Nothing Happens - PB: Chantal Akerman's Hyperrealist Everyday

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9780822317234: Nothing Happens - PB: Chantal Akerman's Hyperrealist Everyday
Críticas:

oA fine writer and a skilled and gifted critic, Margulies offers many new insights into AkermanOs important work. The readings of AkermanOs filmsNin particular the contextualization of the work in a wider range of frameworksNare excellent. An impressive book.ONJudith Mayne, Ohio State University oA significant and original contribution, not just to Akerman scholarship, but to film studies generally.ONDavid James, University of Southern California

Reseña del editor:

Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman's work from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman's everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker's work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women's history in the seventies. She then shows how Akerman's ocorporeal cinema' is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman's minimal-hyperrealist aesthetics in contrast to Godard's anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman's films as either simply modernist or feminist. An essential book for students of Chantal Akerman's work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.

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Ivone Margulies
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Descripción Duke University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0822317230

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Ivone Margulies
Editorial: Duke University Press, United States (1996)
ISBN 10: 0822317230 ISBN 13: 9780822317234
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Descripción Duke University Press, United States, 1996. Paperback. Estado de conservación: New. 230 x 152 mm. Language: English . Brand New Book. Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman s work-from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman s everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women s history in the seventies. She then shows how Akerman s corporeal cinema is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman s minimal-hyperrealist aesthetics in contrast to Godard s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman s films as either simply modernist or feminist. An essential book for students of Chantal Akerman s work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory. Nº de ref. de la librería AAJ9780822317234

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Ivone Margulies
Editorial: Duke University Press, United States (1996)
ISBN 10: 0822317230 ISBN 13: 9780822317234
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Descripción Duke University Press, United States, 1996. Paperback. Estado de conservación: New. 230 x 152 mm. Language: English . Brand New Book. Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman s work-from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman s everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women s history in the seventies. She then shows how Akerman s corporeal cinema is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman s minimal-hyperrealist aesthetics in contrast to Godard s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman s films as either simply modernist or feminist. An essential book for students of Chantal Akerman s work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory. Nº de ref. de la librería AAJ9780822317234

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808223172340000000

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Descripción Duke University Press 1996-02-09, 1996. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-MAR-00038925

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Descripción Duke Univ. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2377243

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Descripción Duke University Press. Paperback. Estado de conservación: new. BRAND NEW, Nothing Happens: Chantal Akerman's Hyperrealist Everyday, Ivone Margulies, Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman's work from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman's everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker's work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women's history in the seventies. She then shows how Akerman's ocorporeal cinema' is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman's minimal-hyperrealist aesthetics in contrast to Godard's anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman's films as either simply modernist or feminist. An essential book for students of Chantal Akerman's work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory. Nº de ref. de la librería B9780822317234

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Descripción Paperback. Estado de conservación: New. Not Signed; Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, book. Nº de ref. de la librería ria9780822317234_rkm

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Margulies, Ivone
Editorial: Duke University Press Books (1996)
ISBN 10: 0822317230 ISBN 13: 9780822317234
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Descripción Duke University Press Books, 1996. Estado de conservación: New. Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. This title presents the study of this influential avant-garde Belgian filmmaker. Num Pages: 288 pages, 28 b&w photographs. BIC Classification: APF; JFFK. Category: (P) Professional & Vocational. Dimension: 237 x 152 x 21. Weight in Grams: 514. . 1996. Paperback. . . . . . Nº de ref. de la librería V9780822317234

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Ivone Margulies
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Descripción 1996. Paperback. Estado de conservación: New. 154mm x 21mm x 234mm. Paperback. Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputa.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 288 pages. 0.567. Nº de ref. de la librería 9780822317234

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