Childhood illness and injuries steered Henri de Toulouse-Lautrec (1864-1901) away from customary rural aristocratic avocations and toward a profession as an artist. He became a painter, draftsman, and lithographer whose work was immersed in famously hedonistic, fin-de-siècle Paris. In his hands, advertising posters were raised to a high art; he portrayed the nightlife of Montmartre-circuses, cafés, dance halls, and brothels-with clear, bold color and a certain seamy panache that is instantly recognizable as his. His much mythologized life has found its way into many biographies and into two feature-length movies called Moulin Rouge.
Lavishly illustrated with 370 color plates, Toulouse-Lautrec and Montmartre is the first major work to present the artist's oeuvre in the context of Montmartre's lively art scene from roughly 1885 to 1901. Accompanying an exhibition of the same name at the National Gallery of Art and The Art Institute of Chicago, the book features the important paintings, drawings, prints, and posters Toulouse-Lautrec made on Montmartre subjects. It also includes masterpieces by contemporaries he inspired or who inspired him-Degas, Van Gogh, Picasso, and others-as well as rarely seen illustrations, lithographs, photographs, and ephemera of the era. And it discusses the artists, writers, actors, singers, and dancers who formed Toulouse-Lautrec's circle.
The book's gracefully written essays by Richard Thomson, Phillip Dennis Cate, and Mary Weaver Chapin, with Florence E. Coman, address these themes in light of the rise of the color poster, the proliferation of new forms of entertainment, and the emergence of a celebrity-oriented popular culture. Toulouse-Lautrec and Montmartre evokes a colorful, chaotic era, and adds a new dimension to our understanding of the art of Toulouse-Lautrec.
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The arts community of Paris in the late 19th century has been gutted, stuffed, studied, and fetishized for so many years now that one could easily think there are no mysteries left to wring from this era, as exceptional as it was. This handsome title focuses on the relationship between the ribald, booming, bohemian neighborhood of Montmartre and Henri de Toulouse-Lautrec's work(1864-1901). It places his art so squarely in context that it rushes back to life and relevance. This is no mean feat, and the picture depicted in these four scholarly and engrossing essays is much clearer, stranger, and more sordid than Hollywood’s botched tribute. As discussed in Phillip Dennis Cate's essay, all manner of artists commingled in Lautrec’s dens of exploitation (circuses, dancing halls and whorehouses): Nabis, Symbolist, and post-Impressionist painters, absurdist humorists, caricaturists, anarchists, musicians, scene painters, and even proto-conceptual artists. As Mary Weaver Chapin explains, Lautrec was a pop artist before pop, with his appropriations of handbill imagery, his affinity for famous performers, his elevation of the "low" poster medium to "high" art, and his interest in perpetuating his own fame. It's easy to understand the attraction of this era; after all, so many of the cultural seeds of the 20th century were sewn in such a brief time in Paris' 18th arrondissement by (let's face it) a bunch of horny drunk dudes messed up on absinthe. --Mike McGonigalFrom the Back Cover:
"This book will be welcomed by general readers and certainly by visitors to the exhibition, both for deftly integrating its many visual images with accessible writing and for addressing the work of other artists overlooked in previous considerations of Toulouse-Lautrec. This is no small accomplishment."--Gabriel P. Weisberg, University of Minnesota
"Toulouse-Lautrec and Montmartre offers a major new presentation of Henri de Toulouse-Lautrec, one that stays clear of the sensationalized biographical focus of earlier approaches. Both through the art it presents and through essays by authors who each bring extensive credentials to their work, it represents a fresh look at Toulouse-Lautrec's art-and at an otherwise little-explored gallery of works and artists who reflect kinship with Toulouse-Lautrec's style and subject matter."--Reinhold Heller, University of Chicago
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Descripción Natl Gallery of Art, 2005. Paperback. Estado de conservación: New. Nº de ref. de la librería P110894683209
Descripción Natl Gallery of Art. PAPERBACK. Estado de conservación: New. 0894683209 New Condition. Nº de ref. de la librería NEW6.0597430
Descripción Natl Gallery of Art. PAPERBACK. Estado de conservación: New. 0894683209 National Gallery of Art; Washington, 2005. Paperback. Exhibition catalogue. Fine in Wraps, NEW. 293pp, 4to[quarto or aprx 9.5 x 12 inches], colour illustrations. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire. Nº de ref. de la librería SKU1009835
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97808946832061.0