Calling Me Home: Gram Parsons and the Roots of Country Rock

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9780813042046: Calling Me Home: Gram Parsons and the Roots of Country Rock

Selected as one of the best books of the year by:

Uprooted Music Revue
Engine 145
Uncut

Calling Me Home: is about just that: a land that always beckons, that underlies most of Gram’s songwriting, . . . a land that informs not only him but all others with whom he associated and learned from him.”—Gram InterNational

“Takes the reader from the present to the past and back again, conveying a vivid document of Gram Parsons’s life and career, as well as those who played essential roles in the country-rock pioneer’s journey. There are lots of surprises along the way.”—Holly George-Warren, author of Public Cowboy No. 1: The Life and Times of Gene Autry

 “Has a great narrative velocity. Even though we know how this story is going to end—tragically, of course—Kealing keeps us turning the page as we follow Gram Parsons through his short, rich life.”—William McKeen, author of Outlaw Journalist: The Life and Times of Hunter S. Thompson

 “I could almost hear the music coming from those now-dilapidated buildings where Gram Parsons received his musical education. Bob Kealing makes them come alive as he explores the faces and places that turned Parsons from a southern-bred trust fund child into a self-destructive yet visionary musical pioneer.”—Jeffrey M. Lemlich, author of Savage Lost: Florida Garage Bands: The ’60s and Beyond

On September 19, 1973, Gram Parsons became yet another rock-and-roll casualty in an era of excess, a time when young men wore their dangerous habits like badges of honor. Unfortunately, his many musical accomplishments have been overshadowed by a morbid fascination with his drug overdose in the Joshua Tree Inn at the age of twenty-six and the failed attempt to steal his body and burn it in the desert—but not in this literary journey.

Known as the father of country rock, Parsons played with the International Submarine Band, The Byrds, and the Flying Burrito Brothers. In the late 1960s and early ’70s, he was a key confidante of Keith Richards. In 1972, he gave his musical soul mate, Emmylou Harris, her first big break. When Tom Petty re-formed his Florida garage band Mudcrutch, he invoked the name of Gram Parsons as an inspiration. Musicians as diverse as Elvis Costello, Dwight Yoakam, Ryan Adams, Patty Griffin, and Steve Earle have also paid homage to alt-country’s patron saint. In the decades after his death, tribute albums, concerts, and biographies have legitimized the role Parsons played in the evolution of modern music and freed his legacy from that half-charred coffin abandoned in the desert.

In Calling Me Home, Kealing traces the entire arc of Parsons’s career, emphasizing his southern roots. Drawing on dozens of new interviews as well as unpublished letters and photographs provided by Parsons’s family and rare images from legendary photojournalist Ted Polumbaum, Kealing examines the remarkable array of musicians and friends with whom Parsons collaborated and from whom he gained inspiration. Through his tireless efforts, Kealing has uncovered facts that even the most stalwart Parsons fans will find new and revealing.

Starting in Waycross, Georgia, Parsons’s boyhood home, Kealing traces Parsons’s journey through both famous venues and out-of-the-way dives. From the overlooked teen youth centers of Orlando and central Florida, to the southern folk mecca of Coconut Grove, Florida, and from the birthplace of outlaw country in Austin, Texas, to the Ryman Auditorium in Nashville, Tennessee, Kealing celebrates Parsons’s timeless and transformative musical legacy—a legacy that’s still alive among the swamps, palmettos, cypress knees, and Spanish moss of the American South.

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From the Author:

Calling Me Home sits at a crossroads between Literary Journalism and little-known Southern history; a place where I've always loved to be.

With many new primary source interviews of Gram Parsons's family, friends, love interests and collaborators from every phase of his life and career, letters and memoirs from Parsons and his sister "Little Avis," and rare photographs and memorable discoveries, even stalwart fans will find new things within these pages. This is not a Parsons biography per se, there are several fine ones in print. This is a literary journey to the heart of the Cosmic American South where Parsons's love of music caught fire seeing iconic Elvis, he wrote his first songs, played in garage bands, and eventually returned to make his most historic recording with the Byrds. Years later, when Parsons hit his stride with musical soul mate Emmylou Harris, it was in the South that Parsons's vision received its first warm receptions.

No more should Gram Parsons be defined by the legend that blew up surrounding his premature death in the California desert and the tragicomic events that came after.
  
Calling Me Home
dwells mostly in the "Low Country" where Gram Parsons's legacy as a pioneering visionary is celebrated, and his music still holds a kind of transformative, healing power. You'll see.
As a working journalist in Orlando, I toiled on this book in my spare time while covering the sensational Casey Anthony drama from the first day until the end of her controversial trial. This book was a most welcome change of pace.
I'm proud to share with you the fruits of five years of research, travels, interviews and writing

From the Inside Flap:

On September 19, 1973, Gram Parsons became yet another rock-and-roll casualty in an era of excess, a time when young men wore their dangerous habits like badges of honor. Unfortunately, his many musical accomplishments have been overshadowed by a morbid fascination with his drug overdose in the Joshua Tree Inn at the age of twenty-six and the failed attempt to steal his body and burn it in the desert--but not in this literary journey.
Known as the father of country rock, Parsons played with the International Submarine Band, The Byrds, and the Flying Burrito Brothers. In the late 1960s and early '70s, he was a key confidante of Keith Richards. In 1972, he gave his musical soul mate, Emmylou Harris, her first big break. When Tom Petty re-formed his Florida garage band Mudcrutch, he invoked the name of Gram Parsons as an inspiration. Musicians as diverse as Elvis Costello, Dwight Yoakam, Ryan Adams, Patty Griffin, and Steve Earle have also paid homage to alt-country's patron saint. In the decades after his death, tribute albums, concerts, and biographies have legitimized the role Parsons played in the evolution of modern music and freed his legacy from that half-charred coffin abandoned in the desert.
In "Calling Me Home," Kealing traces the entire arc of Parsons's career, emphasizing his southern roots. Drawing on dozens of new interviews as well as unpublished letters and photographs provided by Parsons's family and rare images from legendary photojournalist Ted Polumbaum, Kealing examines the remarkable array of musicians and friends with whom Parsons collaborated and from whom he gained inspiration. Through his tireless efforts, Kealing has uncovered facts that even the most stalwart Parsons fans will find new and revealing.
Starting in Waycross, Georgia, Parsons's boyhood home, Kealing traces Parsons's journey through both famous venues and out-of-the-way dives. From the overlooked teen youth centers of Orlando and central Florida, to the southern folk mecca of Coconut Grove, Florida, and from the birthplace of outlaw country in Austin, Texas, to the Ryman Auditorium in Nashville, Tennessee, Kealing celebrates Parsons's timeless and transformative musical legacy--a legacy that's still alive among the swamps, palmettos, cypress knees, and Spanish moss of the American South.

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Kealing, Bob
Editorial: University Press of Florida 9/23/2012 (2012)
ISBN 10: 0813042046 ISBN 13: 9780813042046
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Descripción University Press of Florida 9/23/2012, 2012. Hardback or Cased Book. Estado de conservación: New. Calling Me Home: Gram Parsons and the Roots of Country Rock. Book. Nº de ref. de la librería BBS-9780813042046

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Descripción University Press of Florida, United States, 2012. Hardback. Estado de conservación: New. Language: English . Brand New Book. Selected as one of the best books of the year by: Uprooted Music Revue Engine 145 Uncut Calling Me Home is about just that: a land that always beckons, that underlies most of Gram s songwriting, . . . a land that informs not only him but all others with whom he associated and learned from him. Gram InterNational Takes the reader from the present to the past and back again, conveying a vivid document of Gram Parsons s life and career, as well as those who played essential roles in the country-rock pioneer s journey. There are lots of surprises along the way. Holly George-Warren, author of Public Cowboy No. 1: The Life and Times of Gene Autry Has a great narrative velocity. Even though we know how this story is going to end tragically, of course Kealing keeps us turning the page as we follow Gram Parsons through his short, rich life. William McKeen, author of Outlaw Journalist: The Life and Times of Hunter S. Thompson I could almost hear the music coming from those now-dilapidated buildings where Gram Parsons received his musical education. Bob Kealing makes them come alive as he explores the faces and places that turned Parsons from a southern-bred trust fund child into a self-destructive yet visionary musical pioneer. Jeffrey M. Lemlich, author of Savage Lost: Florida Garage Bands: The 60s and Beyond On September 19, 1973, Gram Parsons became yet another rock-and-roll casualty in an era of excess, a time when young men wore their dangerous habits like badges of honor. Unfortunately, his many musical accomplishments have been overshadowed by a morbid fascination with his drug overdose in the Joshua Tree Inn at the age of twenty-six and the failed attempt to steal his body and burn it in the desert but not in this literary journey. Known as the father of country rock, Parsons played with the International Submarine Band, The Byrds, and the Flying Burrito Brothers. In the late 1960s and early 70s, he was a key confidante of Keith Richards. In 1972, he gave his musical soul mate, Emmylou Harris, her first big break. When Tom Petty re-formed his Florida garage band Mudcrutch, he invoked the name of Gram Parsons as an inspiration. Musicians as diverse as Elvis Costello, Dwight Yoakam, Ryan Adams, Patty Griffin, and Steve Earle have also paid homage to alt-country s patron saint. In the decades after his death, tribute albums, concerts, and biographies have legitimized the role Parsons played in the evolution of modern music and freed his legacy from that half-charred coffin abandoned in the desert. In Calling Me Home, Kealing traces the entire arc of Parsons s career, emphasizing his southern roots. Drawing on dozens of new interviews as well as unpublished letters and photographs provided by Parsons s family and rare images from legendary photojournalist Ted Polumbaum, Kealing examines the remarkable array of musicians and friends with whom Parsons collaborated and from whom he gained inspiration. Through his tireless efforts, Kealing has uncovered facts that even the most stalwart Parsons fans will find new and revealing. Starting in Waycross, Georgia, Parsons s boyhood home, Kealing traces Parsons s journey through both famous venues and out-of-the-way dives. From the overlooked teen youth centers of Orlando and central Florida, to the southern folk mecca of Coconut Grove, Florida, and from the birthplace of outlaw country in Austin, Texas, to the Ryman Auditorium in Nashville, Tennessee, Kealing celebrates Parsons s timeless and transformative musical legacy a legacy that s still alive among the swamps, palmettos, cypress knees, and Spanish moss of the American South. Nº de ref. de la librería AAC9780813042046

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Descripción University Press of Florida, United States, 2012. Hardback. Estado de conservación: New. Language: English . Brand New Book. On September 19, 1973, Gram Parsons became yet another rock-and-roll casualty in an era of excess, a time when young men wore their dangerous habits like badges of honour. Unfortunately, his many musical accomplishments have been overshadowed by a morbid fascination with his drug overdose in the Joshua Tree desert at the age of twenty-six. Known as the father of country rock, Parsons played with the International Submarine Band, The Byrds, and the Flying Burrito Brothers. In the late 1960s and early 70s, he was a key confidante of Keith Richards. In 1972, he gave Emmylou Harris her first big break. When Tom Petty re-formed his Florida garage band Mudcrutch, he invoked the name of Gram Parsons as an inspiration. Musicians as diverse as Elvis Costello, Dwight Yoakam, Ryan Adams, Patty Griffin, and Steve Earle have also paid homage to alt-country s patron saint. In Calling Me Home, Kealing traces the entire arc of Parsons s career, emphasising his Southern roots. Drawing on dozens of new interviews as well as rare letters and photographs provided by Parsons s family and legendary photojournalist Ted Polumbaum, Kealing has uncovered facts that even the most stalwart Parsons fans will find revealing. Travelling from Parsons boyhood home in Waycross, Georgia, to the southern folk mecca of Coconut Grove, Florida, from the birthplace of outlaw country in Austin, Texas, to the Ryman auditorium in Nashville, Tennessee Kealing celebrates Parsons s timeless and transformative musical legacy. Nº de ref. de la librería AAC9780813042046

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Descripción Hardcover. Estado de conservación: New. Hardcover. Selected as one of the best books of the year by: Uprooted Music RevueEngine 145Uncut Calling Me Home is about just that: a land that always beckons, that underlies most of Gram s songwri.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 288 pages. 0.757. Nº de ref. de la librería 9780813042046

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