Movie Mutations: The Changing Face of World Cinephilia

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9780851709833: Movie Mutations: The Changing Face of World Cinephilia
Reseña del editor:

The idea of cinephilia is a crucial one for students of the cinema, but it is often associated with a bygone arthouse era. At the beginning of the twenty-first century, corporatism, public relations and bottom-line accounting seem to govern mainstream film-making. Formula-driven Hollywood blockbusters dominate the world marketplace. In times like these can 'the love of cinema' still flourish? In fact contemporary cinema is stunningly varied and rich. From Taiwan and Iran to Brazil and the Baltic states, it is flourishing and constantly mutating. Directors like Abbas Kiarostami, Hou Hsiao-hsien and Tsai Ming-liang are making extraordinary films that are the equal of the great classics, previously unrecognised works from the past are being discovered, and new definitions and boundaries of genres are being formulated. Even when this work is not widely distributed it is seen at film festivals on every continent and available on DVD; and it is being discussed in a proliferating number of print and web publications. Those who follow and share such work, as contributors from around the world demonstrate in this book, are forming new kinds of critical communities that enable significant exchanges between cultures at a time when other forces seem bent on keeping them mutually isolated. In contrast to any talk of 'the death of cinema', Movie Mutations pronounces the art form alive, well, and still developing in new and unforeseen directions. In weaving together transnational discussions and debates, Movie Mutations shows why the idea of cinephilia is just as relevant today as it ever was.

Biografía del autor:

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing.

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Jonathan Rosenbaum
Editorial: British Film Institute (2003)
ISBN 10: 0851709834 ISBN 13: 9780851709833
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Descripción British Film Institute, 2003. HRD. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780851709833

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Editorial: British Film Institute, United Kingdom (2003)
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Descripción British Film Institute, United Kingdom, 2003. Hardback. Estado de conservación: New. 2003 ed.. 228 x 173 mm. Language: English . Brand New Book. The idea of cinephilia is a crucial one for students of the cinema, but it is often associated with a bygone arthouse era. At the beginning of the twenty-first century, corporatism, public relations and bottom-line accounting seem to govern mainstream film-making. Formula-driven Hollywood blockbusters dominate the world marketplace. In times like these can the love of cinema still flourish? In fact contemporary cinema is stunningly varied and rich. From Taiwan and Iran to Brazil and the Baltic states, it is flourishing and constantly mutating. Directors like Abbas Kiarostami, Hou Hsiao-hsien and Tsai Ming-liang are making extraordinary films that are the equal of the great classics, previously unrecognised works from the past are being discovered, and new definitions and boundaries of genres are being formulated. Even when this work is not widely distributed it is seen at film festivals on every continent and available on DVD; and it is being discussed in a proliferating number of print and web publications. Those who follow and share such work, as contributors from around the world demonstrate in this book, are forming new kinds of critical communities that enable significant exchanges between cultures at a time when other forces seem bent on keeping them mutually isolated. In contrast to any talk of the death of cinema , Movie Mutations pronounces the art form alive, well, and still developing in new and unforeseen directions. In weaving together transnational discussions and debates, Movie Mutations shows why the idea of cinephilia is just as relevant today as it ever was. Nº de ref. de la librería AAC9780851709833

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Editorial: British Film Institute, United Kingdom (2003)
ISBN 10: 0851709834 ISBN 13: 9780851709833
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Descripción British Film Institute, United Kingdom, 2003. Hardback. Estado de conservación: New. 2003 ed.. 228 x 173 mm. Language: English . Brand New Book. The idea of cinephilia is a crucial one for students of the cinema, but it is often associated with a bygone arthouse era. At the beginning of the twenty-first century, corporatism, public relations and bottom-line accounting seem to govern mainstream film-making. Formula-driven Hollywood blockbusters dominate the world marketplace. In times like these can the love of cinema still flourish? In fact contemporary cinema is stunningly varied and rich. From Taiwan and Iran to Brazil and the Baltic states, it is flourishing and constantly mutating. Directors like Abbas Kiarostami, Hou Hsiao-hsien and Tsai Ming-liang are making extraordinary films that are the equal of the great classics, previously unrecognised works from the past are being discovered, and new definitions and boundaries of genres are being formulated. Even when this work is not widely distributed it is seen at film festivals on every continent and available on DVD; and it is being discussed in a proliferating number of print and web publications. Those who follow and share such work, as contributors from around the world demonstrate in this book, are forming new kinds of critical communities that enable significant exchanges between cultures at a time when other forces seem bent on keeping them mutually isolated. In contrast to any talk of the death of cinema , Movie Mutations pronounces the art form alive, well, and still developing in new and unforeseen directions. In weaving together transnational discussions and debates, Movie Mutations shows why the idea of cinephilia is just as relevant today as it ever was. Nº de ref. de la librería AAC9780851709833

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Jonathan Rosenbaum, Adrian Martin
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Descripción British Film Institute. Hardback. Estado de conservación: new. BRAND NEW, Movie Mutations: The Changing Face of World Cinephilia, Jonathan Rosenbaum, Adrian Martin, The idea of cinephilia is a crucial one for students of the cinema, but it is often associated with a bygone arthouse era. At the beginning of the twenty-first century, corporatism, public relations and bottom-line accounting seem to govern mainstream film-making. Formula-driven Hollywood blockbusters dominate the world marketplace. In times like these can 'the love of cinema' still flourish? In fact contemporary cinema is stunningly varied and rich. From Taiwan and Iran to Brazil and the Baltic states, it is flourishing and constantly mutating. Directors like Abbas Kiarostami, Hou Hsiao-hsien and Tsai Ming-liang are making extraordinary films that are the equal of the great classics, previously unrecognised works from the past are being discovered, and new definitions and boundaries of genres are being formulated. Even when this work is not widely distributed it is seen at film festivals on every continent and available on DVD; and it is being discussed in a proliferating number of print and web publications. Those who follow and share such work, as contributors from around the world demonstrate in this book, are forming new kinds of critical communities that enable significant exchanges between cultures at a time when other forces seem bent on keeping them mutually isolated. In contrast to any talk of 'the death of cinema', Movie Mutations pronounces the art form alive, well, and still developing in new and unforeseen directions. In weaving together transnational discussions and debates, Movie Mutations shows why the idea of cinephilia is just as relevant today as it ever was. Nº de ref. de la librería B9780851709833

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Descripción Hardcover. Estado de conservación: New. 1st. 173mm x 19mm x 228mm. Hardcover. The idea of cinephilia is a crucial one for students of the cinema, but it is often associated with a bygone arthouse era. At the beginning of the twenty-first century, corporatism, public.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 196 pages. 0.522. Nº de ref. de la librería 9780851709833

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Descripción British Film Institute. Hardcover. Estado de conservación: New. Hardcover. 208 pages. Dimensions: 9.0in. x 6.8in. x 0.7in.In contrast to any talk of the death of the cinema, this title pronounces the art form alive and well, and still developing in new and unforeseen directions. Using transnational discussions and debates, it shows why the idea of cinephilia is just as relevant today as it ever was. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Nº de ref. de la librería 9780851709833

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Jonathan Rosenbaum (Editor), Adrian Martin (Editor)
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Descripción British Film Institute, 2008. Hardcover. Estado de conservación: New. 1. Nº de ref. de la librería DADAX0851709834

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Descripción British Film Inst, 2003. Hardcover. Estado de conservación: Brand New. 1st edition. 224 pages. 9.50x6.75x0.75 inches. In Stock. Nº de ref. de la librería x-0851709834

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