The book is structured around six locations where Goldsworthy has worked over recent years - the semi-desert of Santa Fe, the verdant landscape of New York State in which Cornell University is set, Nova Scotia, forest and coastal areas in Holland, a geological reserve in the south of France and, of course, the area around his home in south-west Scotland. Rich insights into his working methods are provided by the artist's diaries which deliberately document the failures as well as the successes and vividly evoke the ways in which he familiarises himself with a new locale and begins to 'touch' it.
An erudite and fully illustrated chronology compiled by Dr. Terry Friedman provides an overall account of Goldsworthy's career to date, showing, among other things, how particular forms often take many years to become fully developed.
With a selection of more than 500 illustrations, Time is destined to become the definitive reference source on Goldsworthy's sculpture.
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Whether measured in minutes or eons, time is a good friend of British artist Andy Goldsworthy's. He spends long, solitary days outdoors in all kinds of weather, doing things like piecing together many, many yellow leaves to create a brilliant band of color at a river's edge in upstate New York or stacking small pieces of ice on the Nova Scotia coast to build a sculpture in the compact shape of an ancient stone monument. Threatened by a strong gust of wind, the incoming tide, or a sudden rise in temperature, these are fugitive works comfortably in synch with the natural rhythms of growth and decay.
Other works of his are longer-lasting. In walls made of stacked stones with hollowed-out oval "chambers" the size of his body--which he began building in 1999 in Lancashire, England--Goldsworthy makes reference not only to the shapes of graves in a nearby church but also to his personal history in the region and the enduring qualities of a rugged landscape.
Goldsworthy is the rare artist who can describe what he does in simple, concrete terms that nonetheless reveal his larger vision. Time is a very satisfying collection of 500 photographs, nearly all taken by him, that document the creation and subsequent mutations of his work. These evocative images are illuminated by excerpts from the diaries he kept as he created five projects in Europe and North America in the '90s. He discusses what it's like to explore an unfamiliar landscape, assess how the elements will work for and against him, and perform what are essentially a set of experiments. Success means making work that is, as he writes, "completely welded to its site." --Cathy CurtisAbout the Author:
ANDY GOLDSWORTHY's books include Abrams' Stone, Wood, Arch, Wall, Hand to Earth, Passage, Enclosure, and Andy Goldsworthy: A Collaboration with Nature. His work is regularly exhibited in Britain, France, Japan, and the United States. This new book comes in the same year that his first permanent installation in an American museum, at Storm King Art Center in Mountainville, New York, has its official unveiling. Goldsworthy lives with his family in Scotland. TERRY FRIEDMAN is an architectural historian who curated the first major retrospective of Goldsworthy's work.
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Descripción Harry N. Abrams. Hardcover. Estado de conservación: New. 0810944820 New Condition. Nº de ref. de la librería NEW7.0396641
Descripción Harry N. Abrams, 2000. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería P110810944820
Descripción Estado de conservación: Brand New. New. Nº de ref. de la librería A639
Descripción Harry N. Abrams, 2000. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M0810944820