Michael Rettinger Studio Acoustics

ISBN 13: 9780820603766

Studio Acoustics

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9780820603766: Studio Acoustics

Foreword- PART I. BASICS - 1. Introduction 2. Studio Planning 3. Sound Insulation 4. Reverberation 5. Air-Conditioning System Noise Limits 6. Sound-Retardant Windows and Doors 7. Instrument Isolation for Multiple Track Recording 8. Studio Testing 9. Plumbing Noise Control 10. Vibration Isolation 11. Suspended Acoustic Ceiling 12. Elevators 13. Interior Decor of Studios 14. Sound Power Versus Sound Pressure PART II. STUDIOS - 15. Control Rooms 16. ADR Studios 17. Re-Recording Studios 18. Reverberation Chambers 19. Motion Picture and TV Stages 20. Music Recording Studios 21. Review Rooms 22. Future Sound-Recording Studios 23. Canopied Amphitheaters PART III. ELECTROACOUSTICS - 24. Microphone Properties 25. Loudspeaker Sensitivity 26. Electronic Light Dimmers - Index Sound recording studios are often built like showcases, either to attract clientele or to provide a distinctive image for the industry. They are, thus, like people, in that no two of them are alike. Yet, all such structures have to have certain common acoustic elements if they are to function to the best artistic and economic advantages. The enclosures must be sufficiently quiet, exhibit proper reverberatory conditions (often required to be adjustable), be devoid of parallelisms between hard surfaces, have no sound-focusing concave surfaces, be free of vibrations from external and internal sources, etc. It is for the purpose of providing first design principles of sound recording studios that this book has been prepared, so that for any given size structure, satisfactory vocal and instrumental recording conditions can be established therein. All equations involving physical quantities are given both in the English and the MKS system of measurement. Also, when the description of existing studios includes linear dimensions, their metric equivalents follow in parenthesis, as is also done for such quantities as surface density (mass per unit area) and sound absorption.

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Rettinger, Michael
Editorial: Chemical Publishing Company
ISBN 10: 0820603767 ISBN 13: 9780820603766
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Descripción Chemical Publishing Company. PAPERBACK. Estado de conservación: New. 0820603767 New Condition. Nº de ref. de la librería NEW6.0507541

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Rettinger, Michael
Editorial: Chemical Publishing Company 1981-12 (1981)
ISBN 10: 0820603767 ISBN 13: 9780820603766
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Descripción Chemical Publishing Company 1981-12, 1981. Estado de conservación: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-LSI-06857556

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Michael Rettinger
Editorial: Chemical Publishing Co Inc.,U.S. (1981)
ISBN 10: 0820603767 ISBN 13: 9780820603766
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Descripción Chemical Publishing Co Inc.,U.S., 1981. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780820603766

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Anne Goudvis
Editorial: Chemical Publishing Co Inc.,U.S., United States (1981)
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Descripción Chemical Publishing Co Inc.,U.S., United States, 1981. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****. Foreword- PART I BASICS - 1. Introduction2. Studio Planning3. Sound Insulation4. Reverberation5. Air-Conditioning System Noise Limits6. Sound-Retardant Windows and Doors7. Instrument Isolation for Multiple Track Recording8. Studio Testing9. Plumbing Noise Control10. Vibration Isolation11. Suspended Acoustic Ceiling12. Elevators13. Interior Decor of Studios14. Sound Power Versus Sound PressurePART II STUDIOS - 15. Control Rooms16. ADR Studios17. Re-Recording Studios18. Reverberation Chambers19. Motion Picture and TV Stages20. Music Recording Studios21. Review Rooms22. Future Sound-Recording Studios23. Canopied AmphitheatersPART III ELECTROACOUSTICS - 24. Microphone Properties25. Loudspeaker Sensitivity26. Electronic Light Dimmers - IndexSound recording studios are often built like showcases, either to attract clientele or to provide a distinctive image for the industry. They are, thus, like people, in that no two of them are alike. Yet, all such structures have to have certain common acoustic elements if they are to function to the best artistic and economic advantages. The enclosures must be sufficiently quiet, exhibit proper reverberatory conditions (often required to be adjustable), be devoid of parallelisms between hard surfaces, have no sound-focusing concave surfaces, be free of vibrations from external and internal sources, etc. It is for the purpose of providing first design principles of sound recording studios that this book has been prepared, so that for any given size structure, satisfactory vocal and instrumental recording conditions can be established therein. All equations involving physical quantities are given both in the English and the MKS system of measurement. Also, when the description of existing studios includes linear dimensions, their metric equivalents follow in parenthesis, as is also done for such quantities as surface density (mass per unit area) and sound absorption. Nº de ref. de la librería APC9780820603766

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5.

Anne Goudvis
Editorial: Chemical Publishing Co Inc.,U.S., United States (1981)
ISBN 10: 0820603767 ISBN 13: 9780820603766
Nuevos Paperback Cantidad: 10
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Descripción Chemical Publishing Co Inc.,U.S., United States, 1981. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****.Foreword- PART I BASICS - 1. Introduction2. Studio Planning3. Sound Insulation4. Reverberation5. Air-Conditioning System Noise Limits6. Sound-Retardant Windows and Doors7. Instrument Isolation for Multiple Track Recording8. Studio Testing9. Plumbing Noise Control10. Vibration Isolation11. Suspended Acoustic Ceiling12. Elevators13. Interior Decor of Studios14. Sound Power Versus Sound PressurePART II STUDIOS - 15. Control Rooms16. ADR Studios17. Re-Recording Studios18. Reverberation Chambers19. Motion Picture and TV Stages20. Music Recording Studios21. Review Rooms22. Future Sound-Recording Studios23. Canopied AmphitheatersPART III ELECTROACOUSTICS - 24. Microphone Properties25. Loudspeaker Sensitivity26. Electronic Light Dimmers - IndexSound recording studios are often built like showcases, either to attract clientele or to provide a distinctive image for the industry. They are, thus, like people, in that no two of them are alike. Yet, all such structures have to have certain common acoustic elements if they are to function to the best artistic and economic advantages. The enclosures must be sufficiently quiet, exhibit proper reverberatory conditions (often required to be adjustable), be devoid of parallelisms between hard surfaces, have no sound-focusing concave surfaces, be free of vibrations from external and internal sources, etc. It is for the purpose of providing first design principles of sound recording studios that this book has been prepared, so that for any given size structure, satisfactory vocal and instrumental recording conditions can be established therein. All equations involving physical quantities are given both in the English and the MKS system of measurement. Also, when the description of existing studios includes linear dimensions, their metric equivalents follow in parenthesis, as is also done for such quantities as surface density (mass per unit area) and sound absorption. Nº de ref. de la librería APC9780820603766

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Michael Rettinger
Editorial: Chemical Publishing Co Inc.,U.S. (1981)
ISBN 10: 0820603767 ISBN 13: 9780820603766
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Descripción Chemical Publishing Co Inc.,U.S., 1981. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780820603766

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Rettinger, Michael
Editorial: Chemical Publishing Company (2017)
ISBN 10: 0820603767 ISBN 13: 9780820603766
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Descripción Chemical Publishing Company, 2017. Paperback. Estado de conservación: New. This item is printed on demand. Nº de ref. de la librería 0820603767

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Rettinger, Michael
Editorial: Chemical Publishing Company (2016)
ISBN 10: 0820603767 ISBN 13: 9780820603766
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Descripción Chemical Publishing Company, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780820603766_lsuk

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Michael Rettinger
Editorial: Chemical Publishing Company (1981)
ISBN 10: 0820603767 ISBN 13: 9780820603766
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Descripción Chemical Publishing Company, 1981. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0820603767

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Anne Goudvis
Editorial: Chemical Publishing Co Inc.,U.S., United States (1981)
ISBN 10: 0820603767 ISBN 13: 9780820603766
Nuevos Paperback Cantidad: 10
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Descripción Chemical Publishing Co Inc.,U.S., United States, 1981. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Foreword- PART I BASICS - 1. Introduction2. Studio Planning3. Sound Insulation4. Reverberation5. Air-Conditioning System Noise Limits6. Sound-Retardant Windows and Doors7. Instrument Isolation for Multiple Track Recording8. Studio Testing9. Plumbing Noise Control10. Vibration Isolation11. Suspended Acoustic Ceiling12. Elevators13. Interior Decor of Studios14. Sound Power Versus Sound PressurePART II STUDIOS - 15. Control Rooms16. ADR Studios17. Re-Recording Studios18. Reverberation Chambers19. Motion Picture and TV Stages20. Music Recording Studios21. Review Rooms22. Future Sound-Recording Studios23. Canopied AmphitheatersPART III ELECTROACOUSTICS - 24. Microphone Properties25. Loudspeaker Sensitivity26. Electronic Light Dimmers - IndexSound recording studios are often built like showcases, either to attract clientele or to provide a distinctive image for the industry. They are, thus, like people, in that no two of them are alike. Yet, all such structures have to have certain common acoustic elements if they are to function to the best artistic and economic advantages. The enclosures must be sufficiently quiet, exhibit proper reverberatory conditions (often required to be adjustable), be devoid of parallelisms between hard surfaces, have no sound-focusing concave surfaces, be free of vibrations from external and internal sources, etc. It is for the purpose of providing first design principles of sound recording studios that this book has been prepared, so that for any given size structure, satisfactory vocal and instrumental recording conditions can be established therein. All equations involving physical quantities are given both in the English and the MKS system of measurement. Also, when the description of existing studios includes linear dimensions, their metric equivalents follow in parenthesis, as is also done for such quantities as surface density (mass per unit area) and sound absorption. Nº de ref. de la librería LIE9780820603766

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