Nothing Happens: Chantal Akerman’s Hyperrealist Everyday

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9780822317234: Nothing Happens: Chantal Akerman’s Hyperrealist Everyday

Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker.
Margulies grounds her critical analysis in detailed discussions of Akerman’s work—from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman’s everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker’s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women’s history in the seventies. She then shows how Akerman’s “corporeal cinema” is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman’s minimal-hyperrealist aesthetics in contrast to Godard’s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman’s films as either simply modernist or feminist.
An essential book for students of Chantal Akerman’s work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.

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From the Back Cover:

"A significant and original contribution, not just to Akerman scholarship, but to film studies generally."--David James, University of Southern California

About the Author:

Ivone Margulies is Associate Professor in the Department of Film & Media at Hunter College of the City University of New York.

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Ivone Margulies
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Descripción Duke University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0822317230

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Ivone Margulies
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Descripción Duke University Press, United States, 1996. Paperback. Estado de conservación: New. Language: English . Brand New Book. Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman s work-from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman s everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women s history in the seventies.She then shows how Akerman s corporeal cinema is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman s minimal-hyperrealist aesthetics in contrast to Godard s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman s films as either simply modernist or feminist. An essential book for students of Chantal Akerman s work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory. Nº de ref. de la librería AAJ9780822317234

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Ivone Margulies
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Descripción Duke University Press, United States, 1996. Paperback. Estado de conservación: New. Language: English . Brand New Book. Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker.Margulies grounds her critical analysis in detailed discussions of Akerman s work-from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman s everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women s history in the seventies. She then shows how Akerman s corporeal cinema is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman s minimal-hyperrealist aesthetics in contrast to Godard s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman s films as either simply modernist or feminist. An essential book for students of Chantal Akerman s work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory. Nº de ref. de la librería AAJ9780822317234

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808223172340000000

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Descripción Duke University Press 1996-02-09, 1996. Paperback. Estado de conservación: New. Nº de ref. de la librería NU-MAR-00038925

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Descripción Duke University Press. Paperback. Estado de conservación: new. BRAND NEW, Nothing Happens: Chantal Akerman's Hyperrealist Everyday, Ivone Margulies, Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman's work from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman's everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker's work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women's history in the seventies. She then shows how Akerman's ocorporeal cinema' is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman's minimal-hyperrealist aesthetics in contrast to Godard's anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman's films as either simply modernist or feminist. An essential book for students of Chantal Akerman's work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory. Nº de ref. de la librería B9780822317234

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Descripción Duke University Press, 1996. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9780822317234

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Descripción Duke University Press Books, 1996. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0822317230

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Descripción Duke Univ Pr, 1996. Paperback. Estado de conservación: Brand New. 288 pages. 9.50x6.50x0.75 inches. In Stock. Nº de ref. de la librería __0822317230

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