African Renaissance: Old Forms, New images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth- and twenty-first-century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century.
With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria's independence and the new nation's subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland.
Based upon extensive interviews with the artists and critical readings of the existing literature on contemporary Yoruba art, African Renaissance: Old Forms, New Images in Yoruba Art will appeal to the art historian and art collector and serve as a wonderful introduction to the canon of Yoruba art for the general reader.
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Moyo Okediji is the curator for African and Oceanic arts at the Denver Art Museum and an assistant professor of African and African American art history at the University of Colorado, Denver.
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Descripción University Press of Colorado, 2002. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería P110870816888
Descripción University Press of Colorado. Hardcover. Estado de conservación: New. 0870816888 New Condition. Nº de ref. de la librería NEW7.1401761
Descripción Univ Pr of Colorado, 2002. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0870816888
Descripción University Press of Colorado, 2002. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M0870816888