Interweaving reproductions of Monet's paintings with contemporaneous newspaper reviews, articles and interviews, this magnificently illustrated album (134 color and 120 black-and-white plates, plus 20 color fold-outs) shows how the public first reviled, then glorified Impressionism. Shrill ridicule and begrudging praise gave way to solid appreciation, triggered by comments such as this from Emile Zola: "His paintings speak whole volumes to me about energy and truth. . . . Here is a man among all these eunuchs." Novelist J. K. Huysmans found Monet's early canvases "sloppy" and "hasty," but the painter's friend, poet Stephane Mallarme, wrote, "I have never seen a boat poised more lightly on the water than in his pictures." Another supporter, Georges Clemenceau, praised the Water Lilies for daring to achieve the impossible. Critic Clement Greenberg defined Monet's enduring strength: "Impressionism was, and expressed, his innermost experience." Stuckey, curator at the National Gallery of Art, smoothly stitches together the commentaries to form a unique approach to understanding Monet.
"Sinopsis" puede pertenecer a otra edición de este libro.
Stuckey, curator of 19th-century European painting at the National Gallery of Art, has carefully amassed and selected for this monumental volume the criticism of Monet written during the Impressionist master's lifetime plus two modern-day interpretations by William Seitz and Clement Greenberg. And what critiques! Annotations (really literary vignettes) identify each entry's author and set the stage for the commentary, from A. Wolff (1876)``outspokenly hostile''to G. Clemenceau (1929)``Monet's eye was nothing less than the whole man.'' The intent of the book is not to analyze but to present all aspects of Monet's long career. Interviews with the painter himself and references to the pertinent reproductions of his work complete the book. There are 122 fine full-color plates (including gatefolds) and a lengthy chronology. For academic and other large art collections. Gloria K. Rensch, formerly with Vigo Cty. P.L., Terre Haute, Ind.
Copyright 1985 Reed Business Information, Inc.
"Sobre este título" puede pertenecer a otra edición de este libro.
Descripción Bay Books, Australia, 1985. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: Very Good. Size: Folio (13 to 23 inches). Binding tight. Dust Jacket worn at edges. Edges very slightly spotted or marked. ISBN: 0858359057. ISBN/EAN: 9780858359055. ** HEAVY BOOK - Over 2 kgs. Postage will exceed $40 to Asia & North America. $60 plus to Europe. Please contact us first for a quote **. Nº de ref. de la librería 29192
Descripción A W, Sydney. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: Very Good. Edition Unstated. Profusely illustrated with 132 pages of color plates and 119 in black and white. The editor was the curator of Nineteenth Century European Painting at the National Gallery of Art in Washington, DC. This work is based on years of intensive research, selection, and translation in Europe and in the United States. The text traces Monet's career from a brief notice about the young artist's entries in the Salon of 1865, and uses contemporary eyes in reviews, articles, and interviews with Monet himself. Relevant writings by Proust, Zola, Maupassant, Mallarme, and Clemenceau were consulted. Modern interpretations by art historian WIlliam Seits and critic Clement Greenberg conclude the work. Size: 13" x 10". 387 pages. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. Dust Jacket is in very good condition, apart from normal shop shelf wear - contains no tears or chips or other damage. Edges slightly foxed. Embossed cover and spine beautifully preserved. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Art & Design; Painting; Biography & Autobiography. Pictures of this item not already displayed here available upon request. Inventory No: 53380. Nº de ref. de la librería 53380