Ed Ruscha's relationship to photography is complex and ambivalent. The world-class painter--and author of a 1972 New York Times article called "'I'm Not Really a Photographer'"--has been known to refer to his work in this second medium as a "hobby," despite considerable, persistent critical interest. Whether he likes it or not, the small albums of plainly-shot, snapshot-sized images he produced in the 1960s and 70s, including Twenty-Six Gasoline Stations, intrigued his contemporaries and earned him an unshakable reputation. How? His subject matter was neither purely documentary nor solely artistic, in fact it was stereotypical and banal, with motifs drawn from the car-dominated western landscape. That rebellious material, along with his serial presentation, made for a mythical road-movie or photo-novel effect with Beat Generation overtones. The combination attracted artists and critics both, especially while serial logic was prominent in Pop art and Minimalism, and then retained that interest later as serial work became prominent in Conceptual art. Critics have remained attentive for decades, and Ruscha's influence remains apparent in new work in Europe and North America. Ed Ruscha, Photographer departs from earlier collections to explore how these images--and all of Ruscha's work in disciplines including painting, drawing, printmaking and photography--are guided and shaped by a single vision.
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Roni Horn was born in 1955 in New York, where she continues to live and work. Since earning her MFA from Yale University in 1978, she has shown her sculptures, installations and photographs extensively throughout the world. She has had solo exhibitions at the Dia Center for the Arts, the Whitney Museum of American Art and the Centre Pompidou in Paris. Her recent publications include Dictionary of Water, Cabinet of, Wonderwater (Alice Offshore), and Index Cixous (Cix Pax).
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Descripción Whitney Museum of Art / Steidl Publishers, New York, NY - Gottingen, Germany, 2006. Hardcover. Estado de conservación: New. No Jacket. 1st Edition. First edition stated 2006, first printing, printed in conjunction with exhibition at Whitney Museum of Art. Hardcover in full red cloth with white lettering and paste-down picture on the front cover, no DJ as issued. Condition new, square tight and crisp book, no edgewear, sharp corners, no markings of any kind, no names no underlinings no highlights no bent page corners, Not a reminder. 4to, 184 pages, illustrated with photographs, bibliography, chronology, index. Nº de ref. de la librería 014702
Descripción Whitney Museum of Art, 2006. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 874271533