Refracted Modernity: Visual Culture and Identity in Colonial Taiwan

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9780824830502: Refracted Modernity: Visual Culture and Identity in Colonial Taiwan
Reseña del editor:

Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized.

Biografía del autor:

Yuko Kikuchi is senior research fellow at TrAIN (Research Centre for Transnational Art, Identity and Nation), University of the Arts, London.

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Yuko Kikuchi (Editor)
Editorial: Univ of Hawaii Pr (2007)
ISBN 10: 0824830504 ISBN 13: 9780824830502
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Descripción Univ of Hawaii Pr, 2007. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0824830504

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Descripción Univ of Hawaii Pr, 2007. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0824830504

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Descripción University of Hawaii Press, 2007. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110824830504

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Editorial: University of Hawai i Press, United States (2007)
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Descripción University of Hawai i Press, United States, 2007. Hardback. Estado de conservación: New. 256 x 180 mm. Language: English . Brand New Book. Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the discovery of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of local color, which was imposed by Japanese, and its relation to the nativism that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Nº de ref. de la librería AAN9780824830502

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Editorial: University of Hawai i Press, United States (2007)
ISBN 10: 0824830504 ISBN 13: 9780824830502
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Descripción University of Hawai i Press, United States, 2007. Hardback. Estado de conservación: New. 256 x 180 mm. Language: English . Brand New Book. Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the discovery of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of local color, which was imposed by Japanese, and its relation to the nativism that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Nº de ref. de la librería AAN9780824830502

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Yuko Kikuchi
Editorial: University of Hawai'i Press (2007)
ISBN 10: 0824830504 ISBN 13: 9780824830502
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Descripción University of Hawai'i Press, 2007. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CE-9780824830502

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Yuko Kikuchi, Chao-Ching Fu, Chia-Yu Hu, Yuko Kikuchi, Kaoru Kojima
Editorial: University of Hawai'i Press
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Descripción University of Hawai'i Press. Hardback. Estado de conservación: new. BRAND NEW, Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, Yuko Kikuchi, Chao-Ching Fu, Chia-Yu Hu, Yuko Kikuchi, Kaoru Kojima, Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Nº de ref. de la librería B9780824830502

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Kikuchi, Yuko (Editor)
Editorial: Univ of Hawaii Pr (2007)
ISBN 10: 0824830504 ISBN 13: 9780824830502
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Descripción Univ of Hawaii Pr, 2007. Hardcover. Estado de conservación: Brand New. illustrated edition. 285 pages. 10.25x7.25x1.00 inches. In Stock. Nº de ref. de la librería __0824830504

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Yuko Kikuchi
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Descripción 2007. Hardcover. Estado de conservación: New. 184mm x 24mm x 256mm. Hardcover. Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 285 pages. 1.016. Nº de ref. de la librería 9780824830502

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