Críticas:
""Much has been written about neo-noir's distinction from classic noir... but the 13 new essays in this anthology rejuvenate the discussion. Conard and his contributors see to it that these essays are accessible to nonacademic readers." --Library Journal" -- ""Conrad's collection provides room for abstract thought through a sustained philosophical engagement with the sub-genre.... written in 'nontechnical language and require no knowledge of philosophy to appreciate or understand.' --Film-Philosophy" -- "This collection will serve as a terrific interdisciplinary guide through the chaotic, intriguing world of postmodernist thought as it relates to film and philosophy." -- Choice "Is Neo-Noir anything more than film noir in technicolor? Taking up such latter-day classics as Chinatown, Blade Runner, and Memento, this volume explores how contemporary filmmakers have taken up the challenge of classic film noir and broadened the genre. In this analysis, even the pastel shades of South Beach take on a dark coloring in Miami Vice. These probing essays locate what is neo in Neo-Noir and thus define it as a postmodern genre." -- Paul Cantor, author of Gilligan Unbound: Pop Culture in the Age of Globalization ""Conard can fell confident that these terrific essays will be of interest to film enthusiasts, particularly fans of Neo-Noir. Additionally, for those who come to this volume with some background in philosophy, not only will they be pleased to find fellow philosophers offering accessible introductions to philosophical thinkers and ideas but they are sure to increase their understanding of noir, Neo-Noir, and many familiar film titles, as well as more deeply appreciate the ways in which popular film and television offer wide and varied avenues to doing good philosophy. " --Kimberly A. Blessing, co-editor of Movies and the Meaning of Life" --
Reseña del editor:
Here is the story of the long interaction between humans, land, and climate in the American South. It is a tale of exploitation and erosion, of destruction, disease, and defeat, but also of the persistent search for knowledge and wisdom. It is a story whose villains were also its victims and sometimes its heroes. Ancient forces created the southern landscape, but, as Albert E. Cowdrey shows, humankind from the time of earliest habitation has been at work reshaping it. The southern Indians, far from being the "natural ecologists" of myth, radically transformed their environment by hunting and burning. Such patterns were greatly accelerated by the arrival of Europeans, who viewed the land as a commodity to be exploited for immediate economic benefit. Cowdrey documents not only the long decline but the painfully slow struggle to repair the damage of human folly. The eighteenth century saw widespread though ineffectual efforts to protect game and conserve the soil. In the nineteenth century the first hesitant steps were taken toward scientific flood control, forestry, wildlife protection, and improved medicine. In this century, the New Deal, the explosion in scientific knowledge, and the national environmental movement have spurred more rapid improvements. But the efforts to harness the South's great rivers, to save its wild species, and to avert serious environmental pollution have often had equivocal results. Originally published in 1983 and needed now more than ever, This Land, This South was the first book to explore the cumulative impact of humans on the southern landscape and its effect on them. In graceful and at times lyrical prose, Albert Cowdrey brings together a vast array of information. Now revised and updated, this important book should be read by every person concerned with the past, present, or future of the South.
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