Pink Floyd and Philosophy: Careful with That Axiom, Eugene! (Popular Culture and Philosophy)

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9780812696363: Pink Floyd and Philosophy: Careful with That Axiom, Eugene! (Popular Culture and Philosophy)
Review:

A collection of 19 essays dissecting Floyd, musically, lyrically and conceptually, always informed, occasionally witty but sometimes, long-winded. Academics combine analytical techniques with their own appreciation, study and experience of enjoying Floyd... Educational, entertaining, at times perplexing, it had me playing those CDs with new insights; I would re-title it: Think Floyd! - "Classic Rock Society", January 2009

From the Publisher:

Pink Floyd's sound and light shows in the 1960s defined psychedelia, but their later recordings combined rock, orchestral music, literature, and philosophy. "Dark Side of the Moon" and "The Wall" ignored pop music's usual strictures to focus on themes of madness, despair, brutality, and alienation. Here, 16 scholars set delve into the heart of Pink Floyd by examining ideas, concepts, and problems usually encountered not in a rock band's lyrics but in the pages of Heidegger, Foucault, and Sartre. These include the meaning of existence, the individual's place in society, the contradictions of art and commerce, and the blurry line between genius and madness. The band's dynamic history allows the writers to explore controversies about intellectual property, the nature of authorship, and whether wholes, especially in the case of rock bands, are more than the sum of their parts.

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Descripción Open Court, 2007. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Pink Floyd's sound and light shows in the 1960s defined psychedelia, but their later recordings combined rock, orchestral music, literature, and philosophy. Dark Side of the Moon and The Wall ignored pop music's usual strictures to focus on themes of madness, despair, brutality, and alienation. Here, 16 scholars set delve into the heart of Pink Floyd by examining ideas, concepts, and problems usually encountered not in a rock band's lyrics but in the pages of Heidegger, Foucault, and Sartre. These include the meaning of existence, the individual's place in society, the contradictions of art and commerce, and the blurry line between genius and madness. The band's dynamic history allows the writers to explore controversies about intellectual property, the nature of authorship, and whether wholes, especially in the case of rock bands, are more than the sum of their parts. Nº de ref. de la librería ABE_book_new_0812696360

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Descripción Cricket Books, a division of Carus Publishing Co, United States, 2008. Microfilm. Estado de conservación: New. 226 x 152 mm. Language: English . Brand New Book. Pink Floyd s sound and light shows in the 1960s defined psychedelia, but their later recordings combined rock, orchestral music, literature, and philosophy. Dark Side of the Moon and The Wall ignored pop music s usual strictures to focus on themes of madness, despair, brutality, and alienation. Here, 16 scholars set delve into the heart of Pink Floyd by examining ideas, concepts, and problems usually encountered not in a rock band s lyrics but in the pages of Heidegger, Foucault, and Sartre. These include the meaning of existence, the individual s place in society, the contradictions of art and commerce, and the blurry line between genius and madness. The band s dynamic history allows the writers to explore controversies about intellectual property, the nature of authorship, and whether wholes, especially in the case of rock bands, are more than the sum of their parts. Nº de ref. de la librería AAS9780812696363

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Descripción Cricket Books, a division of Carus Publishing Co. Microfilm. Estado de conservación: new. BRAND NEW, Pink Floyd and Philosophy: Careful with That Axiom, Eugene!, George A Reisch, Pink Floyd's sound and light shows in the 1960s defined psychedelia, but their later recordings combined rock, orchestral music, literature, and philosophy. Dark Side of the Moon and The Wall ignored pop music's usual strictures to focus on themes of madness, despair, brutality, and alienation. Here, 16 scholars set delve into the heart of Pink Floyd by examining ideas, concepts, and problems usually encountered not in a rock band's lyrics but in the pages of Heidegger, Foucault, and Sartre. These include the meaning of existence, the individual's place in society, the contradictions of art and commerce, and the blurry line between genius and madness. The band's dynamic history allows the writers to explore controversies about intellectual property, the nature of authorship, and whether wholes, especially in the case of rock bands, are more than the sum of their parts. Nº de ref. de la librería B9780812696363

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Descripción Open Court. Paperback. Estado de conservación: New. Paperback. 288 pages. Dimensions: 8.9in. x 6.0in. x 0.8in.Pink Floyds sound and light shows in the 1960s defined psychedelia, but their later recordings combined rock, orchestral music, literature, and philosophy. Dark Side of the Moon and The Wall ignored pop musics usual strictures to focus on themes of madness, despair, brutality, and alienation. Here, 16 scholars set delve into the heart of Pink Floyd by examining ideas, concepts, and problems usually encountered not in a rock bands lyrics but in the pages of Heidegger, Foucault, and Sartre. These include the meaning of existence, the individuals place in society, the contradictions of art and commerce, and the blurry line between genius and madness. The bands dynamic history allows the writers to explore controversies about intellectual property, the nature of authorship, and whether wholes, especially in the case of rock bands, are more than the sum of their parts. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780812696363

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