Refracted Modernity: Visual Culture and Identity in Colonial Taiwan

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9780824830502: Refracted Modernity: Visual Culture and Identity in Colonial Taiwan

Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895–1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized.

Contributors: Chao-Ching Fu, Chia-yu Hu, Yuko Kikuchi, Kaoru Kojima, Ming-chu Lai, Hsin-tien Liao, Naoko Shimazu, Toshio Watanabe, Chuan-ying Yen.

"Sinopsis" puede pertenecer a otra edición de este libro.

About the Author:

Yuko Kikuchi is senior research fellow at TrAIN (Research Centre for Transnational Art, Identity and Nation), University of the Arts, London.

"Sobre este título" puede pertenecer a otra edición de este libro.

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Yuko Kikuchi (Editor)
Editorial: Univ of Hawaii Pr (2007)
ISBN 10: 0824830504 ISBN 13: 9780824830502
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Descripción Univ of Hawaii Pr, 2007. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0824830504

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Editorial: University of Hawai i Press, United States (2007)
ISBN 10: 0824830504 ISBN 13: 9780824830502
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Descripción University of Hawai i Press, United States, 2007. Hardback. Estado de conservación: New. Language: English . Brand New Book. Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the discovery of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of local color, which was imposed by Japanese, and its relation to the nativism that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Nº de ref. de la librería AAN9780824830502

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Kikuchi, Yuko
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Descripción University of Hawai'i Press, 2007. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CE-9780824830502

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Descripción University of Hawaii Press, 2007. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110824830504

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Descripción University of Hawai i Press, United States, 2007. Hardback. Estado de conservación: New. Language: English . Brand New Book. Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the discovery of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of local color, which was imposed by Japanese, and its relation to the nativism that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Nº de ref. de la librería AAN9780824830502

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Descripción University of Hawaii Press, 2007. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M0824830504

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Yuko Kikuchi, Chao-Ching Fu, Chia-Yu Hu, Yuko Kikuchi, Kaoru Kojima
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ISBN 10: 0824830504 ISBN 13: 9780824830502
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Descripción University of Hawai'i Press. Hardback. Estado de conservación: new. BRAND NEW, Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, Yuko Kikuchi, Chao-Ching Fu, Chia-Yu Hu, Yuko Kikuchi, Kaoru Kojima, Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Nº de ref. de la librería B9780824830502

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Descripción University of Hawaii Press. Hardcover. Estado de conservación: New. 0824830504 New Condition. Nº de ref. de la librería NEW7.1364205

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Kikuchi, Yuko (Editor)
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Descripción Univ of Hawaii Pr, 2007. Hardcover. Estado de conservación: Brand New. illustrated edition. 285 pages. 10.25x7.25x1.00 inches. In Stock. Nº de ref. de la librería __0824830504

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