Dramatizes the personal experiences of the guests and staff of an exclusive metropolitan hotel
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Vicki Baum (1888–1960) was born into an affluent Jewish family in Vienna. Her childhood was dominated by a depressed mother and an authoritarian, hypochondriac father, who discouraged her early forays into literature. She studied harp at the Vienna Academy for Music and the Performing Arts and left home at eighteen to marry Max Prels, a journalist under whose name her first short stories were published. In 1916, after the dissolution of her first marriage, she married the conductor Richard Lert and launched her literary career, eventually writing nearly a book a year while working as an editor at the German publishing house Ullstein. Her first major success came in 1920 with the publication of her second novel, Once in Vienna. She spent several months in New York and Hollywood during the making of the film adaptation of Grand Hotel—which starred Greta Garbo and Joan Crawford and went on to win the 1933 Oscar for Best Film—and, before Hitler’s rise to power, resettled in Los Angeles, where she continued to publish novels while also working as a screenwriter for Paramount and Metro-Goldwyn-Mayer. Her memoir, It Was All Quite Different, was published posthumously.
Basil Creighton (1886–1989) translated many notable works of German literature, including Hermann Hesse’s Steppenwolf, B. Traven’s The Treasure of the Sierra Madre, and Alma Mahler’s Gustav Mahler: Memories and Letters.
Margot Bettauer Dembo has translated works by Judith Hermann, Robert Gernhardt, Joachim Fest, Ödön von Horváth, and Feridun Zaimoglu, among others. She was awarded the Goethe-Institut/Berlin Translator’s Prize in 1994 and the Helen and Kurt Wolff Translator’s Prize in 2003. Dembo has also worked as a translator for two feature documentary films: The Restless Conscience, which was nominated for an Academy Award, and The Burning Wall. Her translation of Transit by Anna Seghers was published by NYRB Classics in 2013.
Noah Isenberg is a professor of culture and media at the New School, where he also serves as the director of screen studies. He is the author of several books on film, a regular contributor to Bookforum, The Nation, and the Times Literary Supplement, and the book review editor of Film Quarterly. Isenberg is a fellow at the New York Institute for the Humanities and the recipient of a 2015 NEH Public Scholar award.
"The legacy of Baum's novel is not just the 1932 MGM film starring John Barrymore and Greta Garbo (and the 1980s Broadway musical), but all those star-stuffed movies and fat popular novels...in which some institution or event serves as the setting for the intersecting individual dramas. What distinguishes the book from its plump progeny is not only its relatively modest length but the delicacy of Baum's writing...The book is kin to both the stories of Stefan Zweig and the films of Max Ophüls, both artists who chronicled devastating loss but drew our eye to the exquisite fluidity with which the most precious things slid through their characters' elegant, manicured fingers.” —Kirkus starred review
“Through the revolving doors of Grand Hotel pass multifarious stray souls: some resigned to their drab fates, others searching eagerly for life—all persuaded that it has somehow passed them by. We meet them as they come under the practiced eye of the staff, expert in Weimar Berlin’s taxonomies of class. Like George Grosz, Vicki Baum renders human foibles at their most pathetic, despicable, and comical, then turns her characters inside out, until we recognize our own hopes and fears refracted in them.” —Holly Brubach
"The author's strength is creating compelling characters with sexual attitudes that feel contemporary. Grand Hotel prefigures Downtown Abbey and Upstairs, Downstairs by examining multiple characters from different classes (both guests and the hotel staff) in a single-setting microcosm of society and lives up to its reputation as a modern classic." —Kevin Howell, Shelf Awareness
“A spiritual motion picture of modern life, the characteristics, the cross-currents of thought and emotion, of this new age.” —J. B. Priestley
“[Told] with unusual skill and distinguished by an acute perception of minor detail.”—George Dangerfield, The Bookman
“One of the most perfectly constructed popular novels in modern literature.”—Frank N. Magill, editor of Masterplots, Revised Edition
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Descripción Amereon Ltd. Hardcover. Estado de conservación: Good. Dust Cover Missing. Minimal damage to cover and binding. Pages show light use. Nº de ref. de la librería G089190431XI3N01
Descripción Amereon Limited, 1980. Hardcover. Estado de conservación: Used: Good. Nº de ref. de la librería SONG089190431X
Descripción Amereon Ltd, 1980. Hardcover. Estado de conservación: Very Good. Great condition with minimal wear, aging, or shelf wear. Nº de ref. de la librería P02089190431X
Descripción Amereon Ltd, 1980. Estado de conservación: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Nº de ref. de la librería 089190431X-2-4