we are sentenced to. The lyric impulse exists in her writing, but the surface is rough, like her jagged language use at times, reflecting the violence of the effort to see into seeing itself. Mullen received her BA in English from UC Berkeley and her MFA in Poetry from the University of Iowa Writers' Workshop before going to teach at, among other places, Colorado State University, where her courses included seminars on Modernism, Postmodernism, and Cross-Genre Writing. She's also been invited as a guest author to teach at Naropa University's Summer Writing Program (1996, 2000, 2002, 2005, 2008), Columbia College - Chicago - (spring semester 2003), Brown University (2001), and the University of Iowa Writers' Workshop Summer Program, (1998). She was awarded a National Endowment for the Arts Fellowship, 1988 and has since received numerous "ther fellowships in the United States and abroad. She is currently on the permanent faculty at Louisiana State University where her teaching and research interests include Creative Writing, Literature, Translation, Poetry, Fiction, and Film.From Publishers Weekly:
A brilliant, utterly original, fully realized work that wickedly out-tropes horror's clich?s and devices, Mullen's third book follows with surprising speed her After I Was Dead, published by the University of Georgia this past spring. The standard tale of a haunted house replete with stock characters speaking formulaic lines is disassembled to become an exploration of sexual roles, francophilia, literary decorum and the limits (if any) of quotation, modern icons, ancient archetypesAand our ways of knowing anything about any of them. Mullen swoops in and out of metaphor to poke fun at the gothic genre, and celebrate its astonishing versatility: "I had begun to feel I had to find a beginning or/ To 'find my way back to the beginning,' not,/ Of course, la m?me chose. 'But none of these people,'/ She sobbed, brokenly,/ 'Seem real at all to me.' I picked them up, one by one/ And gave them a good shaking./ 'We'll get that ticker working again in no time.'/ Thinking, not saying, I hope not." The book is clearly the product of an astonishing amount of reading (and indeed several reader's reports grafted into the text bespeak time spent at the slush pile) with the choicest textual morsels lovingly altered and grafted into loose, propulsive verse-sentences. Mysterious fluids, blood curdelling screams, inappropriately all-caps sentencesAthey're all here, and wonderfully immediate, making an exaggerated, rollicking introduction to many of the pre-occupations, rhetorics and methods of experimental poetry. (Sept.)
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Descripción Kelsey Street Press, 1999. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0932716482
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