Book by Levi Antonia
"Sinopsis" puede pertenecer a otra edición de este libro.
"Samurai from Outer Space" provides a discussion of the suddenly popular genre of Japanese animation. Japanese animation, also known as "anime" (pronounced Ah-nee-may), is gaining devoted fans of all ages and nationalities. A few years ago "anime" was something of an oddity. Now it is poised to become the biggest cultural import since PBS discovered the BBC. There are "anime" fan clubs on college campuses across the country, as well as "anime" fan magazines and "anime" sections in video stores. To enter the world of "anime" is to enter a world of fantasy in which all of the following have keen known to happen: a college student orders out for a pizza, gets a wrong number, and winds up with an immortal Norse deity for a roommate (in "Oh My Goddess!"); a black-haired boy named Ranma turns into a curvaceous redheaded female, whenever he gets splashed with cold water (in "Ranma 1/2", a series which also features a character named Dr Tofu); and a 21st century juvenile-delinquent biker, roaming the earth after World War III, gains apocalyptic powers and an overwhelming desire to blow up Tokyo (in "Akira"). The book contains insights that will help readers understand the many questions and often obscure conventions in "anime", for example: why does Japanese animation look so different from American animation?; why do the characters look Caucasian and have such huge, oversized, round eyes?; why did 50 Japanese animators send a letter to Walt Disney Studios concerning a controversy surrounding "The Lion King"; when a male character in "anime" suffers a nose bleed, why does this symbolise sexual arousal?; how are flashbacks signalled in Japanese animation?; and what do the science fiction "anime" featuring androids, cyborgs and other automatons reveal about the Confucian and Shinto views on organ transplants and genetic engineering? "Anime" is created by Japanese for Japanese. While subtitles and dubbing can help American viewers overcome the language barrier, to fully understand "anime" requires knowledge of Japan's prehistory, its Ninja myths and Samurai legends, its Buddhist and Shinto religions, artistic traditions such as woodblock printing, and philosophies such as Confuciansim. Antonia Levi looks at "anime" from two perspectives. First, she examines the roots of "anime" in Japan's history, mythology and culture. Second, she discusses why American audiences react as they do to an art form that was never intended for them. The Japanese views of truth, the universe, reason and reality are very different from American ones.
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Descripción Open Court, 1998. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0812693329
Descripción Open Court 1998-12-30, 1998. Paperback. Estado de conservación: New. 0812693329 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Nº de ref. de la librería TM-0812693329
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97808126933241.0
Descripción Open Court, 1998. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0812693329
Descripción Open Court, 1998. Paperback. Estado de conservación: New. Nº de ref. de la librería P110812693329
Descripción Open Court. PAPERBACK. Estado de conservación: New. 0812693329 New Condition. Nº de ref. de la librería NEW6.0488265