Seth Kim-Cohen In the Blink of an Ear

ISBN 13: 9780826429711

In the Blink of an Ear

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9780826429711: In the Blink of an Ear
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Book by KimCohen Seth

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Críticas:

"Kim-Cohen's book develops a number of significant arguments concerning sound's status in the art world."Springerin ."..some useful arguments. And sound art certainly need arguments." The Wire, February 2010

Reseña del editor:

An ear-opening reassessment of sonic art from World War II to the present

Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty. In the Blink of an Ear is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamp's conceptualism. Rather than treat sound art as an artistic practice unto itself-or as the unwanted child of music-artist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts. Applying key ideas from poststructuralism, deconstruction, and art history, In the Blink of an Ear suggests that the sonic arts have been subject to the same cultural pressures that have shaped minimalism, conceptualism, appropriation, and relational aesthetics. Sonic practice and theory have downplayed - or, in many cases, completely rejected - the de-formalization of the artwork and its simultaneous animation in the conceptual realm.
Starting in 1948, the simultaneous examples of John Cage and Pierre Schaeffer initiated a sonic theory-in-practice, fusing clement Greenberg's media-specificity with a phenomenological emphasis on perception. Subsequently, the "sound-in-itself" tendency has become the dominant paradigm for the production and reception of sound art. Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound's expanded situation and its uncontainable textuality. At the same time, this important book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.

Artists discussed include: 

George Brecht
John Cage
Janet Cardiff
Marcel Duchamp
Bob Dylan
Valie Export
Luc Ferrari
Jarrod Fowler
Jacob Kirkegaard
Alvin Lucier
Robert Morris
Muddy Waters
John Oswald
Marina Rosenfeld
Pierre Schaeffer
Stephen Vitiello
La Monte Young

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9780826429704: In the Blink of an Ear: Toward a Non-cochlear Sonic Art

Edición Destacada

ISBN 10:  082642970X ISBN 13:  9780826429704
Editorial: Continuum International Publishi..., 2009
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Kim-Cohen, Seth
Publicado por Bloomsbury Publishing PLC (2009)
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Seth Kim-Cohen
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Descripción Bloomsbury Publishing PLC, United Kingdom, 2009. Paperback. Condición: New. New. Language: English . Brand New Book ***** Print on Demand *****. Eyes in Ears: Art in Music / Music in Art since 1948 traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle. What do Pierre Schaeffer s initial experiments in musique concrete, John Cage s first proposal for a silent piece ( Silent Prayer ), and what many music historians consider to be the first rock and roll song: the Orioles It s Too Soon to Know all have in common? A year of pivotal importance - 1948. Eyes in Ears: Art in Music / Music in Art since 1948 traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle. Surprisingly, there is no extant book which covers the confluence of the art and music world. Eyes in Ears will both document the ways in which music and the gallery arts have infiltrated each others domains and will theorize the implications of these incursions. Finally, based on the interactions of art and music over the past sixty years, the book will provide an account of the birth of sound art as a distinct practice. Nº de ref. del artículo: AAV9780826429711

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Seth Kim-Cohen
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Descripción Bloomsbury Publishing PLC, United Kingdom, 2009. Paperback. Condición: New. New. Language: English . Brand New Book ***** Print on Demand *****. Eyes in Ears: Art in Music / Music in Art since 1948 traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle. What do Pierre Schaeffer s initial experiments in musique concrete, John Cage s first proposal for a silent piece ( Silent Prayer ), and what many music historians consider to be the first rock and roll song: the Orioles It s Too Soon to Know all have in common? A year of pivotal importance - 1948. Eyes in Ears: Art in Music / Music in Art since 1948 traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle. Surprisingly, there is no extant book which covers the confluence of the art and music world. Eyes in Ears will both document the ways in which music and the gallery arts have infiltrated each others domains and will theorize the implications of these incursions. Finally, based on the interactions of art and music over the past sixty years, the book will provide an account of the birth of sound art as a distinct practice. Nº de ref. del artículo: AAV9780826429711

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Kim-Cohen, Seth
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Descripción Bloomsbury Publishing PLC 7/1/2009, 2009. Paperback or Softback. Condición: New. In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. Book. Nº de ref. del artículo: BBS-9780826429711

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Kim-Cohen, Seth
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Descripción Continuum, 2018. Paperback. Condición: New. Never used! This item is printed on demand. Nº de ref. del artículo: 0826429718

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Seth Kim-Cohen
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Seth Kim-Cohen
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Descripción Bloomsbury Academic. Paperback. Condición: New. 296 pages. Dimensions: 9.8in. x 6.5in. x 1.0in.and lt;div and gt; and lt;strong and gt;An ear-opening reassessment of sonic art from World War II to the present and lt;strong and gt; and lt;br and gt; and lt;br and gt;Marcel Duchamp famously championed a and quot;non-retinal and quot; visual art, rejecting judgments of taste and beauty. and lt;em and gt;In the Blink of an Ear and lt;em and gt; is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamps conceptualism. Rather than treat sound art as an artistic practice unto itselfor as the unwanted child of musicartist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts. Applying key ideas from poststructuralism, deconstruction, and art history, In the Blink of an Ear suggests that the sonic arts have been subject to the same cultural pressures that have shaped minimalism, conceptualism, appropriation, and relational aesthetics. Sonic practice and theory have downplayed - or, in many cases, completely rejected - the de-formalization of the artwork and its simultaneous animation in the conceptual realm. and lt;br and gt;Starting in 1948, the simultaneous examples of John Cage and Pierre Schaeffer initiated a sonic theory-in-practice, fusing clement Greenbergs media-specificity with a phenomenological emphasis on perception. Subsequently, the and quot;sound-in-itself and quot; tendency has become the dominant paradigm for the production and reception of sound art. Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean Franois Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sounds expanded situation and its uncontainable textuality. At the same time, this important book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological. and lt;br and gt; and lt;br and gt;Artists discussed include: and lt;div and gt; and lt;br and gt; and lt;div and gt; and lt;br and gt;George Brecht and lt;br and gt;John Cage and lt;br and gt;Janet Cardiff and lt;br and gt;Marcel Duchamp and lt;br and gt;Bob Dylan and lt;br and gt;Valie Export and lt;br and gt;Luc Ferrari and lt;br and gt;Jarrod Fowler and lt;br and gt;Jacob Kirkegaard and lt;br and gt;Alvin Lucier and lt;br and gt;Robert Morris and lt;br and gt;Muddy Waters and lt;br and gt;John Oswald and lt;br and gt;Marina Rosenfeld and lt;br and gt;Pierre Schaeffer and lt;br and gt;Stephen Vitiello and lt;br and gt;La Monte Young and lt;br and gt; and lt;div and gt; and gt; This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. del artículo: 9780826429711

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Descripción Bloomsbury Publishing PLC, 2009. PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. del artículo: IQ-9780826429711

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Seth Kim-Cohen
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ISBN 10: 0826429718 ISBN 13: 9780826429711
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Descripción Bloomsbury Publishing PLC, United Kingdom, 2009. Paperback. Condición: New. New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Eyes in Ears: Art in Music / Music in Art since 1948 traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle. What do Pierre Schaeffer s initial experiments in musique concrete, John Cage s first proposal for a silent piece ( Silent Prayer ), and what many music historians consider to be the first rock and roll song: the Orioles It s Too Soon to Know all have in common? A year of pivotal importance - 1948. Eyes in Ears: Art in Music / Music in Art since 1948 traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle. Surprisingly, there is no extant book which covers the confluence of the art and music world. Eyes in Ears will both document the ways in which music and the gallery arts have infiltrated each others domains and will theorize the implications of these incursions. Finally, based on the interactions of art and music over the past sixty years, the book will provide an account of the birth of sound art as a distinct practice. Nº de ref. del artículo: BZE9780826429711

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Kim-Cohen, Seth
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Descripción Bloomsbury Academic, 2009. Paperback. Condición: New. Nº de ref. del artículo: INGM9780826429711

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