Who Owns Culture?: Appropriation and Authenticity in American Law (Public Life of the Arts Series)

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9780813536064: Who Owns Culture?: Appropriation and Authenticity in American Law (Public Life of the Arts Series)

Book by Scafidi Susan

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Americans are cultural copycats. White suburban youths perform rap music, New York fashion designers ransack the world's closets for inspiration, and Euro-American authors adopt the voice of a geisha or shaman. The ownership of these art forms, however, remains contested. Do they belong to the community that originally generated them, or to the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man's-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? Can we strike a balance between affiliative ownership and a creative commons? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production.

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Scafidi, Susan
Editorial: Rutgers University Press
ISBN 10: 0813536065 ISBN 13: 9780813536064
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Susan Scafidi
Editorial: Rutgers University Press (2005)
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Descripción Rutgers University Press, 2005. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780813536064

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Susan Scafidi
Editorial: Rutgers University Press, United States (2005)
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Descripción Rutgers University Press, United States, 2005. Paperback. Estado de conservación: New. 213 x 140 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Americans are cultural copycats. White suburban youths perform rap music, New York fashion designers ransack the world s closets for inspiration, and Euro-American authors adopt the voice of a geisha or shaman. The ownership of these art forms, however, remains contested. Do they belong to the community that originally generated them, or to the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law.From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man s-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? Can we strike a balance between affiliative ownership and a creative commons? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production. Nº de ref. de la librería TNP9780813536064

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Susan Scafidi
Editorial: Rutgers University Press, United States (2005)
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Descripción Rutgers University Press, United States, 2005. Paperback. Estado de conservación: New. 213 x 140 mm. Language: English . Brand New Book ***** Print on Demand *****.Americans are cultural copycats. White suburban youths perform rap music, New York fashion designers ransack the world s closets for inspiration, and Euro-American authors adopt the voice of a geisha or shaman. The ownership of these art forms, however, remains contested. Do they belong to the community that originally generated them, or to the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law.From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man s-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? Can we strike a balance between affiliative ownership and a creative commons? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production. Nº de ref. de la librería AAV9780813536064

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Susan Scafidi
Editorial: Rutgers University Press, United States (2005)
ISBN 10: 0813536065 ISBN 13: 9780813536064
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Descripción Rutgers University Press, United States, 2005. Paperback. Estado de conservación: New. 213 x 140 mm. Language: English . Brand New Book ***** Print on Demand *****. Americans are cultural copycats. White suburban youths perform rap music, New York fashion designers ransack the world s closets for inspiration, and Euro-American authors adopt the voice of a geisha or shaman. The ownership of these art forms, however, remains contested. Do they belong to the community that originally generated them, or to the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law.From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man s-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? Can we strike a balance between affiliative ownership and a creative commons? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production. Nº de ref. de la librería AAV9780813536064

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Susan Scafidi
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Descripción Rutgers University Press 2005-07-31, 2005. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-ING-00070342

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Scafidi, Susan
Editorial: Rutgers University Press (2017)
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Descripción Rutgers University Press, 2017. Paperback. Estado de conservación: New. This item is printed on demand. Nº de ref. de la librería 0813536065

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Susan Scafidi
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Descripción Rutgers University Press. Paperback. Estado de conservación: New. Paperback. 224 pages. Dimensions: 8.4in. x 5.5in. x 0.5in.It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the worlds closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms Is it the community in which they were originally generated, or the culture that has absorbed themWhile claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the aboveWho Owns Culture offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-mans-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore What does it mean for a creation to belong to a community, especially a diffuse or fractured one And is our national culture the product of Yankee ingenuity or cultural kleptomaniaProviding new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780813536064

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Scafidi, Susan
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Descripción Rutgers University Press, 2005. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0813536065

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Descripción Rutgers University Press, 2005. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780813536064

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