"The book's presentation matches the "weightlessness" of the content: the images are gifted ample breathing space and the print is finished to an extraordinary degree of quality." "Sleek Magazine" "Ryan McGinley is without a doubt the defining photographer of this generation. His forthcoming monograph, "Ryan McGinley: Whistle for the Wind," solidifies his impact in art and culture." "Complex.com ""For viewers who get past the casual nudity and low-fi aesthetic, there's plenty of unexpected beauty and youthful ebullience." "American Photo" "These photographs are songs of innocence." "New York Times ""Nothing conjures up feelings of summer adventure like a photograph by Ryan McGinley." "Nylon Guys" "Ryan McGinley's photographs capture the essence of being twenty-something in America...chronicles the entirety of McGinley's career." "Cultured Magazine"From the Publisher:
In 2000, Ryan McGinley, then a student, staged his first exhibition of photographs in an abandoned SolIo gallery. To coincide with the show, the artist created several handmade books featuring a sampling of his wôrk entitled I be Kids Are Alrie.. A copy eventually found its way into the hands of Sylvia Wolf, a curator of photography at the Whitney Museum of American Art. In 2003, Wolf mounted an exhibition of his work at the venerable institution, the youngest artist to ever have a solo show at the museum. What Wolf recognized, and what other critics, curators, and collectors would quickly discover, was an artist who understood and chronicled his own generation (habituées of New York City's downtown) as no artist had before him. McGinley had managed to capture the hedonistic adventures of vouth culture, kids hanging out and enjoving life, but without the dark underbelly of earlier artists who mined similar themes. As the work evolved, he moved away from the more documentary aspect of the early photographs and began to create scenarios where he could explore different ideas (aesthetic and otherwise). This eventually Ied to the now legendary summer-long road trips, capturing groups of twentysomethings arnongst a variety of American landscapes. In his most recent body of work, AlcGinlev continues to explore, in black and white as well as in color, the body but in the still, pared clown atmosphere of his studio. In this first major monograph chronicling the entirety of the artist's career, McGinlev's work is considered bv three extraordinarv figures: Chris Kraus, novelist and critic; John Kelsey, writer, artist and activist; and Gus Van Sant, the auteur filmmaker. Each attend, through the lens of their own rich insights, to various aspects of the artist's work and creative process, offering in-depth and unique perspectives on McGinley's work and import.
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Descripción Rizzoli, 2012. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Nº de ref. de la librería ABE_book_new_0847838315
Descripción Rizzoli, 2012. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0847838315
Descripción Rizzoli International Publications June 2012, 2012. Hardcover. Estado de conservación: New. In 2002, two years after Ryan McGinley, then a student, staged his first exhibition of photographs in a SoHo gallery, he created inexpensive handmade books of a sampling of his work titled 'The Kids Are Alright.' Those books eventually found their way to Sylvia Wolf, then curator of photography at the Whitney Museum of American Art in New York, who gave him a solo show a year later, making him the youngest artist to have a one-person exhibition at the museum. What critics, curators, and collectors would quickly discover was an artist who understood and chronicled his own generation as no other had. Compared early on to masters of photography and film, such as Nan Goldin and Larry Clark, McGinley's early work documents the lives of his friends--the hedonistic exploits of youth culture but without the dark undertone of earlier artists who mined similar themes. As he evolved, he began to create scenarios where he could explore different ideas (aesthetic and otherwise), and this led to his infamous summer-long road trips, which he conducted for five years, capturing a myriad of twentysomethings enjoying each other and their surroundings. In addition to these seminal works, McGinley is known for his chronicling of the singer Morrissey's sold-out tours around the world. This is the first major volume on this important and prolific artist, featuring the most comprehensive selection of his work. Nº de ref. de la librería 179673
Descripción RIZZOLI, 2012. Paperback. Estado de conservación: NEUF. Profondément ancré dans la contre-culture américaine, Ryan McGinley photographie une jeunesse américaine libre et décomplexée. Ses clichés à la construction aléatoire et aux couleurs approximatives sont clairement influencés par le " snapshot " et le polaroïd. - Poids : 2000g - Genre : Photo Vidéo. Nº de ref. de la librería N9780847838318
Descripción Rizzoli Intl Pubns, 2012. Hardcover. Estado de conservación: Brand New. first edition edition. 240 pages. 12.00x11.00x1.25 inches. In Stock. Nº de ref. de la librería zk0847838315
Descripción Rizzoli, 2012. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110847838315
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97808478383181.0
Descripción Rizzoli, 2012. Hardcover. Estado de conservación: NEW. Estado de la sobrecubierta: new. First Edition, First Printing. SIGNED COPY Rizzoli, New York, 2012. Hardcover in pictorial dust jacket. First Edition. New monograph (12"x11"). 238 pp. Beautifully printed plates in b&w and color. Contributions by John Kelsey, Gus Van Sant, and Chris Kraus. Signed on the half title by Ryan McGinley. SIGNED. Book Condition: New/Fine copy. SIGNED. Nº de ref. de la librería 613