Críticas:
Tim Parks does an admirable job of keeping the ice-cold language flowing.
Like all great books, it's really like nothing else. It's like itself.--Gabe Habash
An elegantly structured and stubbornly moving study of innocence destroyed and love denied. Very accomplished indeed.
She has the enviable first glance for people and things, she harbors a mixture of distracted levity and authoritative wisdom.--Ingeborg Bachmann
This short work is packed with violent premonitions, sudden deaths, stabbings, hangings and the language of insanity. There are metaphors drawn from shrouds, altar cloths, coffins, corpses, funeral marches, gallows, guillotines, nooses, cults of the dead and, most affecting of all, stone tablets set in churchyard walls. We are all dying, even as children: as Rilke believed, we carry our deaths within us. Frédérique tells the narrator she has an old woman's hands; the schoolgirls inhabit "a sort of senile childhood" and they have 'a mortuary look.'-- (04/02/2018)
Glorious, acerbic, and sad. I have never gasped so much in sheer literary joy as while reading this novel; just trust me. It's exceptional.--Emily Temple "Lit Hub's Most Anticipated Books of 2019 "
Reseña del editor:
Set in postwar Switzerland, Fleur Jaeggy’s eerily beautiful novel begins simply and innocently enough: "At fourteen I was a boarder in a school in the Appenzell." But there is nothing truly simple or innocent here. With the off-handed knowingness of a remorseless young Eve, the narrator describes life as a captive of the school and her designs to win the affections of the apparently perfect new girl, Fréderique. As she broods over her schemes as well as on the nature of control and madness, the novel gathers a suspended, unsettling energy. Now translated into six languages, I beati anni del castigo in its Italian original won the 1990 Premio Bagutta and the 1990 Premio Speciale Rapallo. In Tim Parks’ consummate translation (with its "spare, haunting quality of a prose poem"), Sweet Days of Discipline was selected as one of the London Times Literary Supplement’s Notable Books of 1992: "In a period when novels are generally overblown and scarcely portable, it is good to be able to recommend [one that is] miraculously short and beautifully written."
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