Early Cinema: Space, Frame, Narrative

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9780851702452: Early Cinema: Space, Frame, Narrative
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In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood.The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers--Melies, Lumiere, Porter, and Griffith--while also suggesting new perspectives on major European filmmakers of the 1910s and 20s.Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema.

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Editorial: British Film Institute
ISBN 10: 0851702457 ISBN 13: 9780851702452
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Descripción British Film Institute. PAPERBACK. Estado de conservación: New. 0851702457 small shelf wear on cover. Nº de ref. de la librería SKU021514

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Editorial: British Film Institute, United Kingdom (1990)
ISBN 10: 0851702457 ISBN 13: 9780851702452
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Descripción British Film Institute, United Kingdom, 1990. Paperback. Estado de conservación: New. 1990 ed.. 229 x 155 mm. Language: English . Brand New Book. In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers - Melies, Lumiere, Porter, and Griffith - while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema. Nº de ref. de la librería SPR9780851702452

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Editorial: British Film Institute, United Kingdom (1990)
ISBN 10: 0851702457 ISBN 13: 9780851702452
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Descripción British Film Institute, United Kingdom, 1990. Paperback. Estado de conservación: New. 1990 ed.. 229 x 155 mm. Language: English . Brand New Book. In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers - Melies, Lumiere, Porter, and Griffith - while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema. Nº de ref. de la librería SPR9780851702452

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ISBN 10: 0851702457 ISBN 13: 9780851702452
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Descripción Paperback. Estado de conservación: BRAND NEW. BRAND NEW. Fast Shipping. Prompt Customer Service. Satisfaction guaranteed. Nº de ref. de la librería 0851702457BNA

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Editorial: British Film Institute (1990)
ISBN 10: 0851702457 ISBN 13: 9780851702452
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Descripción British Film Institute, 1990. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0851702457

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808517024520000000

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Thomas Elsaesser, Adam Barker
Editorial: British Film Institute
ISBN 10: 0851702457 ISBN 13: 9780851702452
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Descripción British Film Institute. Paperback. Estado de conservación: new. BRAND NEW, Early Cinema: Space, Frame, Narrative, Thomas Elsaesser, Adam Barker, In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood.The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers--Melies, Lumiere, Porter, and Griffith--while also suggesting new perspectives on major European filmmakers of the 1910s and 20s.Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema. Nº de ref. de la librería B9780851702452

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Editorial: British Film Institute (1990)
ISBN 10: 0851702457 ISBN 13: 9780851702452
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Descripción British Film Institute, 1990. Estado de conservación: New. 1990. First Edition. Paperback. Editor(s): Elsaesser, Thomas; Barker, Adam. Num Pages: 424 pages, illustrations. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 155 x 23. Weight in Grams: 634. . . . . . . Nº de ref. de la librería V9780851702452

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Editorial: British Film Institute
ISBN 10: 0851702457 ISBN 13: 9780851702452
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Descripción British Film Institute. Estado de conservación: New. 1990. First Edition. Paperback. Editor(s): Elsaesser, Thomas; Barker, Adam. Num Pages: 424 pages, illustrations. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 155 x 23. Weight in Grams: 634. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780851702452

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Thomas Elsaesser
Editorial: British Film Institute (1990)
ISBN 10: 0851702457 ISBN 13: 9780851702452
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Descripción British Film Institute, 1990. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780851702452

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