Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations (Electronic Mediations)

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9780816667383: Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations (Electronic Mediations)

In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done.
Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer’s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City’s historic square, created by Internet users all over the world.
Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole.

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About the Author:

Roberto Simanowski is professor of media studies at the University of Basel.

Review:

"Against an aesthetic thought that privileges erotics over hermeneutics and performative presence over meaning, Roberto Simanowski demonstrates in critical detail how the web has not spelt the end of interpretation, but has complicated it. Mobilizing the history and theory of the avant-garde from Apollinaire and Dada to situationsim and aleatoric poetry, he analyzes salient examples of digital art and literature, engaging with the ways in which code and programming, hypertext, collaborative writing, and interactive installations challenge notions of authorship and audience, reading and writing. A major work on the aesthetics of the digital media by a superb close reader who cuts across literary and media studies and opens up new dimensions for the humanities. A must read for programmers and humanists, engineers and artists alike." —Andreas Huyssen, Columbia University



"In a tightly interlocked set of readings of representative works ranging from concrete poetry to interactive installations, Roberto Simanowski makes a compelling case for a re-fashioned semiotic analysis that attends to the meaning produced by the formal intricacies of the work itself as well as by external processes of production and reception. In Simanowski, digital art finds the thoughtful, incisive, and erudite reader it truly deserves." —Rita Raley, University of California, Santa Barbara

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Roberto Simanowski
Editorial: University of Minnesota Press, United States (2011)
ISBN 10: 0816667381 ISBN 13: 9780816667383
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Descripción University of Minnesota Press, United States, 2011. Paperback. Estado de conservación: New. Language: English . Brand New Book. In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done.Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City s historic square, created by Internet users all over the world.Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole. Nº de ref. de la librería AAR9780816667383

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Roberto Simanowski
Editorial: University of Minnesota Press, United States (2011)
ISBN 10: 0816667381 ISBN 13: 9780816667383
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Descripción University of Minnesota Press, United States, 2011. Paperback. Estado de conservación: New. Language: English . Brand New Book. In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done.Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City s historic square, created by Internet users all over the world.Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole. Nº de ref. de la librería AAR9780816667383

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808166673830000000

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Roberto Simanowski
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Descripción University Of Minnesota Press 2011-05-20, Minneapolis, Minn. :|Bristol, 2011. paperback. Estado de conservación: New. Nº de ref. de la librería 9780816667383

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Roberto Simanowski
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Descripción University of Minnesota Press, United States, 2011. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done.Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City s historic square, created by Internet users all over the world.Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole. Nº de ref. de la librería BTE9780816667383

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Descripción University of Minnesota Press. Paperback. Estado de conservación: new. BRAND NEW, Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, Roberto Simanowski. Nº de ref. de la librería B9780816667383

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Descripción University of Minnesota Press, 2011. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CW-9780816667383

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Descripción 2011. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TX-9780816667383

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Simanowski, Roberto
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Descripción University of Minnesota Press, 2011. Estado de conservación: New. Series: Electronic Mediations. Num Pages: 328 pages, 35 b&w illustrations. BIC Classification: AK; UG. Category: (G) General (US: Trade). Dimension: 215 x 142 x 19. Weight in Grams: 380. . 2011. Paperback. . . . . . Nº de ref. de la librería V9780816667383

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Descripción University of Chicago press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0816667381

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