Alternative Art New York, 1965-1985: A Cultural Politics Book for the Social Text Collective

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9780816637942: Alternative Art New York, 1965-1985: A Cultural Politics Book for the Social Text Collective
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A sweeping history of the New York art scene during the 1960s, 1970s, and 1980s reveals a powerful "alternative" art culture that profoundly influenced the mainstream. Simultaneous. (Fine Arts)

Reseña del editor:

By the mid-1960s, New York's art establishment -- its major museums and galleries -- had ceased to reflect the city's diversity and had largely ignored the decade's social, political, and cultural ferment. In response, marginalized artists created an oppositional network of organizations, exhibit spaces, and cooperative galleries that both paralleled and challenged the status quo. This alternative art movement flourished for more than two decades, repositioning New York at the center of international contemporary art. Alternative Art New York brings together a diverse group of artists and critics to explore the origins and evolution of this diffuse and vibrant cultural scene from a variety of perspectives: political, philosophical, organizational, economic, and aesthetic.

Locating the movement within both the art world and its larger social and political context, these authors decipher the shifting configurations of cultural power in this period and the complex relationship between the mainstream and the marginal. With a unique, annotated chronology of the alternative art scene from 1965 to 1985, and illustrated with 150 images of key works, installations, and exhibits; reproductions of posters, communiques, and other ephemera; and photographs of protests and meetings, this volume is an important work of contemporary art history and a valuable sourcebook that suggests the basis for the return of an artist-driven cultural economy.

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9780816637935: Alternative Art New York, 1965-1985

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ISBN 10:  0816637938 ISBN 13:  9780816637935
Editorial: Univ of Minnesota Pr, 2003
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Descripción University of Minnesota Press, United States, 2003. Paperback. Condición: New. Annotated edition. Language: English . Brand New Book. By the mid-1960s, New York s art establishment -- its major museums and galleries -- had ceased to reflect the city s diversity and had largely ignored the decade s social, political, and cultural ferment. In response, marginalized artists created an oppositional network of organizations, exhibit spaces, and cooperative galleries that both paralleled and challenged the status quo. This alternative art movement flourished for more than two decades, repositioning New York at the center of international contemporary art. Alternative Art New York brings together a diverse group of artists and critics to explore the origins and evolution of this diffuse and vibrant cultural scene from a variety of perspectives: political, philosophical, organizational, economic, and aesthetic.Locating the movement within both the art world and its larger social and political context, these authors decipher the shifting configurations of cultural power in this period and the complex relationship between the mainstream and the marginal. With a unique, annotated chronology of the alternative art scene from 1965 to 1985, and illustrated with 150 images of key works, installations, and exhibits; reproductions of posters, communiques, and other ephemera; and photographs of protests and meetings, this volume is an important work of contemporary art history and a valuable sourcebook that suggests the basis for the return of an artist-driven cultural economy. Nº de ref. del artículo: AAC9780816637942

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Descripción University of Minnesota Press, United States, 2003. Paperback. Condición: New. Annotated edition. Language: English . Brand New Book. By the mid-1960s, New York s art establishment -- its major museums and galleries -- had ceased to reflect the city s diversity and had largely ignored the decade s social, political, and cultural ferment. In response, marginalized artists created an oppositional network of organizations, exhibit spaces, and cooperative galleries that both paralleled and challenged the status quo. This alternative art movement flourished for more than two decades, repositioning New York at the center of international contemporary art. Alternative Art New York brings together a diverse group of artists and critics to explore the origins and evolution of this diffuse and vibrant cultural scene from a variety of perspectives: political, philosophical, organizational, economic, and aesthetic.Locating the movement within both the art world and its larger social and political context, these authors decipher the shifting configurations of cultural power in this period and the complex relationship between the mainstream and the marginal. With a unique, annotated chronology of the alternative art scene from 1965 to 1985, and illustrated with 150 images of key works, installations, and exhibits; reproductions of posters, communiques, and other ephemera; and photographs of protests and meetings, this volume is an important work of contemporary art history and a valuable sourcebook that suggests the basis for the return of an artist-driven cultural economy. Nº de ref. del artículo: AAC9780816637942

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Descripción University of Minnesota Press, United States, 2003. Paperback. Condición: New. Annotated edition. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. By the mid-1960s, New York s art establishment -- its major museums and galleries -- had ceased to reflect the city s diversity and had largely ignored the decade s social, political, and cultural ferment. In response, marginalized artists created an oppositional network of organizations, exhibit spaces, and cooperative galleries that both paralleled and challenged the status quo. This alternative art movement flourished for more than two decades, repositioning New York at the center of international contemporary art. Alternative Art New York brings together a diverse group of artists and critics to explore the origins and evolution of this diffuse and vibrant cultural scene from a variety of perspectives: political, philosophical, organizational, economic, and aesthetic.Locating the movement within both the art world and its larger social and political context, these authors decipher the shifting configurations of cultural power in this period and the complex relationship between the mainstream and the marginal. With a unique, annotated chronology of the alternative art scene from 1965 to 1985, and illustrated with 150 images of key works, installations, and exhibits; reproductions of posters, communiques, and other ephemera; and photographs of protests and meetings, this volume is an important work of contemporary art history and a valuable sourcebook that suggests the basis for the return of an artist-driven cultural economy. Nº de ref. del artículo: BTE9780816637942

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Descripción Paperback. Condición: New. Paperback. By the mid-1960s, New York's art establishment -- its major museums and galleries -- had ceased to reflect the city's diversity and had largely ignored the decade's social, political, and .Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 408 pages. 0.960. Nº de ref. del artículo: 9780816637942

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