Artists looking for a fresh approach to their work will enjoy this rich resource offering complete instruction on the dynamic art form known as scratchboard.
The book outlines the long history of the art, from petroglyphs, sgraffito, and scrimshaw to the state of the medium today, pointing out new surfaces, tools, and methods. Basic techniques are explored, such as scratching on an ink-blacked surface and applying ink or acrylics on a white clay surface. Other methods are reviewed: airbrush, gouache, watercolor, oils, tempera, and colored pencils.
“Artists looking for new ways of interpreting their work will be pleased to find this on library shelves.”—Library Journal, July 2001
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Colorado painter, printmaker, and educator Charles Ewing explores art on clay surfaces in The New Scratchboard. Unfired porcelain clay applied in a thin layer to a support gives a surface that is both absorbent and easily scratched. Images are created by applying and removing pigment. Ewing looks at the long history of clay-surface art and describes the nature of clay-coated surfaces. He presents a staggeringly wide range of pigment that media artists can employ on scratchboards, including graphite, colored pencils, charcoal, ink pens, watercolor, acrylic, gouache, oil, etc. Application and removal tools are equally diverse. Chapters about using India ink and color on white clay surfaces include demonstrations and exercises, and Ewing also provides extensive demonstrations of printmaking techniques such as relief, intaglio, and lithography. The book is exhaustively illustrated by a wide range of artists who have exploited the easy versatility the clay surface affords. Ewing's own work portraying horses and animals from the wild on inkboard reflects a mastery of line, form, and rhythm; his black-and-white rendition of four dancing ravens, for example, is simultaneously amusing and realistic. Any artist is sure to find a captivating technique from the wide media illustrated, each with its own unique characteristics. Although saturated with technique, the book celebrates experimentation, which is perhaps best captured in its being "dedicated to those with a 'What if...' curiosity that always prevents them from exactly following a recipe." --Mary RibeskyAbout the Author:
Charles Ewing, the developer of the porcelain clay surface trademarked as “Clayboard,” exhibits work at galleries in the Southwest. He lives in Colorado.
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Descripción Watson-Guptill, 2001. Paperback. Estado de conservación: New. Nº de ref. de la librería P110823046583
Descripción Watson-Guptill, 2001. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0823046583
Descripción Watson-Guptill. PAPERBACK. Estado de conservación: New. 0823046583 New Condition. Nº de ref. de la librería NEW6.0515052
Descripción Watson-Guptill, 2001. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0823046583