Steinberg at the New Yorker

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9780810959019: Steinberg at the New Yorker

A tribute to the illustrated works of The New Yorker's Saul Steinberg explores his range of modernist work, in a volume that includes reproductions of each of his 130 covers as well as numerous examples of his interior drawings and portfolios. 25,000 first printing.

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About the Author:

Joel Smith is a curator at the Frances Lehman Loeb Art Center at Vassar College.

From Publishers Weekly:

Steinberg's high-concept graphic art—epitomized by his oft-imitated cartoon map in which a Manhattan distended with self-importance shoves the continents of North America and Asia to the margins—is enchantingly showcased in this lavishly illustrated retrospective of his work for the New Yorker. Smith, a curator at the Frances Lehman Loeb Art Center at Vassar and author of Edward Steichen: The Early Years, surveys six decades of Steinberg's pieces, including all 89 New Yorker covers (in full color), cartoons, wartime sketches from overseas, evocative (but never literal-minded) illustrations for articles, and unpublished items from the artist's portfolio. The material is arranged thematically, examining such recurring motifs as cats, pedestals and rubber-stamped figures and documenting the turn to visual metaphor in Steinberg's later work, where symbolic graphic representations of sound, abstract relationships and existential conundrums replace the usual scenario-with-verbal-punch line cartoon setup. Smith's pithy biographical essay situates Steinberg as a self-conscious modernist who helped develop a distinctive New Yorker visual style, one with "a wry, informal wit... attuned to the jittery optimism of the Atomic Age." Steinberg's cartoons usually made readers think before they laughed, and so will this splendid memorial to a 20th-century artistic landmark. (Apr.)

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Smith, Joel
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ISBN 10: 0810959011 ISBN 13: 9780810959019
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Descripción U.S.A.: Harry N. Abrams, 2005. Hardcover. Estado de conservación: New. Nº de ref. de la librería ABE-1489607788931

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Descripción Hachette Book Group. Estado de conservación: New. Brand New. Nº de ref. de la librería 0810959011

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Descripción 2005. HRD. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780810959019

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Descripción Abrams, United States, 2005. Hardback. Estado de conservación: New. Language: English . Brand New Book. Born in Romania in 1914, Steinberg studied architecture in Milan and made a name for himself as a cartoonist before fleeing fascist Italy in 1941. Avidly sponsored by The New Yorker, he arrived in Manhattan the following year, only to join the military on a worldwide tour of duty, which he chronicled in the pages of the magazine. Through the 1950s, Steinberg s acute, spontaneous, fluid line was in constant demand among periodicals and book publishers throughout Europe and the United States. In sixty years, he worked with every editor The New Yorker has had, and he created art of every category it employed, including covers, cartoons, spot drawings, illustrations for Profiles, and multi-page portfolios. All 87 of Steinberg s covers are seen here in full colour, as well as colour drawings which originally appeared in black and white, and 25 thematic plate sections which explore his defining preoccupations. The accompanying essay by art historian Joel Smith considers Steinberg s work in the context of the magazine s evolution, during and after World War II, from a humorous weekly to one of the defining standard bearers of taste and intelligence in American letters. Nº de ref. de la librería AAC9780810959019

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Descripción Harry N. Abrams, 2005. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería 0810959011

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Joel Smith
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Descripción Abrams, United States, 2005. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Born in Romania in 1914, Steinberg studied architecture in Milan and made a name for himself as a cartoonist before fleeing fascist Italy in 1941. Avidly sponsored by The New Yorker, he arrived in Manhattan the following year, only to join the military on a worldwide tour of duty, which he chronicled in the pages of the magazine. Through the 1950s, Steinberg s acute, spontaneous, fluid line was in constant demand among periodicals and book publishers throughout Europe and the United States. In sixty years, he worked with every editor The New Yorker has had, and he created art of every category it employed, including covers, cartoons, spot drawings, illustrations for Profiles, and multi-page portfolios. All 87 of Steinberg s covers are seen here in full colour, as well as colour drawings which originally appeared in black and white, and 25 thematic plate sections which explore his defining preoccupations. The accompanying essay by art historian Joel Smith considers Steinberg s work in the context of the magazine s evolution, during and after World War II, from a humorous weekly to one of the defining standard bearers of taste and intelligence in American letters. Nº de ref. de la librería BZE9780810959019

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Descripción Abrams, 2005. HRD. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780810959019

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Joel Smith
Editorial: Abrams, United States (2005)
ISBN 10: 0810959011 ISBN 13: 9780810959019
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Descripción Abrams, United States, 2005. Hardback. Estado de conservación: New. Language: English . Brand New Book. Born in Romania in 1914, Steinberg studied architecture in Milan and made a name for himself as a cartoonist before fleeing fascist Italy in 1941. Avidly sponsored by The New Yorker, he arrived in Manhattan the following year, only to join the military on a worldwide tour of duty, which he chronicled in the pages of the magazine. Through the 1950s, Steinberg s acute, spontaneous, fluid line was in constant demand among periodicals and book publishers throughout Europe and the United States. In sixty years, he worked with every editor The New Yorker has had, and he created art of every category it employed, including covers, cartoons, spot drawings, illustrations for Profiles, and multi-page portfolios. All 87 of Steinberg s covers are seen here in full colour, as well as colour drawings which originally appeared in black and white, and 25 thematic plate sections which explore his defining preoccupations. The accompanying essay by art historian Joel Smith considers Steinberg s work in the context of the magazine s evolution, during and after World War II, from a humorous weekly to one of the defining standard bearers of taste and intelligence in American letters. Nº de ref. de la librería AAC9780810959019

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