Krynicki has a rare gift of naming things even in shortest poems, he goes straight to the essence. Among Polish poets and readers he has the reputation of a master, of an archer who never misses.--Adam Zagajewski
Krynicki's work is greatly compact--it resists what Herbert called "gibberish from the tribune black newspaper froth," and aspires to a kind of sacred speech.--Edward Hirsch
These are spellbinding poems: hieroglyphs, "reports from the agents of secret reality," traces left by the poet Issa reincarnated as a snail. In Clare Cavanagh's English, Ryszard Krynicki's Polish courts silence and flickers in paradox. It's a chaste and dire art: political, private, inviolable. I'm transfixed. Here's poetry doing its true work in two languages at once.--Rosanna Warren
Ryszard Krynicki lives with six cats, and I feel he must have captured some of the magic of those lithe creatures in his poetry. Krynicki must look into people the way that cats do. He must dream the way that cats see. Though his short poems are my favorites, his longer works are punctuated with lyrical acuity. This collected translation is a gift and I am blessed to have read it.--Atticus Solomon
A revelation. And a treasure. I thought I 'd known most of the current Polish poets - but here was a glaring omission. He writes with an undercurrent of horror, and yet affirms the sacred, making me believe in the power of poetry to redeem us. As he writes, not without some irony, 'the world still exists.' The translations are superb.--Grace Schulman
Clear water knapped to obsidian sharpness - this is the quality of Ryszard Krynicki's poems. Krynicki plays on his almost-impossible instrument a human music unheard elsewhere. Within its notes: personal history; politics; the earth's beings, salts, and resins; friendships and eros; ferocity and acceptance; the pages of newspapers and cities; morality's subtle explorations. This long-awaited translation brings to English-language readers a poet who retunes the ears.--Jane Hirshfield
At last, a very welcome and representative selection from this major poet of the fabled, fiercely resistant, Polish 'Generation of 68, ' in ever scrupulous and sensitive translations by Clare Cavanagh. We witness the work as it evolves from powerfully defamiliarizing early poems to the movingly spare and lyrical economy of the later writings. All along, however, Krynicki holds up the fun-house mirror to the citizens and rulers of planet Phantasmagoria. His hand is steady.--Michael Palmer
There's nothing in English like these versions of this sharp, scary, un-ignorable Polish poet, whose decades of work speak, at the same time, to the privations and the frustrations of the unfree postwar state in which he lived and to the limits and ironies endemic to human life. If you have ever felt that 'we've outstripped everything, even the future'; if you have ever wanted to apologize to a moth, on behalf of the flame; if you find yourself having to say - or wanting your poets to say - 'I'm not extinct'; if you want to know how short a universally applicable poem can get, or how to love shadows, or how to see past endemic grief - and whether or not you already follow Cavanagh's sharp translations of Krynicki's coevals - Krynicki may be a poet you need.--Steph Burt
Master of luminous detail and a well-turned phrase, Krynicki's poems, even the exceedingly short, rarely fail to move us.--Charles Simic (09/18/2017)
Part Issa haiku, part mystic speech, these delicate poems come from a time when men and women died for poetry. I almost feel unworthy of them, having never known the wall of fire and charred darkness of war. Please don't give these terse, clean poems short shrift - the little flames of purgatory have produced them.--Henri Cole
One of Poland's greatest living poets—now in English at last—Ryszard Krynicki was born in 1943 in a Nazi labor camp, the son of Polish slave laborers. His 1969 volume, Act of Birth, marked the emergence of a major voice in the "New Wave" of Polish poetry. In Krynicki's work, political and poetic rebellion converged during the 1970s and '80s, he was arrested on trumped-up charges and forbidden from publishing. But his poetry is hardly just political. From the early dissident poems to his recent haiku, Krynicki's lyrical work taps deep wells of linguistic acuity, mysticism, compression, and wit.
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Paperback. Condición: new. Paperback. born in transit / I came upon on the place of death So Ryszard Krynicki begins the early lyric that gave his 1969 debut volume Act of Birth its title (a poem which ends: "I live / in the place of death"). These are not simply metaphors. One of the greatest poets of postwar Poland, Krynicki was born in 1943 in a Nazi labor camp in Austria, where his parents, Polish peasants from Ukraine, served as slave laborers. Act of Birth marked the emergence of a major voice-alongside Adam Zagajewski and Stanislaw Baranczak-in Poland's "Generation of 68" or "New Wave." Political and poetic rebellion converged, and the regime took notice. During the 1970s and 80s, Krynicki was arrested on trumped-up charges, dismissed from work, and forbidden from publishing. But to read his poetry as purely political would be a mistake. The early lyric "Act of Birth" displays the acute linguistic and ethical sensitivity at work. A distinctive combination of mysticism, compression, and wit shapes Krynicki's writing from the early dissident poems to his late haiku.Small wonder that his influences span the distance from Issa to Zbigniew Herbert, and include Nelly Sachs and Paul Celan (both of whom he has translated splendidly). Himself an editor, publisher, and acclaimed translator, Krynicki has won major prizes, from the Polish Poets' Award to, most recently, the 2015 Zbigniew Herbert International Literature Prize. With a splendid selection from a half century of marvelous poems, a major Polish poet appears in English at last Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780811225007
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