Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology

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9780874517422: Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology
Review:

"The subtitle clearly delineates the subject matter of this important book on the subjectivity of color sense and theories thereof, from the late 19th century to the present . . . [Riley] stresses the relatively independent development of color ideas among the theorists chosen, speaking of interrelations usually only where they have some historical or conceptual validity; and he does so in a clear, intelligible style." --Choice

From the Publisher:

Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it, " writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.

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1.

Riley, Charles A. , II
Editorial: University Press of New England, United States (1996)
ISBN 10: 0874517427 ISBN 13: 9780874517422
Nuevos Paperback Cantidad: 1
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Descripción University Press of New England, United States, 1996. Paperback. Estado de conservación: New. New edition. 224 x 152 mm. Language: English . Brand New Book. Color is an endlessly fascinating and controversial topic. The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it, writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today s leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades. In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating. Nº de ref. de la librería AAJ9780874517422

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Riley, Charles A. , II
Editorial: University Press of New England, United States (1996)
ISBN 10: 0874517427 ISBN 13: 9780874517422
Nuevos Paperback Cantidad: 1
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Descripción University Press of New England, United States, 1996. Paperback. Estado de conservación: New. New edition. 224 x 152 mm. Language: English . Brand New Book. Color is an endlessly fascinating and controversial topic. The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it, writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today s leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades. In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating. Nº de ref. de la librería AAJ9780874517422

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Riley, Charles A. , II
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808745174220000000

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Riley, Charles A. , II
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Descripción UPNE, 1995. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: A multidisciplinary look at the role of color in contemporary aesthetics. Nº de ref. de la librería ABE_book_new_0874517427

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Riley, Charles A. , II
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Descripción 1996. Paperback. Estado de conservación: New. New edition. 152mm x 28mm x 233mm. Paperback. Color is an endlessly fascinating and controversial topic. The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically co.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 373 pages. 0.576. Nº de ref. de la librería 9780874517422

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Riley, Charles A. , II
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Descripción Univ Press of New England. Estado de conservación: BRAND NEW. BRAND NEW Softcover - A multidisciplinary look at the role of color in contemporary aesthetics. A Quality New Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2257858

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Riley, Charles A. , II
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Descripción University Press of New England, 1996. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CD-9780874517422

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Riley, Charles A. , II
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Descripción Univ Pr of New England, 1996. Paperback. Estado de conservación: Brand New. 1st edition. 365 pages. 9.25x6.00x1.25 inches. In Stock. Nº de ref. de la librería __0874517427

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Riley, Charles A. , II
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Descripción UPNE, 1995. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0874517427

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Riley, Charles A. , II
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Descripción University Press of New England. Paperback. Estado de conservación: new. BRAND NEW, Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music and Psychology (New edition), Charles A. Riley, Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it, " writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating. Nº de ref. de la librería B9780874517422

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