Hegarty, Paul Noise/Music: A History

ISBN 13: 9780826417275

Noise/Music: A History

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9780826417275: Noise/Music: A History
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"Noise/Music" looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, "Noise/Music" is the perfect primer for anyone interested in the louder side of experimental music.

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1.

Paul Hegarty
Editorial: Bloomsbury Publishing PLC, United Kingdom (2007)
ISBN 10: 0826417272 ISBN 13: 9780826417275
Nuevos Paperback Cantidad: 1
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Descripción Bloomsbury Publishing PLC, United Kingdom, 2007. Paperback. Estado de conservación: New. 226 x 150 mm. Language: English . Brand New Book. Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book s main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music. Nº de ref. de la librería AAZ9780826417275

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2.

Paul Hegarty
Editorial: Bloomsbury Publishing PLC, United Kingdom (2007)
ISBN 10: 0826417272 ISBN 13: 9780826417275
Nuevos Paperback Cantidad: 1
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The Book Depository US
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Descripción Bloomsbury Publishing PLC, United Kingdom, 2007. Paperback. Estado de conservación: New. 226 x 150 mm. Language: English . Brand New Book. Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book s main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music. Nº de ref. de la librería AAZ9780826417275

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3.

Hegarty, Paul
ISBN 10: 0826417272 ISBN 13: 9780826417275
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808264172750000000

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Paul Hegarty
Editorial: Continuum International Publishing Group Ltd. 2007-10-15 (2007)
ISBN 10: 0826417272 ISBN 13: 9780826417275
Nuevos Cantidad: 3
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Chiron Media
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Descripción Continuum International Publishing Group Ltd. 2007-10-15, 2007. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-00364888

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5.

Paul Hegarty
Editorial: Bloomsbury Publishing PLC
ISBN 10: 0826417272 ISBN 13: 9780826417275
Nuevos Paperback Cantidad: 7
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THE SAINT BOOKSTORE
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Descripción Bloomsbury Publishing PLC. Paperback. Estado de conservación: new. BRAND NEW, Noise Music: A History, Paul Hegarty, "Noise/Music" looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, "Noise/Music" is the perfect primer for anyone interested in the louder side of experimental music. Nº de ref. de la librería B9780826417275

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HEGARTY, PAUL
Editorial: MacMillan Publishers
ISBN 10: 0826417272 ISBN 13: 9780826417275
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Descripción MacMillan Publishers. Estado de conservación: New. Brand New. Nº de ref. de la librería 0826417272

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Paul Hegarty
Editorial: Bloomsbury Publishing PLC 2007-10-04, London (2007)
ISBN 10: 0826417272 ISBN 13: 9780826417275
Nuevos paperback Cantidad: 1
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Blackwell's
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Descripción Bloomsbury Publishing PLC 2007-10-04, London, 2007. paperback. Estado de conservación: New. Nº de ref. de la librería 9780826417275

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Paul Hegarty
ISBN 10: 0826417272 ISBN 13: 9780826417275
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Ria Christie Collections
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Descripción Paperback. Estado de conservación: New. Not Signed; Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegart. book. Nº de ref. de la librería ria9780826417275_rkm

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Hegarty, Paul
Editorial: Bloomsbury Publishing PLC (2007)
ISBN 10: 0826417272 ISBN 13: 9780826417275
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Descripción Bloomsbury Publishing PLC, 2007. Estado de conservación: New. Looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica. This work situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Num Pages: 240 pages. BIC Classification: AVA; AVGC6. Category: (UU) Undergraduate. Dimension: 229 x 153 x 17. Weight in Grams: 364. . 2007. 0th Edition. Paperback. . . . . . Nº de ref. de la librería V9780826417275

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10.

Hegarty, Paul
Editorial: Bloomsbury Publishing PLC
ISBN 10: 0826417272 ISBN 13: 9780826417275
Nuevos Tapa blanda Cantidad: 3
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Kennys Bookstore
(Olney, MD, Estados Unidos de America)
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Descripción Bloomsbury Publishing PLC. Estado de conservación: New. Looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica. This work situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Num Pages: 240 pages. BIC Classification: AVA; AVGC6. Category: (UU) Undergraduate. Dimension: 229 x 153 x 17. Weight in Grams: 364. . 2007. 0th Edition. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780826417275

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