Collectivism After Modernism: The Art of Social Imagination After 1945

4,07 valoración promedio
( 30 valoraciones por GoodReads )
 
9780816644629: Collectivism After Modernism: The Art of Social Imagination After 1945

Los mejores resultados en AbeBooks

1.

Gregory Sholette, Reiko Tomii
Editorial: University of Chicago press
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos Cantidad: > 20
Librería
INDOO
(Avenel, NJ, Estados Unidos de America)
Valoración
[?]

Descripción University of Chicago press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0816644624

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 19,97
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,27
A Estados Unidos de America
Destinos, gastos y plazos de envío

2.

Gregory Sholette, Reiko Tomii
Editorial: University of Minnesota Press, United States (2007)
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos Paperback Cantidad: 1
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción University of Minnesota Press, United States, 2007. Paperback. Estado de conservación: New. 251 x 175 mm. Language: English . Brand New Book. Don t start an art collective until you read this book. Guerrilla Girls Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the agenda. Collectivism after Modernism convincingly proves that art collectives did not stop after the proclaimed death of the historical avant-gardes. Like never before technology reinvents the social and artists claim the steering wheel! Geert Lovink, Institute of Network Cultures, Amsterdam This examination of the succession of post-war avant-gardes and collectives is new, important, and engaged. Stephen F. Eisenman, author of The Abu Ghraib Effect Collectivism after Modernism crucially helps us understand what artists and others can do in mushy, stinky times like ours. What can the seemingly powerless do in the face of mighty forces that seem to have their act really together? Here, Stimson and Sholette put forth many good answers. Yes Men Spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism explores the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. Together, these essays demonstrate that collectivism survives as an influential artistic practice despite the art world s star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, Jesse Drew, Okwui Enwezor, Ruben Gallo, Chris Gilbert, Brian Holmes, Alan Moore, Jelena Stojanovic, Reiko Tomii, Rachel Weiss. Blake Stimson is associate professor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Political Art Documentation/Distribution and REPOhistory. He is coeditor of The Interventionists: Users Manual for the Creative Disruption of Everyday Life. To understand the various forms of postwar collectivism as historically determined phenomena and to articulate the possibilities for contemporary collectivist art production is the aim of Collectivism after Modernism. The essays assembled in this anthology argue that to make truly collective art means to reconsider the relation between art and public; examples from the Situationist International and Group Material to Paper Tiger Television and the Congolese collective Le Groupe Amos make the point. To construct an art of shared experience means to go beyond projecting what Blake Stimson and Gregory Sholette call the imagined community: a collective has to be more than an ideal, and more than communal craft; it has to be a truly social enterprise. Not only does it use unconventional forms and media to communicate the issues and experiences usually excluded from artistic representation, but it gives voice to a multiplicity of perspectives. At its best it relies on the participation of the audience to actively contribute to the work, carrying forth the dialogue it inspires. BOMB. Nº de ref. de la librería AAS9780816644629

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 23,31
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

3.

Gregory Sholette, Reiko Tomii
Editorial: Univ Of Minnesota Press
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos PAPERBACK Cantidad: 1
Librería
Movie Mars
(Indian Trail, NC, Estados Unidos de America)
Valoración
[?]

Descripción Univ Of Minnesota Press. PAPERBACK. Estado de conservación: New. 0816644624 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Nº de ref. de la librería 4952776

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 19,96
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,73
A Estados Unidos de America
Destinos, gastos y plazos de envío

4.

Gregory Sholette, Reiko Tomii
Editorial: University of Minnesota Press, United States (2007)
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos Paperback Cantidad: 1
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción University of Minnesota Press, United States, 2007. Paperback. Estado de conservación: New. 251 x 175 mm. Language: English . Brand New Book. Don t start an art collective until you read this book. Guerrilla Girls Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the agenda. Collectivism after Modernism convincingly proves that art collectives did not stop after the proclaimed death of the historical avant-gardes. Like never before technology reinvents the social and artists claim the steering wheel! Geert Lovink, Institute of Network Cultures, Amsterdam This examination of the succession of post-war avant-gardes and collectives is new, important, and engaged. Stephen F. Eisenman, author of The Abu Ghraib Effect Collectivism after Modernism crucially helps us understand what artists and others can do in mushy, stinky times like ours. What can the seemingly powerless do in the face of mighty forces that seem to have their act really together? Here, Stimson and Sholette put forth many good answers. Yes Men Spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism explores the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. Together, these essays demonstrate that collectivism survives as an influential artistic practice despite the art world s star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, Jesse Drew, Okwui Enwezor, Ruben Gallo, Chris Gilbert, Brian Holmes, Alan Moore, Jelena Stojanovic, Reiko Tomii, Rachel Weiss. Blake Stimson is associate professor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Political Art Documentation/Distribution and REPOhistory. He is coeditor of The Interventionists: Users Manual for the Creative Disruption of Everyday Life. To understand the various forms of postwar collectivism as historically determined phenomena and to articulate the possibilities for contemporary collectivist art production is the aim of Collectivism after Modernism. The essays assembled in this anthology argue that to make truly collective art means to reconsider the relation between art and public; examples from the Situationist International and Group Material to Paper Tiger Television and the Congolese collective Le Groupe Amos make the point. To construct an art of shared experience means to go beyond projecting what Blake Stimson and Gregory Sholette call the imagined community: a collective has to be more than an ideal, and more than communal craft; it has to be a truly social enterprise. Not only does it use unconventional forms and media to communicate the issues and experiences usually excluded from artistic representation, but it gives voice to a multiplicity of perspectives. At its best it relies on the participation of the audience to actively contribute to the work, carrying forth the dialogue it inspires. BOMB. Nº de ref. de la librería AAS9780816644629

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 24,54
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

5.

Gregory Sholette, Reiko Tomii
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos Paperback Primera edición Cantidad: 1
Librería
Grand Eagle Retail
(Wilmington, DE, Estados Unidos de America)
Valoración
[?]

Descripción Paperback. Estado de conservación: New. 1st. 176mm x 17mm x 257mm. Paperback. "Don't start an art collective until you read this book." ?Guerrilla Girls "Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration .Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 312 pages. 0.576. Nº de ref. de la librería 9780816644629

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 26,91
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

6.

Gregory Sholette, Reiko Tomii
Editorial: Univ Of Minnesota Press (2007)
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos Paperback Cantidad: 1
Librería
Irish Booksellers
(Rumford, ME, Estados Unidos de America)
Valoración
[?]

Descripción Univ Of Minnesota Press, 2007. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0816644624

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 27,73
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

7.

Gregory Sholette, Reiko Tomii
Editorial: University of Minnesota Press 2007-02-20, Minneapolis (2007)
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos paperback Cantidad: 1
Librería
Blackwell's
(Oxford, OX, Reino Unido)
Valoración
[?]

Descripción University of Minnesota Press 2007-02-20, Minneapolis, 2007. paperback. Estado de conservación: New. Nº de ref. de la librería 9780816644629

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 24,55
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 5,20
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

8.

Gregory Sholette, Reiko Tomii
Editorial: Univ of Minnesota Press
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos Tapa blanda Cantidad: 1
Librería
C. Clayton Thompson - Bookseller
(BOONE, NC, Estados Unidos de America)
Valoración
[?]

Descripción Univ of Minnesota Press. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2047154

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 29,78
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

9.

Gregory Sholette, Reiko Tomii
Editorial: Univ Of Minnesota Press
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos Tapa blanda Cantidad: 1
Librería
C. Clayton Thompson - Bookseller
(BOONE, NC, Estados Unidos de America)
Valoración
[?]

Descripción Univ Of Minnesota Press. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2341593

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 29,78
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

10.

Gregory Sholette, Reiko Tomii
Editorial: Univ Of Minnesota Press (2007)
ISBN 10: 0816644624 ISBN 13: 9780816644629
Nuevos Tapa blanda Cantidad: 1
Librería
Book Deals
(Lewiston, NY, Estados Unidos de America)
Valoración
[?]

Descripción Univ Of Minnesota Press, 2007. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The desire to speak in a collective voice has long fueled social imagination and artistic production. Organized around a series of case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, this book covers such renowned collectives as the Guerrilla Girls and the Yes Men, as well as lesser-known groups. Contributors explore the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. They examine the impact of new technologies on artistic practice, the emergence of networked group identity, and the common characteristic of collective production to blur the typical separations between artists, activists, service workers, and communities in need. Nº de ref. de la librería ABE_book_new_0816644624

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 30,53
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

Existen otras copia(s) de este libro

Ver todos los resultados de su búsqueda