Perfecting Sound Forever: An Aural History of Recorded Music

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9780865479388: Perfecting Sound Forever: An Aural History of Recorded Music

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Greg Milner
Editorial: MacMillan Publishers
ISBN 10: 0865479380 ISBN 13: 9780865479388
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Descripción MacMillan Publishers. Estado de conservación: New. Brand New. Nº de ref. de la librería 0865479380

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Greg Milner
ISBN 10: 0865479380 ISBN 13: 9780865479388
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808654793880000000

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Milner, Greg
ISBN 10: 0865479380 ISBN 13: 9780865479388
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Descripción 2010. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VV-9780865479388

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Milner, Greg
Editorial: Farrar, Straus and Giroux
ISBN 10: 0865479380 ISBN 13: 9780865479388
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Descripción Farrar, Straus and Giroux. PAPERBACK. Estado de conservación: New. 0865479380 *BRAND NEW* Ships Same Day or Next!. Nº de ref. de la librería NATARAJB1FI834510

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Greg Milner
Editorial: FABER FABER, United States (2010)
ISBN 10: 0865479380 ISBN 13: 9780865479388
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Descripción FABER FABER, United States, 2010. Paperback. Estado de conservación: New. 211 x 137 mm. Language: English . Brand New Book. In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented.Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their compact disc is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating loudness war to get its fix.From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music. Nº de ref. de la librería AAS9780865479388

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Greg Milner
Editorial: FABER FABER, United States (2010)
ISBN 10: 0865479380 ISBN 13: 9780865479388
Nuevos Paperback Cantidad: 1
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The Book Depository US
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Descripción FABER FABER, United States, 2010. Paperback. Estado de conservación: New. 211 x 137 mm. Language: English . Brand New Book. In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented.Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their compact disc is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating loudness war to get its fix.From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music. Nº de ref. de la librería AAS9780865479388

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Greg Milner
Editorial: FABER FABER, United States (2010)
ISBN 10: 0865479380 ISBN 13: 9780865479388
Nuevos Paperback Cantidad: 10
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Book Depository hard to find
(London, Reino Unido)
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Descripción FABER FABER, United States, 2010. Paperback. Estado de conservación: New. 211 x 137 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented.Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their compact disc is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating loudness war to get its fix.From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music. Nº de ref. de la librería BTE9780865479388

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Greg Milner
Editorial: Faber & Faber
ISBN 10: 0865479380 ISBN 13: 9780865479388
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Descripción Faber & Faber. Paperback / softback. Estado de conservación: new. BRAND NEW, Perfecting Sound Forever: An Aural History of Recorded Music, Greg Milner, In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented. Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their "compact disc" is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating "loudness war" to get its fix. From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music. Nº de ref. de la librería B9780865479388

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Milner, Greg
Editorial: Faber & Faber 2010-05-25 (2010)
ISBN 10: 0865479380 ISBN 13: 9780865479388
Nuevos Cantidad: 5
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Chiron Media
(Wallingford, Reino Unido)
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Descripción Faber & Faber 2010-05-25, 2010. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatched within 2 working days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-BNT-00308903

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10.

Greg Milner
Editorial: Farrar Straus & Giroux (2010)
ISBN 10: 0865479380 ISBN 13: 9780865479388
Nuevos Tapa blanda Cantidad: 1
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Descripción Farrar Straus & Giroux, 2010. Estado de conservación: New. Nº de ref. de la librería TH9780865479388

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