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Críticas
Monomania has its rewards--an incantatory power that shines through. Howe's images, being historical as well as biographical, have the eerie shading of ghosts half-believed in, giving a surreal, dreamlike atmosphere reminiscent of Borges at his sharpest.
For nearly thirty years, Howe has occupied a particular and invaluable place in American poetry. She's a rigorously skeptical and a profoundly visionary poet, a writer whose demystifying intelligence is matched by a passionate embrace of poetry's rejuvenating power.--John Palattella
Definition of poetry as the intersection of sight, sound, and sense.--Christopher Higgs
Howe's telepathic poetry is also the most attentive to materiality: handwriting, spacing, the slightest fold or crevice which might contain fragments, marginalia, a scribble of poesy. And that's just it--Howe's attention is the essential rigor of all poetry.
The intertextual erudition underpinning all of Howe's work is enabled--and ultimately exceeded--by an unquenchable and wide-eyed curiosity, an infinitely open-ended empathy, and the fervent belief in the notion that 'only art works are capable of transmitting chthonic echo-signals.'--Kevin Carollo"FAST BY JORIE GRAHAM AND DEBTHS BY SUSAN HOWE" (11/27/2017)
Debths is a fascinating look at art across time. Howe adroitly brings into conversation both identified and unknown source material to create a finely woven exploration of narrative and transmission anchored in the American past and future....composed of elements from her own childhood, the art of Paul Thek, draft annotations of late Yeats, fairy tales, dictionary entries, and the Isabella Stewart Gardner Museum...the resulting counterpoint is quite complex, but it is ultimately one of strange consonance that rings true in the same way as a story too strange to have been invented.-- (06/19/2017)
Reseña del editor
A collection in five parts, Susan Howe’s electrifying new book opens with a preface by the poet that lays out some of Debths’ inspirations: the art of Paul Thek, the Isabella Stewart Gardner collection, and early American writings; and in it she also addresses memory’s threads and galaxies, “the rule of remoteness,” and “the luminous story surrounding all things noumenal.”Following the preface are four sections of poetry: “Titian Air Vent,” “Tom Tit Tot” (her newest collage poems), “Periscope,” and “Debths.” As always with Howe, Debths brings “a not-being-in-the-no.”
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- EditorialNew Directions Publishing Corporation
- Año de publicación2017
- ISBN 10 0811226859
- ISBN 13 9780811226851
- EncuadernaciónTapa blanda
- IdiomaInglés
- Número de páginas244
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Debths
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New Directions Publishing Corporation, 2017
ISBN 10: 0811226859
ISBN 13: 9780811226851
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Debths
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ISBN 13: 9780811226851
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Debths
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Debths
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New Directions, 2017
ISBN 10: 0811226859
ISBN 13: 9780811226851
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ISBN 13: 9780811226851
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ISBN 13: 9780811226851
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ISBN 10: 0811226859
ISBN 13: 9780811226851
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Paperback. Condición: new. Paperback. A collection in five parts, Susan Howe's electrifying new book opens with a preface by the poet that lays out some of Debths' inspirations: the art of Paul Thek, the Isabella Stewart Gardner collection, and early American writings; and in it she also addresses memory's threads and galaxies, "the rule of remoteness," and "the luminous story surrounding all things noumenal." Following the preface are four sections of poetry: "Titian Air Vent," "Tom Tit Tot" (her newest collage poems), "Periscope," and "Debths." As always with Howe, Debths brings "a not-being-in-the-no." The newest collection by one of America's most exciting poets Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780811226851
Cantidad disponible: 1 disponibles