Digital Visual Effects In Cinema: The Seduction of Reality

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9780813551852: Digital Visual Effects In Cinema: The Seduction of Reality
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Críticas:

"For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."--Carl Plantinga"author of Moving Viewers: American Film and the Spectator's Experience" (09/13/2011)

Reseña del editor:

Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle.

Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects–driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.

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Stephen Prince
Publicado por Rutgers University Press (2011)
ISBN 10: 0813551854 ISBN 13: 9780813551852
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Descripción Rutgers University Press, 2011. Hardcover. Condición: New. Nº de ref. del artículo: DADAX0813551854

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Stephen Prince
Publicado por Rutgers University Press, United States (2012)
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Descripción Rutgers University Press, United States, 2012. Hardback. Condición: New. Language: English . Brand New Book. Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects-driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today. Nº de ref. del artículo: FLT9780813551852

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Stephen Prince
Publicado por Rutgers University Press, United States (2012)
ISBN 10: 0813551854 ISBN 13: 9780813551852
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Descripción Rutgers University Press, United States, 2012. Hardback. Condición: New. Language: English . Brand New Book. Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects-driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today. Nº de ref. del artículo: FLT9780813551852

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Descripción Rutgers University Press, 2012. Hardcover. Condición: New. book. Nº de ref. del artículo: M0813551854

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Descripción Rutgers University Press. Hardcover. Condición: New. 0813551854 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Nº de ref. del artículo: XM-0813551854

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Descripción Rutgers Univ Pr, 2012. Hardcover. Condición: Brand New. 288 pages. 9.25x6.25x1.00 inches. In Stock. Nº de ref. del artículo: zk0813551854

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