The Sound of Tomorrow: How Electronic Music Was Smuggled Into the Mainstream

3,87 valoración promedio
( 15 valoraciones por Goodreads )
 
9780826424525: The Sound of Tomorrow: How Electronic Music Was Smuggled Into the Mainstream
Críticas:

Mark Brend's comprensive history of the process by which what was once the marginalised province of academics and solitary hobbyists gradually became absorbed within the fabric of the musical mainstream throughout the 40s, 50s and 60s is an enthralling and informative read from first page to last...It's an extraordinary story and thanks to Mark Brend it's finally getting the attention it deserves. -- Grahame Bent Shindig! Magazine Mark Brend relates the story of how electronic music has infiltrated the mainstream from the turn of the 20th Century, shaping a narrative that rescues its experimentation from highbrow academia, while making the technical accessible to the likes of us whose phones are cleverer than we are.A touching epiloguem reveals how many of these characters have passed on with little mainstream recognition, but Brend's book ensures that their tales are told. -- Jason Draper Record Collector Brend thoroughly yet accessibly documents how the [electronic] music sneaked into everyday life as far back as the early 1900s. -- Richie Unterberger Mojo Providing a unique perspective, this volume serves as an excellent complement to existing histories of electronic music. In addition, the brief filmography and discography Brend provides with each chapter will be particularly useful for locating some of the less known titles he refers to in the text. Summing Up: Recommended. All readers. -- B. A. Hunter, University of Idaho CHOICE Brend relates the story of how electronic music has entered the mainstream from the turn of the 20th Century, shaping a narrative that rescues its experimentation from highbrow academia. It runs alongside the traditional music history, celebrating the people behind the technology that came to push rock music to new horizons. Record Collector

Reseña del editor:

London, 1966: Paul McCartney met a group of three electronic musicians called Unit Delta Plus. McCartney was there because he had become fascinated by electronic music, and wanted to know how it was made. He was one of the first rock musicians to grasp its potential, but even he was notably late to the party. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new.

"Sobre este título" puede pertenecer a otra edición de este libro.

Los mejores resultados en AbeBooks

1.

BREND, MARK
Editorial: MacMillan Publishers
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos Cantidad: > 20
Librería
INDOO
(Avenel, NJ, Estados Unidos de America)
Valoración
[?]

Descripción MacMillan Publishers. Estado de conservación: New. Brand New. Nº de ref. de la librería 082642452X

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 12,47
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,13
A Estados Unidos de America
Destinos, gastos y plazos de envío

2.

Mark Brend
Editorial: Continuum Publishing Corporation, United States (2012)
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos Paperback Cantidad: 10
Librería
Book Depository hard to find
(London, Reino Unido)
Valoración
[?]

Descripción Continuum Publishing Corporation, United States, 2012. Paperback. Estado de conservación: New. 213 x 140 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. London, 1966: Paul McCartney met a group of three electronic musicians called Unit Delta Plus. McCartney was there because he had become fascinated by electronic music, and wanted to know how it was made. He was one of the first rock musicians to grasp its potential, but even he was notably late to the party. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new. Nº de ref. de la librería BTE9780826424525

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 16,30
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

3.

Brend, Mark
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos Cantidad: 2
Librería
Pbshop
(Wood Dale, IL, Estados Unidos de America)
Valoración
[?]

Descripción 2012. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780826424525

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 13,29
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,57
A Estados Unidos de America
Destinos, gastos y plazos de envío

4.

Mark Brend
Editorial: Continuum Publishing Corporation, United States (2012)
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos Paperback Cantidad: 1
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción Continuum Publishing Corporation, United States, 2012. Paperback. Estado de conservación: New. 213 x 140 mm. Language: English . Brand New Book. London, 1966: Paul McCartney met a group of three electronic musicians called Unit Delta Plus. McCartney was there because he had become fascinated by electronic music, and wanted to know how it was made. He was one of the first rock musicians to grasp its potential, but even he was notably late to the party. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new. Nº de ref. de la librería AAC9780826424525

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 18,71
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

5.

Mark Brend
Editorial: Continuum Publishing Corporation, United States (2012)
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos Paperback Cantidad: 1
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción Continuum Publishing Corporation, United States, 2012. Paperback. Estado de conservación: New. 213 x 140 mm. Language: English . Brand New Book. London, 1966: Paul McCartney met a group of three electronic musicians called Unit Delta Plus. McCartney was there because he had become fascinated by electronic music, and wanted to know how it was made. He was one of the first rock musicians to grasp its potential, but even he was notably late to the party. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new. Nº de ref. de la librería AAC9780826424525

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 18,95
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

6.

Brend, Mark
Editorial: Bloomsbury Academic (2012)
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos Paperback Cantidad: 1
Librería
Murray Media
(North Miami Beach, FL, Estados Unidos de America)
Valoración
[?]

Descripción Bloomsbury Academic, 2012. Paperback. Estado de conservación: New. Nº de ref. de la librería 082642452X

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 16,63
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 2,68
A Estados Unidos de America
Destinos, gastos y plazos de envío

7.

Mark Brend
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos Paperback Cantidad: 1
Librería
Grand Eagle Retail
(Wilmington, DE, Estados Unidos de America)
Valoración
[?]

Descripción Paperback. Estado de conservación: New. 140mm x 18mm x 213mm. Paperback. London, 1966: Paul McCartney met a group of three electronic musicians called Unit Delta Plus. McCartney was there because he had become fascinated by electronic music, and wanted to know .Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 256 pages. 0.408. Nº de ref. de la librería 9780826424525

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 21,86
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

8.

Mark Brend
Editorial: Bloomsbury Academic
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos Paperback Cantidad: 1
Librería
BuySomeBooks
(Las Vegas, NV, Estados Unidos de America)
Valoración
[?]

Descripción Bloomsbury Academic. Paperback. Estado de conservación: New. Paperback. 256 pages. Dimensions: 8.4in. x 5.5in. x 0.7in.London, 1966: Paul McCartney met a group of three electronic musicians called Unit Delta Plus. McCartney was there because he had become fascinated by electronic music, and wanted to know how it was made. He was one of the first rock musicians to grasp its potential, but even he was notably late to the party. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780826424525

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 19,14
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,53
A Estados Unidos de America
Destinos, gastos y plazos de envío

9.

Mark Brend
Editorial: Continuum Publishing Corporation (2012)
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos Cantidad: 2
Librería
Books2Anywhere
(Fairford, GLOS, Reino Unido)
Valoración
[?]

Descripción Continuum Publishing Corporation, 2012. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780826424525

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 12,77
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 10,32
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

10.

Mark Brend
Editorial: Bloomsbury Publishing (UK) 2012-11-29, New York (2012)
ISBN 10: 082642452X ISBN 13: 9780826424525
Nuevos paperback Cantidad: > 20
Librería
Blackwell's
(Oxford, OX, Reino Unido)
Valoración
[?]

Descripción Bloomsbury Publishing (UK) 2012-11-29, New York, 2012. paperback. Estado de conservación: New. Nº de ref. de la librería 9780826424525

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 18,88
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 5,16
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

Existen otras copia(s) de este libro

Ver todos los resultados de su búsqueda